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Detroit German-American business; scrapbooks containing a variety of printed material, photographs, handwritten accounts of sentiments and occasions, and hand-drawn ink illustrations.

The Carl E. Schmidt collection consists of sixteen volumes of scrapbooks documenting the wide scope of Schmidt's interests. These scrapbooks were compiled and numbered by Schmidt himself, although some of the explanatory text was added by a friend, Dr. Tobias Sigel, who was himself a German immigrant and prominent citizen of Detroit. The scrapbooks are filled with a variety of printed material, photographs, handwritten accounts of sentiments and occasions, and hand-drawn ink illustrations. Much of the scrapbooks' text is in German, including many clippings from German language newspapers. The illustrations in Volume II are particularly attractive. They are hand-drawn red and black ink illustrations of fanciful, legendary themes relating to Walhalla.

The following inventory is a general guide to the contents of each volume. For those scrapbooks that were paginated by Schmidt, specific sections of special interest have been noted in the inventory. Volume 2 also has its own, original index. There is one corresponding folder for each of thirteen of the volumes. These folders contain loose items removed from volumes one through eleven, thirteen, and fourteen.

As the inventory shows, Schmidt was most thorough in documenting his recreational and farming interests, and his political activity in Detroit, at the state level, and in the German-American community. There is, however, very little information about his tannery business.

Journalist, historical researcher from Kalamazoo, Michigan; Correspondence, research articles and notes, and photographs.

The Weissert collection includes correspondence, 1893-1947, including letters from Joseph Bailly, Clarence M. Burton, Gurdon S. Hubbard, Chase S. Osborn, Albert E. Sleeper, and George Van Pelt. There are also speeches, and writings mostly on Michigan history topics, including Indian history and the history of Kalamazoo and Barry County. The series of research notes illustrates the variety of Weissert's interests: historical personalities, forts, Michigan cities, and early state history. The photographs and snapshots pertain to Weissert's interest in Michigan history, especially homes, churches, mills, hotels, businesses, and other sites primarily in western Michigan, but also including Sault Ste. Marie and Mackinac Island. There are also photographs of Michigan pioneers, particularly from the Hastings, Michigan area.

The Cross-Country photograph album contains photographs taken in various locations throughout the United States, including travel photographs of scenery and buildings in Washington, Colorado, Louisiana, and Massachusetts, among other states, and family photographs taken in New Hampshire, Massachusetts, and elsewhere.

The Cross-Country photograph album (26cm x 32cm, 59 pages) contains around 340 photographs taken throughout the United States between 1896 and 1907, including 15 cyanotypes and 10 panoramas. The items represent numerous printing processes in a variety of sizes. Some have captions, often providing information about the place and the date. Several reference the Gill family. The album has the title "Photographs" printed in gold on its front cover and its pages are bound with a thick string.

Many of the photographs are casual group portraits of men, women, children, and family dogs taken outdoors, often in front of large houses and cottages; some of the same individuals are present in multiple pictures. Included are a portrait of an African American woman holding a Caucasian infant (p. 1), two young boys in dress military uniforms with a collection of toy soldiers (p. 3), and a wedding party (p. 46). Some men and women are pictured golfing at Bass Rocks in Gloucester, Massachusetts. Most of the remaining images are views of landscapes, city streets, buildings, and natural scenery in locations such as Spokane, Washington; Tacoma, Washington; Lake Coeur d'Alene, Idaho; Pikes Peak, Colorado; New Orleans, Louisiana; Hampton, New Hampshire; Boston, Massachusetts; Gloucester, Massachusetts; Beacon Falls, Connecticut; and Washington, D.C. Included are a small number of commercial photographs of the area around Pikes Peak in Colorado including views by William H. Jackson. City views often feature prominent buildings and other landmarks. Other photographs show the rocky coast of New England, harbors, sailing vessels of various sizes, and large homes. Of note are a group portrait of Spokane Native Americans (p.14); views of the Tacoma waterfront (p.15); the New England coast, with aspects of the Gloucester fishing industry including a view of salted cod laid out to dry (p.24-29); pictures of Victorian home interiors (p. 20, 34, 47, 55, 56); and panoramic landscape views taken near Spokane (p. 47, 48). The album includes one print and a hand-colored collotype of the home of Senator George Turner in Spokane, Washington (inside front cover).

Conscientious objector during World Wars I and II and founder of the farming cooperative Saline Valley Farms. Correspondence, diaries, notebooks, and other materials relating to all phases of his career, including his work as Y.M.C.A. worker in England, 1916-1917, and as teacher at Central China University, Wuchang, China, 1922-1926; also family correspondence of Philip H. and Almena S. Gray, 1874-1926; also photographs and motion pictures.

The Harold Gray papers have been divided into seven series: Correspondence; World War I era activities; Personal and Miscellaneous; Printed, clippings, and miscellanea; Family and genealogical; Saline Valley Farms; and Visual Materials (photographs and motion pictures). The great strength of the collection are correspondence, administrative files, diaries, and visual materials documenting the operation of the Saline Valley Farms. There is significant, though smaller quantities of papers detailing Gray's opposition to serving in the military during World War I and his career as a teacher in China in the 1920s.

Professor of English history at University of Michigan. Correspondence with European and American historians, publishing houses, editors of learned journals, members of his family, and friends; also manuscripts of books and articles, lecture notes, student records, business papers, personal account books, diaries, 1938-1940, with comments on world events, and miscellaneous papers; and photographs.

The Cross papers are divided into the following series: Correspondence; Miscellaneous and undated papers; Personal/Biographical; University of Michigan; Publications, articles, and related; Research and lecture materials, and Photographs.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

The first page is inscribed "Marion Shipley's Picture Book. Naval Academy, November 1898," and is followed by a section of drawings and collaged scenes. The collages include colored pencil drawings of the exterior of residences and gardens; a river scene with boats, bridges, and monuments; a church; a tent (an exhibition tent?); a circus; a kitchen; and living rooms. These have printed clippings of animals, furniture, boats, women and children, crowds, circus entertainers, cars and wagons, and vegetation pasted in. One loose page tipped into the volume is titled "THE FAMILY NEXT DOOR!!!" and features clippings of young children crying, swearing, and being spanked, with added pencil annotations. Other pages are filled with colored pencil drawings of birds and animals, a fishing boat, a horse-drawn vehicle, buildings, a decorated tree, and faces.

Shipley also documented the social life of adolescent boys and girls in her circle, in particular their play at school and their emerging romantic interests. Page 35 is dated June 1, 1907, and is labelled "PRIVET. NO TRESPASSING. ALL RIGHTS RESERED [sic]. For Spelling & Writing." It is followed by a diary entry dated June 7, 1907, describing Shipley's day at school, where she commented on having a substitute teacher, getting in trouble, disliking spelling, and drawing pictures of each other's backs and passing it in the class. The passed note is laid into the volume, featuring six pencil drawings of the back of girls' heads to show their hairstyles, each identified by the girl's names and age. One is of Shipley. She used rebus drawings and numerical substitutes to replace foul language (e.g. "7734" for "Hell"). On page 39, Shipley recorded her favorite expression of 1907, "23 SKIDOO & STUNG," and noted students in her school passing slips pairing boys and girls who apparently liked each other. She claimed to not "like any of the boys in the whole school" of about 400 students. This is followed by two columns of names, one for boys and the other for girls.

Shipley included a number of love letters sent to her. On pages 37 and 38 she affixed five letters (by pasting in the envelopes) from Ralph Dana, sent during his stay at the Hawthorne Inn of Gloucester, Massachusetts, from July to September, 1906. He wrote of local entertainments, engagements with friends, his romantic interest in her, guarded concerns about her activities and who she was spending time with, and his suspicion that she did not reciprocate his feelings. Shipley wrote beneath the letters: "These are some letters I got from who was my best fellow. He is not now. My letter were just as bad to his as his were to me. Now I just love H. S. C. (His picture is in the back of my watch) & have every since June of 1907 & this is Jan. 1908." Shipley also laid in nine pieces of correspondence from a suitor named John, mostly dated from early February 1908. They profess his love for her, ask if she loves him, and request kisses. One is on a piece of paper cut in the shape of a heart, and three others include hearts and arrows painted in gold metallic paint. One letter signed "Fred" is addressed to "K," expressing excitement about her upcoming visit and requesting a photo of a beautiful girl. A doily and a page from a calendar with a quote from the Merchant of Venice is also tipped into the volume.

The final diary entry is written on page 41, where Shipley notes attending Hamlet, which she mentioned liking almost as much as Peter Pan. Elsewhere in the volume, Shipley tipped in newspaper clippings of the actor E. H. Sothern and Dom Manuel II, King of Portugal.

The Olga and Jesse Smith collection is made up of photographs, correspondence, and other materials revolving around this couple's work at the Ironwood and Ponca Schools for Native Americans, in South Dakota and Oklahoma, respectively.

The Olga and Jesse Smith collection is made up of photographs, correspondence, and other materials revolving around this couple's work at the Ironwood and Ponca Schools for Native Americans, in South Dakota and Oklahoma, respectively. The largest portion of the collection dates during their time at Ironwood School, 1909-1912, and the Ponca School, 1912-1914.

The centerpiece of the Smith collection is a photograph album, apparently kept by Olga Smith. Consisting of 304 mounted snapshots, this album is divided roughly into two parts: photos from South Dakota and photos from Oklahoma. The first images were taken in and around the Rosebud Reservation in South Dakota. Their subjects include the Ironwood and Upper Cut Meat Day Schools, portraits of school children and other male and female members of the Lakota tribe, Native Americans in tribal costumes and on horseback, an excursion to the Badlands, and other subjects. Photographs taken in Oklahoma include views of the Ponca School and its school children, and other portraits.

This photograph album is valuable in its entirety, and for many of its outstanding individual images. Some of the most impressive photographs are casual portraits of Native Americans, snapshots of a Catholic "Indian Funeral," views of school buildings and grounds, and Native American rituals and encampments. The album also provides insight into what the Smiths deemed important enough to photograph and retain.

The collection also contains 39 loose photographs and images, including tintypes, real photo postcards, picture postcards, a cyanotype, studio portraits, and other miscellaneous photographs. These include family photographs, portraits of Native Americans (some in full regalia), Ponca and Ironwood schools and schoolchildren, images of Native American women cooking out-of-doors, a Rosebud Reservation hotel, a cemetery at the St. Francis Mission, and a several commercial picture postcards of locations on reservations in Oklahoma and North Dakota. See the Additional Descriptive Data for a more thorough list of subjects and names represented in the photograph album and loose photographs.

A small group of 10 letters accompanies the Smith collection. These include six letters and postcards from Olga to her parents and sister at Anderson and Graysville, Indiana, 1909-1910. Two of Olga's letters provide extensive details on life in Cut Meat on the Rosebud Reservation in February 1909. These letters describe the surrounding area, the school, the responsibilities of the Smiths' students, interactions with Native Americans, language barriers, the daily routine, and carriage and train travel. One of these two letters was printed in an Indiana newspaper. In the remaining four letters, Olga provides further insight into life on the reservation, pleads with her parents to visit, and offers advice on how to smuggle a child onboard a train without paying their fare. Smiths' daughter Mildred wrote a letter to her grandparents, in which she discusses her pets and expresses hope that they will come to visit (dated June 1909). Finally, two 1912 letters from Ironwood students to Jesse Smith in January 1912 discuss their chores and school attendance, and a single telegram to Jesse Smith in October 1914 regards his transfer to "Kiowa Schools," Oklahoma, to serve as supervising principal.

A selection of miscellaneous materials completes the Olga and Jesse Smith collection. Six of these nine items relate to the Smiths' school administration and their own efforts to learn and retain Sioux names and vocabulary. These include pages of typed names, titled "Indian Names That is Good for the Soul and Body," and "Sioux Indian Words from Memory"; two pages hung in the Ironwood school by Olga Smith, which list the female students cleaning and sewing responsibilities for two weeks; and a 55-page typed list of Native American names (possibly students). This last item contains approximately 1,450 names. Other miscellaneous materials include a commencement program for Olga Byrkett's graduation, 1898; a card with a hand-drawn teepee and tent which advertises a Progressive Dinner Party given by the Mission Ladies at Colony, Oklahoma, December 1916; and a Grand Secretary's Certificate for Jesse W. Smith, Master Mason, Ponca, Lodge No. 83, December 1924.

Editor and publisher of the Ironwood, Michigan, Daily Globe. Photographs and slides relating to Ironwood and surrounding area, including street views, parades, lumbering and mining activities, local events and disasters, building projects, and miscellaneous; also newspaper clippings.

The collection consists of photographs and slides relating to Ironwood and surrounding area. These images include street views, parades, lumbering and mining activities, local events and disasters, building projects, and miscellaneous. The collection also includes newspaper clippings of his editorials and other articles relating to his newspaper career and civic interests.

Editor and publisher of the Port Huron Times Herald. Scrapbooks, correspondence, and photographs concerning his newspaper career and other Port Huron, Michigan, activities.

The collection is composed of four series: Correspondence; Miscellaneous; Scrapbooks; and Audio-Visual materials. One of the scrapbooks contains letters received from William Lyon Phelps, H. L. Mencken, Edgar A. Guest, Chase S. Osborn, Frank Murphy, Theodore Roosevelt and Arthur H. Vandenberg.

Wife of Chase S. Osborn, leader in the Atlantic Union Movement, and officer in the Atlantic Union Conference, the International Movement for Atlantic Union, and Federal Union, Inc. Correspondence, diaries and other materials concerning her professional interests, especially her work for world peace through international cooperation.

The Stella Osborn collection was received in multiple accessions. The bulk of the papers were received from her home in Georgia (1958) and her office in Washington D.C. (1972). These materials documenting her entire career were organized into seven series: Biographical; Correspondence; Personal and miscellaneous; Atlantic Union Committee and related; Business and Professional Women's Club; Sound recordings; and Index card files. An extremely active woman with many interests and causes, Stella Osborn continued to add to her papers with a later accession in 1983. Following her death, the executor of her estate and other friends added to the collection with materials which she had retained for whatever reason or which had been in storage. There is obviously some overlap in these later materials and the files received previously. The purpose of the Summary Contents List (see below) is to draw like materials together.

The 1992 accession was more fully described than the earlier papers. This accession includes biographical notes and clippings about Stella Osborn and Chase Osborn. There is, in addition, personal and organizational correspondence, financial and estate records (1970-1988), land deeds for the Osborn holdings in Georgia and Michigan, organizational material for the Federal Union and the Atlantic Union Committee, manuscripts of poetry, prose, and political essays (including some material by Chase Osborn), and Stella Osborn's diaries (1982-87). The collection includes childhood photographs of Stella Osborn and photographs of her parents and grandparents. Two copies of a videotape about the Osborn farm in Georgia, Possum Poke, are included here as well.

Much of this accession documents the last few years of Stella Osborn's life, after her move to a retirement home in Sault St. Marie Michigan, years during which she maintained an interest in people and world peace organizations, and in documenting her own and Chase Osborn's place in history. While the bulk of correspondence here is for 1982, 1983, and 1987, some earlier correspondence is included as well. Of interest to university historians is the topical correspondence file on Robert Frost's visit to Michigan. Stella Osborn's lifelong friendship with Yuki Otsuki is documented by their extensive correspondence, a series of letters beautifully written and presented that recall earlier days, including student life.

The collection contains some material of interest to researchers interested in Chase Osborn, including the series of land transfers and deeds which document Chase and Stella Osborn's extensive holdings in Georgia and Michigan, and their gifts of land to various charities and institutions. Also included is some Chase Osborn correspondence and copies of articles he wrote about his extensive travels in Africa. Chase Osborn's 1938 "Longfellow Birthday Book" contains the birth dates of his ancestors. Several letters from 1936 pertain to Chase Osborn's involvement in the movement to build the Mackinac Bridge.

Of special interest to researchers interested in Stella Osborn and her role in various world peace organizations are her unpublished autobiographical manuscripts and files. Also of interest are her diaries, where she continued to record her ideas about politics and her memories.

1. Accessions, 1958 and 1971-1972 [boxes 1-27]
   • Biographical material [box 1]
   • Correspondence, 1916-1982 [boxes 1-13]
   • Personal and miscellaneous
     • Schedules, notes on telephone conversations, various writings [box 14]
     • Personal press releases [box 15]
     • Speeches [box 15]
     • Clippings [box 15]
     • Poetry [box 15]
     • Income tax files [box 15]
     • Diaries [box 16]
     • Student notebooks, account books, etc. (U-M and others) [box 16]
   • Atlantic Union Committee and related [boxes 17-24]
   • Business and Professional Women's Club activities [box 24]
   • Sound tapes [box 25]
   • Card files [boxes 25-27]
2. 1983 Accession [boxes 28-34]
   • Biographical material [box 28]
   • Correspondence, 1918-1983 [boxes 28-31]
   • Organizations [box 31]
   • Topical file [boxes 31-32]
   • Writings (autobiography, poetry, prose) [box 32]
   • Diaries [box 33]
   • Visual materials [box 34]
3. 1992 Accession [boxes 35-38]
   • Biographical and Autobiographical Material (including Chase Osborn) [box 35]
   • Correspondence, 1960-1987 [box 35]
   • Financial and Business Affairs, 1920-1985 [boxes 35-36]
   • Peace Organizations, 1970-1983 [box 36]
   • Manuscripts and Research Notes [box 36]
   • Chase Osborn materials, 1913-1949 [box 37]
   • Diaries, account books, day books, 1930-1987 [box 37-38]
   • Card Indices [box 38]