Collections : [University of Michigan Bentley Historical Library]

Artist, art critic, director of the University of Michigan Art Museum. Scrapbooks with clippings of Ann Arbor News art reviews, scrapbook, 1905-1907, concerning University of Michigan student life, topical files relating to his interest in art and cultural organizations, original scripts of lectures and radio talks.

The Slusser papers document only portions of this artist/critic's life. The majority of the collection consists of scrapbooks containing his art review columns for the Ann Arbor News. These were written in the period of his retirement, 1963 to 1978. There is also one scrapbook from his years as a student at the University of Michigan, 1905-1907. The remainder of the collection consists of such personal materials as a diary he kept of a trip to Europe in 1909 when he went to study in Munich, a selection of some of his lectures and radio talks, and miscellaneous topical files relating to art and artists. Of interest is a series of letters written to his brother Herbert and letters received from artist William H. Littlefield.

Professor of architectural history at the University of Michigan. Correspondence, topical files, college term papers written by Eaton, papers written by Eaton students (mainly concerning the architecture of Michigan buildings), and photographs; subjects include seventeenth century Dutch architecture, the Chicago school of architecture, and the career of Frank Lloyd Wright. Also included is Eaton's research file on the Palmer-Ryan House designed by Frank Lloyd Wright in Ann Arbor. The collection contains extensive correspondence with architect William Gray Purcell

The Leonard K. Eaton papers document his career as a professor of architectural history at the University of Michigan and reflect his interest in seventeenth-century Dutch architecture and the Chicago school of architecture. The papers cover the years 1950-1988 and reflect Eaton's activities as architectural historian, student advisor, author, and participant in architectural professional groups.

The Eaton papers have come to the library in three accessions. The first in 1988 came from Mr. Eaton; the second in 1996 consisted of materials that he had donated to the University of Michigan Art and Architecture Library and which they subsequently transferred to the Bentley Library. The third accession contained some topical files and material related to the Palmer House in Ann Arbor. The first accession has been retained in its original order and consists of five series: Correspondence, Topical Files, College Term Papers written by Leonard Eaton, Student Papers written by Eaton Students, and Photographs

The Correspondence series is arranged alphabetically and consists mainly of outgoing letters. Of special interest is the exchange of letters with Lewis Mumford dating from the late 1950s. Topical Files consists of notes and drafts of Eaton's published articles, which have been arranged by title. Also included in this series are articles relating to the landscape architect Jens Jensen as well as notes and published writings from the 2004 accession. College Term Papers written by Eaton series is arranged alphabetically. Mainly undated, these papers reflect Eaton's interest in literature, art and political theory. Student papers written by Eaton students series focuses on Michigan buildings and architecture. The Photographs series includes photographs used in his research on Dutch architecture and a Flint, Michigan, public housing project.

Teacher; Ann Arbor, Michigan, community activist; member of the North Central Property Owners Association in Ann Arbor. Articles written for the local newspaper, awards, scattered correspondence, biographical information, and photographs.

The Letty M. Wickliffe collection documents the life of a devoted educator, Ann Arbor community activist, and active member of the Republican party. The collection is divided into two series, Topical and Visual. Folders are arranged alphabetically within each series and the items inside the folders are in chronological order. Collections also includes Wickliffe's 1924 University of Michigan diploma.

The Martha Cook Building (MCB) opened in the fall of 1915 as the second all-women's dormitory on the University of Michigan campus. It was a gift of Mr. William Wilson Cook, a lawyer-philanthropist from New York City who was born and raised in Hillsdale, Michigan. The Martha Cook Building records are dated from circa 1913-2016 and include blueprints; chronological files; clippings; correspondence; financial records; minutes, particularly of both the MCB's Board of Governors and House Board; publications; reports; scrapbooks; subject files; and visual materials, such as negatives, photographs, and photograph albums.

The Martha Cook Building records (circa 1913-2016) document the activities of those involved with the Martha Cook Building and include blueprints; chronological files; clippings; correspondence; financial records; minutes; reports; scrapbooks; subject files; and visual materials, such as negatives, photographs, and photograph albums.

Significant people and groups featured in this collection include William. W. Cook; various House Directors, such as Sarah Rowe, G.J. Diekema, Olive Chernow, Josette Allen, and Rosalie Moore; the building's Board of Governors and House Board; and Martha Cook Building students and alumnae. Other notable topics include the construction, furnishing and remodeling of the Martha Cook Building; various scholarships; and activities, such as various anniversary events and the Messiah Dinner.

Ann Arbor-based artist specializing in images of local businesses and sites. The collection has been arranged in three series. The Artwork series includes drawings of buildings and other projects, publications containing reproductions of his work, and files relating to galleries, exhibits, auctions, and art fairs. The Supplemental Materials series concerns the art organizations and associations of which Kemnitz was a member, correspondence, and files pertaining to other activities, notably the Bird Hills Park controversy. The third series, Southern White Migration to Detroit in the 1930s, consists of research materials and reports resulting from Kemnitz' research as a member of a University of Michigan sociology seminar on metropolitan community organization. A portion includes Elmer Akers' research on the Black Legion.

The papers of Milt Kemnitz have been divided into three series. The first series, ARTWORK, focuses on the artwork itself, and its reproduction and dissemination. This includes the following subseries: Drawings of Buildings, Other Projects, Publications and Galleries, Exhibits, Auctions & Art Fairs. The second series, called SUPPLEMENTAL MATERIALS, has three subseries, Art Organizations & Associations, Correspondence and Miscellaneous Personal Material. Much of this material concerns his career as an artist but relates less directly to the actual artwork than the material in the first series. The third series, SOUTHERN WHITE MIGRATION TO DETROIT IN THE 1930s, consists of research materials and reports resulting from Kemnitz' research as a member of a University of Michigan sociology seminar on metropolitan community organization.

Patrick Mullaly (born circa 1946) was a Michigan resident. One photograph of houses along Murray Ave., part of Ann Arbor's Old West Side.

The Patrick Mullaly photograph collection consists of one photograph of houses along Murray Ave., Ann Arbor (Michigan), which was part of the Old West Side.

Photographs collected by Sam Sturgis and Hazel Proctor of Ann Arbor, Michigan; including businesses, street scenes, buildings, people, and activities in Ann Arbor, Brighton, Chelsea, Dexter, Dixboro, Manchester, Saline, and Ypsilanti, Michigan. (Copy negatives and copy prints.)

The Sam Sturgis collection consists of photographic prints and copy negatives of Washtenaw and Livingston County life from the 1860s through the 1970s. Collected by Ann Arbor photographer Sam Sturgis and Ypsilanti banker Hazel Proctor from a variety of known and unknown sources, the collection represents many aspects of life in Ann Arbor, Brighton, Chelsea, Dexter, Dixboro, Manchester, Saline and Ypsilanti. Main subject categories include churches, schools, businesses, buildings, University of Michigan buildings, staff, students and campus life, streets, panoramic views, rivers, recreation and family life, including residences, men, women, and children. Evolving modes of transportation, such as railroads, interurban streetcars, automobiles, and airplanes are also depicted.

Prints and negatives are divided into two parallel series, with negative use restricted to Bentley staff for preservation and security purposes. Each series is arranged alphabetically by city or town and, within each geographical grouping, in the order in which Sturgis collected the items. Sturgis began donating his collection to the Bentley in 1966, and, as items continue to be received, numbering is continued within each geographical grouping, in the original collecting and numbering order established by Sturgis. While some numbers were originally intended by Sturgis to designate the origins of the item, if known, this information has also been added to the item description under the heading "source" to facilitate patron and staff use. The Bentley does not hold a complete set of prints and negatives. Information on the current availability of both prints and negatives is included in each item listing.

Each photograph has a unique identifying number. The "Sturgis Number" consists of a one or two-letter series code, followed by a numerical number with decimal or alphanumeric number, such as AA 267.21 or AA 35A. the collection is arranged by city as follows

City	Sturgis Code	Number of Images
Ann Arbor	AA	ca. 1500
Brighton	BB	148
Chelsea	C	156
Chelsea-Manchester	CM	119
Dexter	D	124
Dixboro	DI	45
Manchester	M	123
Saline	S	57
Ypsilanti	Y	150

An item list of all photographs with description, date (if known), source and photographer, if known, follows the summary contents list on page three of the introduction.

Information on whether the photograph has been published and therefore has further information provided elsewhere is also included in each item description. Unless otherwise noted, all photographs listed as "published" have been published in a series by the Ann Arbor Federal Savings Bank (AAFSB), with editorial supervision by Sam Sturgis and Hazel Proctor. Availability of the respective print and negative concludes each item entry.

The following books, published by the AAFSB in the early 1970s, are annotated with Sturgis' photograph numbers and may be used as a partial guide to the collection. While two copies of each publication are available for consultation in the reading room, only one of each set has annotations. Descriptive captions in these publications as well as the annotated numbers may differ from actual photograph numbers and other information about the photographs. Any reference to these annotations should be verified with the item lists and vice versa to assure accuracy because of occasional inconsistencies. The AAFSB publications with Bentley call numbers are listed as follows:

1. Proctor, Hazel. Old Ann Arbor Town. 1974. Copy 1 annotated. EC 2 A216.5 P964
2. Sam Sturgis. Memories of Old Ann Arbor Town, 1967. Copies 1 and 2 annotated. EC 2 A613.5 S935
3. Proctor, Hazel. Old Brighton Village. 1974. Copy 1 annotated. EC 2 B856.3 P964
4. Proctor, Hazel. Old Chelsea Village. 1972. Copy 2 annotated. EC2 C516.5 P964
5. Proctor, Hazel. Old Dexter Village. 1973. Copy 1 annotated. EC 2 D526.5 P964
6. Proctor, Hazel. Old Manchester Village. 1974. Copy 2 annotated. EC 2 M268.5 P964
7. Proctor, Hazel. Old Saline Village. 1975. Copy 1 annotated. EC 2 S165.5 P964
8. Proctor, Hazel. Old Ypsilanti Town. 1974. Copy 2 annotated. EC 2 Y86.5 P964

Mathematician, professor of mathematics at the University of Michigan. Correspondence and other papers relating to professional and family matters, to his association with the Bethlehem Church in Ann Arbor, and to his involvement with the American Mathematical Society, especially regarding the controversy over loyalty oaths in the 1950s; also letters from family members, notably sister Martha, a school teacher, who comments on her career and her life as a single woman; and letters from son Paul during World War II; and photographs.

The papers of T.H. Hildebrandt consist of seven linear feet of materials spanning the years 1887 to 1978. The bulk of the collection falls between the years 1930 and 1960. The papers have been arranged in ten series: Biographical Material, Bethlehem Church, Compositions, Correspondence, Lectures, Notes, Organizations, Universities, Writings, and Visual Materials.

As Hildebrandt was fairly well known in his field, he corresponded with other eminent mathematicians of his time, including Eliakim Hostings Moore (with whom he had studied) and Maurice Frechet. The Hildebrandt papers are also valuable for other topics: the development of mathematical ideas and the various pressures placed on academics during the Cold War to name both two examples.

Hamburg, Livingston County, and Ann Arbor, Michigan, family. Correspondence, newspaper clippings and photographs of the Lohmiller, Twichell, and Hollister families.

The papers of the Twichell family document three generations of the extended Twichell families. It includes extensive correspondence files, reminiscences of life on turn-of-the-century Michigan farm and of student life the University of Michigan, files relating to the family businesses including boardinghouses in Ann Arbor, and photographs of family members, towns in Michigan, and University of Michigan students. The collection has been arranged into the following series: Correspondence, Alphabetical Files, Photographs, and Sound Recordings.

Architect, professor of architecture at the University of Michigan. Biographical information; subject files relating to his professional activities, his involvement with the International Congress for Modern Architecture, his interest in architectural education, and his own design work; photographs and architectural drawings. The collection includes correspondence exchanged with Buckminster Fuller and Walter Gropius. There is also a letter from Lewis Mumford.

The Walter Sanders collection consists of architectural drawings and photographs, correspondence, and subject files dating from the mid-1930s to his death in 1972. The collection begins with a folder of biographical material followed by a series of folders arranged alphabetically by topic or type of material. Judging by the fullness of his career, it is apparent that these materials represent but a fragment of the documents created and accumulated by Walter Sanders during his professional lifetime. The materials extant in this collection provide a sampling of Sanders' designs, his architectural philosophy, his professional associations, and his teaching career.

The richest portions of the collection include those files of correspondence with other architects and his association with CIAM (the Congrès Internationaux d'Architecture Moderne) or the International Congress for Modern Architecture. Some of Sanders' correspondents include Buckminster Fuller, Walter Gropius, and Lewis Mumford. There are few materials in this collection relating to Sanders' own designs. Except for photographs and drawings of his Ann Arbor residence, the most interesting drawings are for the Pencil Point Home Competition (undated) and for the Chile Pavilion at the 1939 New York World's Fair. Course and class material is also limited though something of Sanders' views on architecture will be found in the "Talks" folder.