Collections : [University of Michigan William L. Clements Library]

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

Lila Moran kept this notebook while a student in Norwich, Connecticut, in 1889. The bulk of the volume consists of compositions relating to British history and vocabulary terms and their definitions. Other content includes two drawings of women, a partial tracing of a hand, and directions for two supernatural rituals or games relating to predicting the future.

Lila Moran kept this notebook while a student in Norwich, Connecticut, in 1889. The bulk of the volume consists of compositions relating to British history and vocabulary terms and their definitions. Other content includes two drawings of women, a partial tracing of a hand, and directions for two supernatural rituals or games relating to predicting the future. They read:

"Start from bed and walk to the door reading 3rd. verse 3rd. chapter amor when you reach the door walk backwards to the bed still reading get in to bed backwards put the book under your pillow wish blow out the lamp without getting out of bed and go to sleep, you must sleep alone you will dream of your future husband"

"Put three saucers in a row put dirt in one a ring in another and watter in the other blindfold any body who wants to try it change the saucers round then lead the person up turn her round three times and stand her before the saucers which must be in a row then let her put her finger in one if she puts it in the one with watter in it she will take a voyag on the watter before a year if she puts it in the one with a ring in it she will be married before a year if she puts it in one with the dirt in it she will die before a year."

Two receipts and one bank notice for Samuel Moran of Norwich, Connecticut, dated between 1883 and 1905, are laid into the volume.