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This book contains two editions of the Boys' Excelsior Lyceum's magazine Excelsior, containing essays and poetry by students in Cohoes, New York. Topics explored in the issues include morality, intemperance, and slavery. The volume also contains an insert of 30 pages, which seems to be another edition of the magazine.

This book contains two editions of the Boys' Excelsior Lyceum's magazine Excelsior, containing essays and poetry by students in Cohoes, New York. The bound volume, third in a series, contains manuscript copies of two issues from the magazine's 4th volume, numbers 15 (March 26, 1861, pp.1-62) and 16 (April 9, 1861, pp.63-97), edited by Charles Francis Doyle and Lizzie L. Giles. Each begins with a lengthy essay addressed to the editor, reflecting an ongoing debate between "John Brown, Esq.," and "Dick" on the merits of slavery and temperance. Both authors utilized Biblical quotations while offering lengthy moral justifications for their positions. Additional essays address a range of topics such as war, gambling, and truth, and a number of poems reflect more lighthearted topics, such as ice skating and kissing. What appears to be a third edition of the magazine, dated May 15, 1862 (30 pp.), is inserted into the volume and tied together with red, white, and blue ribbons. Its topics are similar to those in the previous volume, though the debates on slavery and temperance are not addressed. One essay in this edition, attributed to "Alice," pertains to a visit to "the Washington Hospital" and a discussion with a convalescent soldier.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.