Collections : [University of Michigan William L. Clements Library]

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

This collection consists of the outgoing correspondence of Robert S. Martin, primarily to his wife Margaret (Roth) Martin, as well as photographs and other materials documenting his service with the United States Army during the Second World War. The papers detail his relationship with Margaret, Army training at Camp Callan, his education with the Army Specialized Training Program at Compton College and Texas A & M University, and his service with the 3483rd Ordnance Medium Automotive Maintenance Company, near Tacloban City in the Leyte Province, Philippines.

This collection consists of the outgoing correspondence of Robert S. Martin, primarily to his wife Margaret (Roth) Martin, as well as photographs and other materials documenting his service with the United States Army during the Second World War. The collection details his relationship with Margaret, Army training at Camp Callan, his education with the Army Specialized Training Program at Compton Junior College and Texas A & M University, and his service with the 3483rd Ordnance Medium Automotive Maintenance Company, near Tacloban City in the Leyte Province, Philippines.

The Correspondence Series includes approximately 2.5 linear feet of Robert Martin's outgoing letters, almost exclusively to Margaret (Roth) Martin from 1941 to 1949 (bulk 1943-1946). Several letters to his parents and Margaret's parents are also present. Robert's correspondence details his Army training at Camp Callan as well as his education under the Army Specialized Training Program at Compton Junior College and Texas A & M University. He described coursework, tests, and comradery among his cohort. Robert and Margaret's relationship is also documented, including their courtship, engagement, and wedding planning. Robert wrote of his voyage across the Pacific aboard the USS Admiral Capps and described daily life in the Army camp near Tacloban City, Leyte Province, Philippines, where the 3483rd Ordnance Medium Automotive Maintenance Company was stationed in a non-combat zone. He commented on his work as company clerk and later as a clerk in the maintenance shop. Robert regularly spoke of recreation activities at the camp, including movies, USO shows, radio programs, reading, and sports. In his free time, Robert worked on constructing boats, repairing Jeeps, and taking and developing photographs. Robert built his own darkroom by repurposing an Australian Red Cross truck. Many of his letters reflect on his relationship with Margaret and his reactions to events at home, including her education at DePauw University and her teaching elementary school upon graduation. He included some commentary on general wartime efforts, reactions to news of the Japanese surrender, the lifting of censorship, local Filipino culture and work, and demobilization efforts. Several post-war letters speak to his work with Caterpillar Tractor Company, including a demanding travel schedule as he attended equipment shows in the American South and along the East Coast.

The Documents Series includes 21 items, dating from 1923 to 2009 and representing Robert and Margaret's personal lives as well as Robert's military service. Personal documents include copies of Robert's birth certificate, educational records and diploma from Purdue University, Robert and Margaret's marriage certificate, and Margaret's license to teach in Missouri. Military documents include Robert's registration and identification cards, training and education records, war savings bonds, documents related to his honorable discharge and pension, and certificates acknowleding his service.

The Printed Items Series includes seven items: a newspaper clipping about Robert and Margaret's engagement, a Camp Callan Antiaircraft Replacement Training Center trainees' guide book, a Texas A & M photo pamphlet of campus with manuscript notations, a clipping from an Army newsletter, a copy of The Amended GI Bill of Rights and How it Worksa newspaper clipping of Robert Martin's obituary, and an in memorium flier.

The Insignia Series features two uniform insignia badges, one for the Antiaircraft Command and the other for the Army Specialized Training Program.

The Photographs Series includes one pocket photo album, with a photograph of Margaret taken while she was a student at DePauw University, and one of Margaret and Robert taken shortly after their marriage in August 1944. Eight loose photographs include three of Robert in uniform, one of Robert and Margaret, and four candid shots of camp life in the Philippines. Two reproductions of a wedding day photograph of Margaret and Robert are also present. Eighteen dis-bound photograph album leaves are also present, featuring images from 1941 to 1946. Photographs represent the Martin family, student life with the Army Specialized Training Program at Texas A & M, time stationed with ordnance units at Jackson, Mississippi, and Aberdeen, Maryland, as well as military life in the Philippines. Photographs from the Philippines primarily document informal camp activities, including men in their tents, posing with vehicles, and at rest. Some images represent local Filipino residents and architecture, Robert's photography darkroom, and two images of Japanese prisoners-of-war. Photographs labelled "?" depict Margaret (Roth) Martin.

The Service Record Series consists of one scrapbook, "His Service Record," documenting Robert's service in the Army. It includes manuscript notations about his personal and military history, six photographs, a newspaper announcement of Robert and Margaret's engagement, and a copy of the February 1944 The Slipstick, a yearbook from the A.S.T.P. at Texas A & M.

This collection is comprised of 8 letters written by John Barr to his girlfriend, Ethel Mae ("Polly") Trueblood, of Cleveland, Ohio, during his World War I service with the YMCA near Paris in 1918. In these love letters, Barr discussed his experiences near the front, his negative opinions of the Germans, and the nature of his daily work.

This collection is comprised of 8 letters written by John Barr to his girlfriend, Ethel Mae ("Polly") Trueblood, of Cleveland, Ohio, during his World War I service with the YMCA in Paris in 1918. In these love letters, Barr discussed the nature of his daily work and his experiences. Despite being located near the front and witnessing some of the horrors of war, he maintained a positive attitude, and optimistically told Polly, "One has to be here to fully realize the importance of winning the war. And we are going to win" (June 27, 1918); however, he did not brook any tolerance toward the "Jerrys," "Boches," and "Huns," whom he often disparaged in his letters. Along with his descriptions of life in France and frequent proclamations of love and hope for the couple's future, he responded angrily to reports of strikers in the United States, questioning their loyalty and reinforcing the importance of men in the American Expeditionary Forces. In the letter of September 14, 1918, Barr attached a clipping from the June 7, 1918 issue of Stars and Stripes, featuring an article about war refugees captioned "Helpless Victims of the Hun."

The Pope-Horn papers consist primarily of letters exchanged by future United States Senator James Pinckney Pope and Pauline Horn during their courtship. The couple's letters reflect their daily lives, their relationship, and political issues in Idaho and throughout the United States. Additional material includes postcards, photographs, and other ephemera.

The Pope-Horn papers (2.5 linear feet) consist primarily of letters exchanged by future United States Senator James Pinckney Pope and Pauline Horn during their courtship. Additional items include postcards, photographs, and other ephemera.

The Correspondence series is made up of letters and postcards between James Pinckney Pope and his future wife, Pauline Ruth Horn. Horn described her daily life in Des Plaines, Illinois, and often attended theatrical productions in nearby Chicago. Pope, who pursued careers in law and politics in Boise, Idaho, likewise shared details of his life, such as his work experiences and attendance at local sporting events. In one emotional letter, he expressed his feelings about the Titanic disaster (April 17, 1912). During the 1912 election cycle, the couple increasingly discussed political matters, sharing their views on Theodore Roosevelt and the dominant parties, including the fracturing of the Republican Party. Pope also paid attention to local politics, and wrote of a proposed Idaho law for regulating morality that would ban buttermilk ("a fermenting and intoxicating liquor") and bar women from wearing wigs or makeup, particularly during wedding ceremonies (February 23, 1913). The couple continued to write after their marriage, though less frequently, and often recounted news from their travels. Several letters throughout the series enclose newspaper clippings, and the series also holds 25 postcards Pauline and members of her family received from numerous acquaintances.

The collection's 22 Photographs and Photographic Postcards includes pictures of an unidentified woman and her family (1912), snapshots that appear to have originated much later than the other material in the collection, and unsent photographic postcards of an unidentified woman and her dog.

• Red envelope containing colored pictures of various sights from the American West, such as buffalo and scenes from Denver and Salt Lake City (November 5, [1905]).
• Business card advertising "Arthur Hodges For Mayor"
• Business card for Henry C. Doolittle
• Brochure advertising Des Plaines, Illinois
• Unused picture postcards

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

Marion Shipley compiled this volume while a pre-adolescent and teenager in Portsmouth, New Hampshire. She made collages and colored pencil drawings of domestic scenes, exteriors of residences and gardens, animals, and more. The volume also includes diary entries relating to her social life, humor, and experiences at a school at or near the Naval Academy in Portsmouth. She wrote about getting in trouble in class, passing notes, and flirtatious or romantic relationships. Shipley also pasted and laid in correspondence sent to her by young men courting her, and she added brief comments in the volume speaking to her current romantic interests. Several newspaper clippings also feature male actors and royalty, providing additional information about teenage romantic exploration.

The first page is inscribed "Marion Shipley's Picture Book. Naval Academy, November 1898," and is followed by a section of drawings and collaged scenes. The collages include colored pencil drawings of the exterior of residences and gardens; a river scene with boats, bridges, and monuments; a church; a tent (an exhibition tent?); a circus; a kitchen; and living rooms. These have printed clippings of animals, furniture, boats, women and children, crowds, circus entertainers, cars and wagons, and vegetation pasted in. One loose page tipped into the volume is titled "THE FAMILY NEXT DOOR!!!" and features clippings of young children crying, swearing, and being spanked, with added pencil annotations. Other pages are filled with colored pencil drawings of birds and animals, a fishing boat, a horse-drawn vehicle, buildings, a decorated tree, and faces.

Shipley also documented the social life of adolescent boys and girls in her circle, in particular their play at school and their emerging romantic interests. Page 35 is dated June 1, 1907, and is labelled "PRIVET. NO TRESPASSING. ALL RIGHTS RESERED [sic]. For Spelling & Writing." It is followed by a diary entry dated June 7, 1907, describing Shipley's day at school, where she commented on having a substitute teacher, getting in trouble, disliking spelling, and drawing pictures of each other's backs and passing it in the class. The passed note is laid into the volume, featuring six pencil drawings of the back of girls' heads to show their hairstyles, each identified by the girl's names and age. One is of Shipley. She used rebus drawings and numerical substitutes to replace foul language (e.g. "7734" for "Hell"). On page 39, Shipley recorded her favorite expression of 1907, "23 SKIDOO & STUNG," and noted students in her school passing slips pairing boys and girls who apparently liked each other. She claimed to not "like any of the boys in the whole school" of about 400 students. This is followed by two columns of names, one for boys and the other for girls.

Shipley included a number of love letters sent to her. On pages 37 and 38 she affixed five letters (by pasting in the envelopes) from Ralph Dana, sent during his stay at the Hawthorne Inn of Gloucester, Massachusetts, from July to September, 1906. He wrote of local entertainments, engagements with friends, his romantic interest in her, guarded concerns about her activities and who she was spending time with, and his suspicion that she did not reciprocate his feelings. Shipley wrote beneath the letters: "These are some letters I got from who was my best fellow. He is not now. My letter were just as bad to his as his were to me. Now I just love H. S. C. (His picture is in the back of my watch) & have every since June of 1907 & this is Jan. 1908." Shipley also laid in nine pieces of correspondence from a suitor named John, mostly dated from early February 1908. They profess his love for her, ask if she loves him, and request kisses. One is on a piece of paper cut in the shape of a heart, and three others include hearts and arrows painted in gold metallic paint. One letter signed "Fred" is addressed to "K," expressing excitement about her upcoming visit and requesting a photo of a beautiful girl. A doily and a page from a calendar with a quote from the Merchant of Venice is also tipped into the volume.

The final diary entry is written on page 41, where Shipley notes attending Hamlet, which she mentioned liking almost as much as Peter Pan. Elsewhere in the volume, Shipley tipped in newspaper clippings of the actor E. H. Sothern and Dom Manuel II, King of Portugal.

The Leighton-Mount family papers are made up of incoming correspondence to Pearl Leighton and her husband, John L. Mount, of Otsego, Michigan, as well as letters written by John Mount. In the latter, Mount discusses his work as a traveling salesman of "Royal Scrolls" for Powers, Higley, & Company (Valparaiso, Indiana).

The Leighton-Mount family papers are made up of incoming correspondence to Pearl Leighton and her husband, John L. Mount, of Otsego, Michigan. Other members of the Leighton and Mount families lived in various townships of southern Michigan, for the most part in and around Albion, Otsego, and Springport.

The collection also contains letters written by John Mount; by John Mount's father, George L. Mount (most from Concord, Michigan); by Pearl's father, Amos Leighton (a lumber manufacturer in Otsego, Michigan); by Pearl's cousin, Alva Sebring (in Utah and California); and by numerous Michigan friends of Pearl Leighton.

The most frequent writers in the Leighton-Mount family papers are John and his father, George Mount. John wrote about his relationship with Pearl, sermons and moral issues, work as a traveling salesman, and family-related topics, while George offered financial and family advice. Pearl's friend, Alice S. Beal, of Northville and Albion, Michigan, was a faithful correspondent, who discussed her own schooling and social topics.

Virtually all of Henry Pippitt's surviving Civil War correspondence consists of letters addressed to his mother, Rebecca, documenting two intertwining themes: the Petersburg Campaign from start to finish, and Pippitt's personal campaign to keep himself and his family in good order.Pippitt's letters offer commentary on the last year of the war as seen through the eyes of a young working class man, grown up far beyond his years.

Virtually all of Henry Pippitt's surviving Civil War correspondence consists of letters addressed to his mother, Rebecca, documenting two intertwining themes: the Petersburg Campaign from start to finish, and Pippitt's personal campaign to keep himself and his family in good order. Well written, if not particularly polished, Pippitt's letters offer fine commentary on the last year of the war as seen through the eyes of a young working class man, grown up far beyond his years.

Pippitt's personal struggles weave throughout the collection, surfacing at numerous points, and his various ways of dealing with his ragged home life are reflective both of the depth of his difficulties and his resourcefulness. He alternately castigates, cajoles, threatens or ignores his dead beat father, does his best to assuage his mother's depression over losing her son to the army, and her jealousy of the woman he courts, and he does his best to deal with or explain away his financial problems and his own lapses into drink. Throughout all of his experiences, military and personal, Pippitt matures physically, mentally, and emotionally.

Of particular interest is the letter of September 4, 1864, in which Pippitt describes why he is (again) out of cash. After sketching a somewhat fantastic tale of heavy rains, floods, and an entire camp swept away in the deluge, he swears that the story is the truth and not a lie. This and other letters illustrate an interesting dichotomy in Pippitt's character. Having grown up in a lower-class family, he is constantly aware of the shortage of money, both in camp and at home, but despite his frequent promises to send home sizable sums, he manages to fritter away most of his pay and at times, dips liberally into the already slender family purse to supply himself with what he calls "necessaries."

In more narrowly military terms, the collection contains several brief, but powerful letters describing the hard life in the Petersburg trenches, skirmishes, and the battles of Petersburg, the Crater, and Cold Harbor. A curious side note is Pippitt's tale of the Confederate defenders of Petersburg under-mining Union forts facing the city following the Crater disaster. The series of letters written from Point of Rocks and Chafin's Farm illustrate not only the constricting stagnation of the siege effort during the winter of 1864-65, but the gradually deteriorating morale of the Confederate forces, seen in a flood tide of deserters.

Finally, Pippitt's use of language is often as interesting as what he says. His use of phrases such as "dead beat" (24:45), "helter skelter" (24:66), "if he don't like it, he can lump it" (24:37), or "let [the landlord] know that you haint a going to be shit on by him" (24:38) seem thoroughly up to date, and are an excellent record of urban, working-class patterns of speech.

The Jayne papers contain letters from Samuel Ferguson Jayne, during his service as a relief agent with the U.S. Sanitary Commission, to his fiancée Charlotte Elizabeth Jayne in the summer of 1864. He described his work at the U.S. Colored Hospital at City Point, Virginia, treating wounded soldiers from the battles at Spotsylvania, Cold Harbor, and the Battle of the Crater (Petersburg).

The Jayne papers consist of 17 letters from Samuel Ferguson Jayne, during his service as a relief agent with the U.S. Sanitary Commission, to his fiancée Charlotte Elizabeth Jayne in the summer of 1864. The letters, dated May 22-August 19, 1864, track his travels on the Mary Rapley steamboat and document his efforts at the U.S. Colored Hospital at City Point, Virginia. They discuss the numerous wounded soldiers coming from battles at Spotsylvania, Cold Harbor, and the Battle of the Crater (Petersburg), and include vivid details on the treatment of the men and the facilities of the hospitals. Jayne often notes the difficulties of getting the Union doctors to treat black troops. He wrote, "We have had to almost fight the doctors to get them to treat the colored men decently and to find them proper attention. When we came here most of the men were without beds. Now we have them upon, not only beds, but every man has also an iron bedstead, entirely covered by mosquito netting" (July 12). On August 9th, Jayne wrote that "There are very few agents here, who are adapted to such 'low' work as that of taking care of sick negroes" (August 9).

Jayne described in depth the types of wounds and afflictions the solders suffered. On August 4, he wrote "we are overcome with sick and wounded...I have found many who fought hand to hand with rebels, as their wounds are those made by the butts of muskets or clubs...We have twelve men digging graves today for our hospital alone." In a letter dated April 9th, he described a "terrible explosion" of an ammunition boat at City Point, Virginia, and its aftermath. Though the letters contain many details on his work managing the sick in the hospitals, they also include expressions of love for Charlotte, who Samuel was "compelled to write" in order "to keep [his] wits straight" (August 9, 1864). Jayne also commented on political and ethical issues of the war. For example, in the letter from August 19, 1864, he questioned the morality of paying black soldiers to fight in place of a drafted white soldier:

"I do not think it would be exactly fair to obtain a negro for a substitute. In the first place, in all modesty, they do not make as good soldiers as the whites, and at the present crisis of affairs, from all that I can learn from observation and report, one white man, even as insignificant as myself, is equal to two negroes for war purposes. Then, the negro fights under great disadvantages. If taken prisoner he is either murdered or sold into slavery--and I think that a government that permits its soldiers to be thus dealt with, without retaliating upon the enemy ought to go to perdition, or at least to a strongly seasoned purgatory. I would not ask a man to go as my substitute who would be murdered in cold blood because he was not of my race and color. Until we can procure the African some rights of civilized warfare, let the Anglo Saxon fight his own battles."

Jayne drew several sketches and commented on them. Of note is a picture of a ground plan of the U.S. Colored hospital, City Point, Virginia camp, annotated with the functions of many individual tents. It includes the positions of hospitals for the 5th, 6th, and 9th Corps. This plan accompanies the letter from July 15, 1864, in which Jayne provided additional details of the hospital camp.

• "Our pet lamb Molly," City Point Virginia, a pencil sketch of a young Black woman sitting in front of shelves of supplies (July 26, 1864).
• "Special Diet," a barefoot black man walking past army tents holding a mug and plate of fish (August 10, 1864).
• "For this are we Doctors," a black soldier with a bloody amputated arm (August 10, 1864).
• "Lizzie," a profile of a black woman sitting on a crate with her hands to her head (August 10, 1864).
• "Hospital bed" on the back: "This is a drawing of our hospital beds, with mosque-to netting. Made by Roberts, S. "(August 19, 1864).

In 1863, Union soldier Stephen Metcalf posted a newspaper solicitation for correspondence with a Northern woman, and Carrie White, a supporter of the Union forces, was one of several who responded. All but a few letters in this collection are correspondence between the two that started with this advertisement and ended with their marriage in 1868. The letters span the first five years of the couple's relationship, offering detailed and intimate insight into courtship and other social practices of the Civil War period.

Approximately one third of the letters in this collection were written during the war, and much of the early correspondence centers around the battle and politics. The correspondence is almost entirely complete, with some of White's early letters missing. The bulk of the letters that discuss White's involvement with the aid society are between the beginning of the correspondence and May 25, 1865. As the war ends, topics begin to include Metcalf''s career, courtship and marriage.

The collection begins with a letter from "Eugene" thanking Carrie for her kind response to his advertisement. The letter includes a clipping of his newspaper solicitation. This first letter is almost a grand song of praise to the female sex, and her support of the Union cause: "I have scarcely withdrawn from the blood-stained battlefield when woman has made her appearance and by word, book and deed produced the balm of healing and consolation into every wound."

Metcalf directed most of their conversations, and he centered on two themes: first the war, and second, any social topic that was a little bit controversial. For example, in a letter dated 1863 November 1, Metcalf stated:

The day has come when it is no longer considered a disgrace for woman to appear in the capacity of teacher, lecturer, authoress, or physician. Slowly, yet surely, is the "better half" of the human race rising to the heights destined by the Creator. I believe that when our school houses, seminaries, colleges and Universities shall have become wholly or in part under the influence of female influences there will be greater intellectual advancement and a sounder code of morals inculcated, than characterizes our Educational institutions at the present time.

Metcalf asked for White's attitudes about topics such as co-education. Unfortunately, as is the case for much of the first year of their correspondence, we do not have her reply. One can gain some insight into the kinds of things that White was aware of by reading what Metcalf asked and told her.

Letters from both White and Metcalf during the war provide information about several military actions and the political state of the Nation. On November 1, 1863, Metcalf wrote to White that his company had joined the Pioneer Brigade and built two bridges across the Tennessee River near Chattanooga. One and a half years later, on April 12, 1865, Metcalf celebrated the capture of Richmond: "Yesterday the forces at this post celebrated the capture of Lee and his army by firing a salute of two hundred guns. With the Capital in our possession, the greatest general and best disciplined army of the enemy our prisoners, the conflict cannot continue much longer."

In a letter dated March 10, 1865, White reflected on the war, the condition of Union soldiers, and the future of the nation. She was mortified by the behavior of Andrew Johnson: "What a disgrace to the Nation. The vice-president being in a state of intoxication at the time of the inauguration, what will other nations think? What would become of us, if 'Uncle Abe' should chance to be taken from us?"

Within a year and a half of the first letters, Metcalf and White were very much friends, and their letters take on a comfortable, frank, and familiar tone. White's side of the correspondence is well represented from this point on. Ongoing conversations touched on topics as difficult as Lincoln's assassination and as banal as clothing. As their friendship grew and the war came to an end, topics got more personal, and the two began to tease one another and share their emotional experiences. For example, Metcalf revealed over the course of several letters that he had been fond of a young lady in his home town. While he was away fighting for the Union, she married a "Copperhead." White, also over the course of several letters, delicately consoled him, assuring him that the young lady was not deserving of his affection.

There are signs that by 1865, they each had significant influence over the other. White had particular influence over what Metcalf would do after the war. He discussed some of the career tracks that he could take, including medicine, teaching, or moving west and farming, and seemed to be fishing for White's opinion. In her response, White suggested that she was not fond of the teaching idea. Metcalf immediately qualified his remark, noting that education would only be something he would consider as a temporary form of employment.

White and Metcalf had corresponded for two years before they met in person. After meeting in Jersey in November of 1865, the courtship truly started to evolve and the reader gains an insight into the powerful yet precarious position that women could hold in this kind of interaction. White, for example, is the first to write after the two meet, and she worried that such an "aggressive" move might be too forward. Stephen teased her a bit, but was not put off by her boldness.

As the courtship developed, the two discussed social connections with the opposite sex. Both Metcalf and White deployed jealousy as a mild form of manipulation. On January 14, 1866, Metcalf wrote, "There are eight young ladies in attendance, and I must say that some of them are handsome, at least in a moderate acceptation of that word. But you know that teachers are supposed to occupy a neutral position of all questions relating to the good or bad looks of their female pupils."

In April of 1866 the two met again, and Metcalf declared his love to her. By July of 1866 he proposed marriage and she accepted, all by mail. After the two became engaged, White expressed several concerns about their marriage, often through indirect means. For example, she sent Metcalf a long poem entitled "A Woman's Question," by an unknown author. The first stanza reads:

Before I trust my fate to thee,

Or place my hand in thine;

Before I let thy future give

Color and form to mine,

Before I peril all for thee;

Question thy soul to-night for me.

The remainder of the poem lists the many concerns of a bride-to-be. White seemed to fear that there was a hidden nature within Metcalf that would be revealed after marriage, or that she would somehow fall short of his expectations.

Both parties expressed some concern that the fact that their friendship started as a correspondence based on a newspaper advertisement might violate a sense of propriety. White encountered such concerns among her friends in Jersey. One of her friends, not knowing about Metcalf, told White that this kind of letter writing was very low class. In a letter dated 1864 October 17, Metcalf responded to a question that White has posed about this concern: How would he feel if his sister were to correspond with a soldier? Metcalf admitted that he would not look upon such a situation favorably. On May 1, 1866, just after Metcalf had been presented to White's friends in Jersey, her aunt advised her on sharing publicly the origin of the friendship: "I don't want you to tell a story, neither do I want you to tell the truth..." Although White and Metcalf seemed to regret the way the relationship began, they also recognized that it was the only way the friendship could have started.

The William H. Lee papers are primarily comprised of correspondence and documents relating to Lee’s service with the 8th Missouri Cavalry and the 3rd Arkansas Cavalry, Union Army. A few items document his family life and career after the war.

The William Lee papers contain 57 items spanning from 1862 to 1955, including 49 letters and 8 documents. The earliest items in the collection are 16 letters written by Lee to family members during his service in the 8th Missouri Cavalry and the 3rd Arkansas Cavalry. In his letters of this period, Lee gave detailed accounts of marches, battles, and skirmishes and shared his opinions on several political subjects. His letter of September 11, 1862, contains an account of the Battle of Prairie Grove: “…we marched up on the right wing of our army & in two hours after our artillery commenced firing the day was ours. This is given up by all to be the hardest fought battle of the west & the most decisive.” Lee’s descriptions were frequently accompanied by numerical counts of forces and casualties.

Also of interest is Lee’s perspective on the conflict between North and South, which he expressed in several letters to his mother. Despite residing in Arkansas at the outbreak of the war, Lee strongly identified with the North, and his sentiments seemed to deepen over the course of the war. He expressed deep anger at Southerners (April 22, 1863) stating, “…if every one of them were today occupying a tract of land 6 by 3 feet under the sod I think they would have their Southern Rights…” He also cheered the changes to the Arkansas Constitution forbidding slavery and Confederate “brushwacking” (January 30, 1864). After his February 4, 1865, honorable discharge, the theme of Lee’s letters quickly turned to the courtship of his future wife, Mary, whom he calls “Mollie.” Included in the collection are six invitations to from Lee to “Miss Mollie,” and a letter written on the morning of their wedding day, April 18, 1865, expressing his wish for “a quiet family thing of it.”

Later letters document Lee’s business travels and family life. A letter from Mary to her mother (January 26, 1876) gives substantial information on the Lee children, the adjustment to living in Tennessee (“the society is not of the best”), and the difficulty of finding a school. The 20th-century letters mainly document efforts to put up a new gravestone for Abner Lee, William Lee’s grandfather.

The “Documents” series contains a variety of materials, including Lee’s army discharge papers, a brief autobiography with clippings on William and Mary Lee, and three photos, one of which may portray Lee as an elderly man.