Search

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Gerald T. and Charlotte B. Maxson printed ephemera collection contains over 5,000 pieces of assorted ephemera, the majority of which were commercially printed in the United States during the mid to late 19th-century.

The Maxson collection provides a valuable resource for the study of 19th-century visual culture, commercial advertising, and humor in addition to the role of gender, ethnicity, and race in advertising. American businesses are the predominant focus of the collection, though many international businesses are also represented. While trade cards are by far the most prevalent type of ephemera found in this collection, an extensive array of genres are present including die cut scrapbook pieces, photographs, engravings, maps, serials, and manuscript materials.

The 23 binders that house the Maxson collection were arranged by the collectors themselves. Items are organized somewhat randomly in terms of topical arrangement. While pockets of related materials can be found here and there (for instance, the entirety of Volume 16 contains circus-related items while Volume 11 contains an extensive number of Shaker-related materials), for the most part any given subject may appear in any given volume. In some cases, items are clustered as a result of having been acquired together or due to a documented common provenance. Occasional typed annotations written by the Maxsons help provide additional context for certain items.

The Maxson Collection Subject Index serves as a volume-level subject index for materials found throughout the binders. The subjects indexed here are generally representative of both visual and commercial content. In addition to more general subjects, many names of specific people, places, buildings, events, and organizations that appear in the materials have also been listed. Researchers engaging with this collection should be aware that they will encounter numerous examples of racist caricatures, especially ones depicting African American, Native American, Irish, and Chinese people.

The Pope-Horn papers consist primarily of letters exchanged by future United States Senator James Pinckney Pope and Pauline Horn during their courtship. The couple's letters reflect their daily lives, their relationship, and political issues in Idaho and throughout the United States. Additional material includes postcards, photographs, and other ephemera.

The Pope-Horn papers (2.5 linear feet) consist primarily of letters exchanged by future United States Senator James Pinckney Pope and Pauline Horn during their courtship. Additional items include postcards, photographs, and other ephemera.

The Correspondence series is made up of letters and postcards between James Pinckney Pope and his future wife, Pauline Ruth Horn. Horn described her daily life in Des Plaines, Illinois, and often attended theatrical productions in nearby Chicago. Pope, who pursued careers in law and politics in Boise, Idaho, likewise shared details of his life, such as his work experiences and attendance at local sporting events. In one emotional letter, he expressed his feelings about the Titanic disaster (April 17, 1912). During the 1912 election cycle, the couple increasingly discussed political matters, sharing their views on Theodore Roosevelt and the dominant parties, including the fracturing of the Republican Party. Pope also paid attention to local politics, and wrote of a proposed Idaho law for regulating morality that would ban buttermilk ("a fermenting and intoxicating liquor") and bar women from wearing wigs or makeup, particularly during wedding ceremonies (February 23, 1913). The couple continued to write after their marriage, though less frequently, and often recounted news from their travels. Several letters throughout the series enclose newspaper clippings, and the series also holds 25 postcards Pauline and members of her family received from numerous acquaintances.

The collection's 22 Photographs and Photographic Postcards includes pictures of an unidentified woman and her family (1912), snapshots that appear to have originated much later than the other material in the collection, and unsent photographic postcards of an unidentified woman and her dog.

• Red envelope containing colored pictures of various sights from the American West, such as buffalo and scenes from Denver and Salt Lake City (November 5, [1905]).
• Business card advertising "Arthur Hodges For Mayor"
• Business card for Henry C. Doolittle
• Brochure advertising Des Plaines, Illinois
• Unused picture postcards