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This collection is comprised of 12 incoming and outgoing letters of Alexander Lyman Holley, and 1 report card. Holley wrote 7 letters to his father, Alexander Hamilton Holley, about his educational experiences in Farmington, Connecticut, and about his life in New York City in the early 1860s. He received letters from his father (2 items), stepmother (1 item), and grandfather (1 item), who provided advice and news. His wife Mary wrote 1 letter to her father-in-law.

This collection is comprised of 12 incoming and outgoing letters of Alexander Lyman Holley, and 1 report card. Holley wrote 7 letters to his father, Alexander Hamilton Holley, about his educational experiences in Farmington, Connecticut, and about his life in New York City in the early 1860s. He received letters from his father (2 items), stepmother (1 item), and grandfather (1 item), who provided advice and news. His wife Mary wrote 1 letter to her father-in-law.

Alexander Lyman Holley composed 7 letters to Alexander Hamilton Holley between 1841 and 1862. His first 4 letters concern his education and social life at Furnace Village, [Massachusetts], and Farmington, Connecticut. He wrote about his social life, progress in school, and travels (including his June 19, 1847, letter regarding a trip to the "Bristol copper mines"). In 2 later letters, he reflected on anti-Union rioting and railroad destruction in Baltimore, Maryland (April 27, 1861), and on the difficult birth of his daughter Gertrude (October 28, 1862).

Holley's stepmother, Marcia Coffing Holley, shared her anticipation of his upcoming visit (April 28, 1849). His father wrote 2 letters dispensing life advice on alcohol, socializing, and other topics (11 pages, July 7, 1849, and July 23, 1849). Other correspondence items are a note Holley received from his grandfather, Erastus Lyman, concerning financial matters (October 9, 1854), and a letter Mary H. Holley wrote to her father-in-law about family news. The final item is an undated report card for Alexander Lyman Holley, with a brief note Holley wrote on the back.

The David V. Tinder Collection of Michigan Photography consists of over 100,000 images in a variety of formats including daguerreotypes, ambrotypes, tintypes, cartes de visite, cabinet photographs, real photo postcards, stereographs, and mounted and unmounted paper prints. The collection is primarily made up of vernacular photographs of everyday life in Michigan taken by both professional and amateur photographers from the 1840s into the mid-twentieth century. In addition to supporting local history research, the collection has resources for the study of specific events and subjects. Included are images related to lumbering, mining, suburbanization; the industrialization of cities; travel and transportation; the impact of the automobile; the rise of middle-class leisure society; fashion and dress; ethnicity and race; the role of fraternal organizations in society; and the participation of photographers in business, domestic, and social life. The collection is only partially open for research.

The subject contents of different photographic format series within the Tinder collection vary, depending in part upon how each format was historically used, and the date range of that format's popularity. For example, cartes de visite and cased images are most often formal studio portraits, while stereographs are likely to be outdoor views. Cabinet photographs are frequently portraits, but often composed with less formality than the cartes de visite and cased images. The postcards and the mounted prints contain very diverse subjects. The photographers' file contains many important and rare images of photographers, their galleries, promotional images, and the activities of photographers in the field. See individual series descriptions in the Contents List below for more specific details.

Included throughout are images by both professional and amateur photographers, although those by professionals are extant in far greater numbers.

The William B. Clinton papers consist primarily of letters that Clinton wrote to his mother and siblings in Schenectady, New York, while working at a mining camp in Sewell, Chile, in the early 20th century.

The William B. Clinton papers consist of 153 letters that Clinton wrote to his mother and siblings in Schenectady, New York, while working at a mining camp in Sewell, Chile, in the early 20th century. The collections also includes an additional 6 letters written by various senders, 2 newspaper clippings, a 2-page journal entry, and 2 pieces of ephemera.

Clinton wrote about his life in Chile, exploring topics that ranged from local geography to customs and politics. The bulk of the correspondence begins in January 1917, with Clinton only 8 weeks into his Chilean experience, and many of his early letters concern his homesickness. As he adapted to Sewell, Clinton focused more on his job and on everyday life in Chile and spent significant periods of time in other Chilean towns on work-related business. In addition to describing his duties at work and his thoughts about labor politics, he frequently made observations about cultural differences and his social life. In his letter of March 7, 1920, he enclosed a dance card and printed program for an event featuring "The Chocolate Soldier Minstrels."

During the First World War, Clinton heard little international news but kept up on local politics. He observed holidays such as the Fourth of July, even though local residents often took no notice of them and often displayed disdain toward the United States. Several of his letters of the letters focus on culinary topics such as a cooking class (with attached recipes) (November 8, 1919) and a diet prescribed by "Dr. Rich" (Ddecember 22, 1921).

The collection also contains a 2-page journal entry detailing an anonymous author's experience escorting strikebreakers into a mill, 2 newspaper clippings, and a recipe for a tomato-based sauce, and a typed poem about workers entitled "Time Clocks Start - October 12."