Collections

Minute books of the Fire Department and of related voluntary fire companies; also other administrative records, including records of expenditures and salaries, and records detailing individual fires; and record books, 1876-1899, of city poor relief (then administered by the Fire Department); also photograph.

The record group includes an early minute book of the fire department as well as minute books of various volunteer fire companies in the city. There are, in addition, scattered administrative records, including records of fires in the city, 1899-1962, and records of the poor relief administered by the department. These poor relief volumes include the name of the recipient, the amount, and the items purchased. Also included are the names of the individuals who funded the relief fund.

The Marcus Jamieson collection is made up of incoming personal letters to Jamieson from friends and his immediate family, as well as letters that he wrote to his future wife, Emma Crary of Webster City, Iowa. Jamieson received letters from Emma, his father, and numerous friends in Pennsylvania, Michigan, Iowa, and other states while living in Grinnell, Iowa, between 1877 and 1883, and he received letters from his mother and brother in Grinnell, Iowa, while living in Warren, Pennsylvania, between 1891 and 1902. The letters pertain to numerous aspects of daily life, such as education, local news, and social activities.

The Marcus Jamieson collection is made up of approximately 90 incoming personal letters to Jamieson from friends and his immediate family, as well as 12 letters that he wrote to his future wife, Emma Crary of Webster City, Iowa. Jamieson received letters from Emma, his father, and numerous friends in Pennsylvania, Michigan, Iowa, and other states while living in Grinnell, Iowa, between 1877 and 1883, and he received letters from his mother and brother in Grinnell, Iowa, while living in Warren, Pennsylvania, between 1891 and 1902. The letters pertain to numerous aspects of daily life, such as education, local news, and social activities.

T. W. Gilmore, Jr., and Marcia Gilmore frequently wrote to Jamieson from Ann Arbor, Michigan, between 1877 and 1881. They commented on their social activities, the city, and education. In one letter, T. W. Gilmore, Jr., drew a floor plan of the house in which he lived (November 3, 1878), and in others he mentioned aspects of student life at the high school and at the University of Michigan. Jamieson's father, Hugh A. Jamieson, wrote from Warren, Pennsylvania, and several friends shared news about their lives in Iowa, Missouri, Illinois, Nebraska, and the Dakota Territory. Some commented on baseball, and one drew a sketch of a woman (August 22, 1879).

After 1880, Jamieson corresponded with Emily Crary ("Emma") of Webster City, Iowa. The couple's early letters primarily concern everyday news, but later letters reflect their transition into a more formal courtship. One letter has Jamieson's drawing of a picture of a fireman (August 6, 1882).

After a gap between 1884 and 1890, Jamieson's incoming correspondence resumes with letters from his brother Charles and his mother Julia, both of whom lived in Grinnell, Iowa. Charles discussed his educational experiences at Iowa College, and Julia provided news of her social life and of Emma's mother. The final item is a letter from a representative of Iowa College requesting a financial donation.

Additional material includes a wedding notice, a printed program, a flier of facts about Grinnell College, a newspaper clipping, and a photograph of an unidentified infant.

This photograph album contains pictures that P. C. Colony took while visiting Niagara Falls, Toronto, Montréal, and Québec City in the summer of 1897. Most of the pictures show street scenes, buildings, and scenery.

This album (23cm x 18cm) contains 71 photographs that P. C. Colony took while visiting Niagara Falls, Toronto, Montréal, and Québec City in mid-July 1897. The volume's cardstock pages were once bound. With the exception of three larger prints, the photographs (approximately 10cm x 11.5cm) are pasted two to a page. The first two items are labeled with lengthy manuscript captions, and the remaining items are identified by typed captions. The typed title "Toronto Trip, '97" is glued onto the front cover.

With the exception of the second item, a picture of P. C. Colony driving a plow pulled by two horses, the photographs show scenes from Colony's 1897 trip to Canada, where he attended the Third International Convention of the Epworth League in Toronto. Colony captured several images of a "bicycle sunrise prayer meeting" and a "firemen's exhibit," and one picture is titled "Toronto waif." He also took a series of pictures at a lacrosse game and two of a "Highland bagpipe band." The remaining photographs show street scenes and buildings such as churches (sometimes with interior views), a restaurant, a penitentiary in Kingston, and the Québec Parliament Building, as well as scenic views taken on or near water. The album has pictures of Niagara River rapids, the Lachine Rapids, Toronto Bay, a sailboat on Lake Ontario, a Canadian Pacific railroad bridge, Montmorency Falls, the American Falls, the Horseshoe Falls, and the Thousand Islands.

This album contains photographs taken by the Philadelphia photographic business of Robert Newell & Son in the late 1860s. Images include views of Philadelphia buildings and street scenes; views of Cape May, New Jersey; a few scenes in New York City, studies of tableware; portraits; collages; groups of fire-fighters and equipment; and reproductions of paintings and engravings.

This album (35cm x 27cm, 50 pages) contains 163 images, including architectural views, landscape photographs, portraits, reproductions of paintings and engravings, objects, and commercial advertising displays. The volume, which contains an image of Robert Newell's photographic wagon, an advertising montage made up from images in the album, and an advertising montage for "R. Newell & Son, Artistic Business & Landscape Photographers," may have been used as a sample book for the Newell firm. Many of the photographs are dated in the 1860s, prior to the 1872 date that Robert's son Henry joined the business. The album was in an unbound and fragmented condition when acquired, later reassembled in Mylar sleeves with modern binding by the Clements. The page sequence is based on evidence of the original binding and the contents. Some images appear to have been removed from the album, including a portrait of Boston Corbett, the killer of John Wilkes Booth. Captions in pencil appear to have been added later, possibly by Robert or Henry Newell.

Many photographs are views of individual buildings and streets in Philadelphia including Independence Hall; the Philadelphia Mint; Girard Bank; the Arch Street Theater; plus other commercial buildings, churches, homes, and newly constructed residential areas. Items of interest include photographs of the procession of a visiting Japanese diplomatic delegation; the aftermath of a boiler explosion on Samson Street; canals and locks along the Schuylkill River; a high bridge under construction over a canal; an early oil well; images of commercial products and goods such as silver, cutlery, guns, and a display by importers Field, Langstroth & Co.

Photographic portraits include pictures of unidentified individuals, some likely actors and actresses; a reproduction of a painting of "Bishop Potter;" and a small full-length portrait of the bare-knuckle boxer John C. Heenan. The album also contains photographic montages of United States presidents and Civil War generals; a reproduction of a patriotic painting of George Washington welcoming Abraham Lincoln to heaven; a photograph of "Liberty Indignant" -- a patriotic tableau made up of a woman dressed as Liberty, with a portrait of Lincoln, a flag, and eagle.

The album contains reproductions of unidentified paintings, genre scenes, and engraved portraits. A view of the Fulton Bridge over Broadway may be the only New York City view in the album.

Of particular note are a picture of Robert Newell's photographic cart at Cape May, New Jersey, with a stereo camera visible; several images of vacationers, bathers, cottages, hotels, the railroad office, and an ice cream parlor at Cape May; a rare view of the interior of the Union Volunteer Refreshment Saloon in Philadelphia; a view of a crowd at the "rebel wigwam," the temporary convention hall built opposite Girard College for the first national political convention after the Civil War; and several pages of small images of Philadelphia fire-fighting companies and their equipment.

Of importance in the history of photography is a print from 1865 of what is believed to be the first experiment with indoor flash photography by J. C. Browne, showing a family group in a living room (Taft, pg.202).