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Andrew Robinson Giddinge , a Pejepscot, Maine, innkeeper, kept this diary between January 1 and February 28, 1835. His descriptive entries pertain to everyday aspects of his life, such as household chores, Christian Bible reading, newspaper and periodical reading, hearing difficulties, trips to New Gloucester, and visits with friends and family. Giddinge filled the margins of this diary with numerous small sketches pertinent to their accompanying entries.

Andrew Robinson Giddinge, a Pejepscot, Maine, innkeeper, kept this diary between January 1 and February 28, 1835. His descriptive entries pertain to everyday aspects of his life, such as household chores, Christian Bible reading, newspaper and periodical reading, hearing difficulties, trips to New Gloucester, and visits with friends and family. Giddinge filled the margins of this diary with numerous small sketches pertinent to their accompanying entries.

Andrew Giddinge's frequent visits with neighbors and family, including Parsons in-laws and daughter Anna (married to Nathan Ingersoll), sometimes included helping neighbors with tasks such as chopping wood or shaving a disabled friend. He also recorded the illnesses and deaths of persons in his family and social circles. On January 6, 1835, Andrew took wheat to be ground in Lewiston for a "Graham" meal (Sylvester Graham's regimen was also used by a family he visited on January 14, 1835). His discussions of family dynamics included reflections on whether or not callers came to see him or his son's wife Deborah Tarbox Giddinge, and whether or not he was "at home" or merely enjoying the hospitality of others. Giddinge also commented regularly on postal deliveries, with hopes for letters from his son George, who lived in Kentucky. He discussed different periodicals and interspersed quotes from works he read.

His descriptive entries include weather notations, and small sketches related to the day's entries fill the margins. Among the illustrations are razors, scissors, irons, buckets, a casket, manicules, clothing, people warming feet in hot water, clothes being washed, barrels, the moon, a mole, a musical instrument, an ax and grinder, kettles, wash tubs, baking and food, a goat, letters, logs being pulled, a butchered calf and a fish, a hearth, an umbrella, a heart with arrows, a copy of an illustration of scene from Tristram Shandy, and others.

The George A.C. Barnett papers consists of a set of letters written to a woman named "Dotty" between November 30, 1864, and December 25, 1864, while Barnett was serving as 1st Lieutenant in the 17th New York Veteran Volunteer Infantry.

The correspondence of George A.C. Barnett consists of a set of 27 letters written to a woman named "Dotty" between the dates of November 30, 1864, and December 25, 1864. The letters were written from Chattanooga, Tennessee. Just as Barnett arrived in Tennessee, the railroad was cut, making it impossible to send or receive mail. As a result, Barnett collected his daily correspondence, numbered each page, and eventually sent the batch of letters as a collected work. The letters, totaling 192 pages, describe Barnett's daily activities, thoughts, and feelings.

A small printed etching of the Three Graces is affixed to the November 30th letter. Pen and ink drawings illustrate the letters of December 18th (a man in tall boots), 19th (a pair of elegant "breeches"), and 20th (a horse).

This collection is made up of 10 inventories of the personal and real property of one person or family in and around Norton, Massachusetts, over the course of 26 years. The entries include objects and land ownership, along with valuations. The property owner began with four heifers/steers/bulls, around 10 acres of woodland, carpenter's tools, and a selection of clothing items. The following inventories reflect the expansion of a carpentry business, accumulation of more and higher quality clothing, aging of livestock, acquisition of horses, lambs, and oxen, improved tack, neck stocks, wagons, plows, shovels, chains, and more. In the late 1850s and 1860s, they gained a "detach Lever silver watch," picture frames, a checkerboard, a sword cane, pocketknives, firearms, lanterns, and other household goods. After the Civil War, they started saving money in a bank account, purchased bonds, and held cash and currency. By 1876, the real property expanded to over 43 acres in Norton, Easton, and Mansfield. The concluding inventory is a list of real estate, a selection of objects, and an entry for "Houshold Stuf to numerous to mention." In 1850, the total assets were $760.50. By 1876, they were $17,076.25.

This collection is made up of 10 inventories of the personal and real property of one person or family in and around Norton, Massachusetts, over the course of 26 years. The entries include objects and land ownership, along with valuations. The property owner began with four heifers/steers/bulls, around 10 acres of woodland, carpenter's tools, and a selection of clothing items. The following inventories reflect the expansion of a carpentry business, accumulation of more and higher quality clothing, aging of livestock, acquisition of horses, lambs, and oxen, improved tack, neck stocks, wagons, plows, shovels, chains, and more. In the late 1850s and 1860s, they gained a "detach Lever silver watch," picture frames, a checkerboard, a sword cane, pocketknives, firearms, lanterns, and other household goods. After the Civil War, they started saving money in a bank account, purchased bonds, and held cash and currency. By 1876, the real property expanded to over 43 acres in Norton, Easton, and Mansfield. The concluding inventory is a list of real estate, a selection of objects, and an entry for "Houshold Stuf to numerous to mention." In 1850, the total assets were $760.50. By 1876, they were $17,076.25.

The collection consists of hand-made sketchbooks and loose sheets of paper featuring drawings likely made by children Edith, Jennie, and Theodore Pond while residing in Syria (present-day Lebanon) with their missionary parents, Theodore S. Pond and Julia Pond. Prominent imagery depicted includes domestic scenes, women and children at work and play, and women tending to the sick. The Ponds rarely specified locations in their drawings, and while they may have been generic or imagined scenes some may have been made to reflect the Pond family's residence or experience while in Syria (present-day Lebanon).

The collection consists of hand-made sketchbooks and loose sheets of paper featuring drawings likely made by children Edith, Jennie, and Theodore Pond while residing in Syria (present-day Lebanon) with their missionary parents, Theodore S. Pond and Julia Pond. Prominent imagery depicted includes domestic scenes, women and children at work and play, and women tending to the sick. The Ponds rarely specified locations in their drawings, and while they may have been generic or imagined scenes some may have been made to reflect the Pond family's residence or experience while in Syria (present-day Lebanon).

The bulk of the drawings were done in pencil, but several were made using pen and ink, pen and wash, and pastels. A large portion of the images depict interior domestic scenes of women and young girls reading, sewing, dining, visiting, sleeping, and at play with toys in parlors, living rooms, and bedrooms. These drawings include details like clothing, accessories, furniture, and decorations. Several show women wearing the Christian cross as jewelry, head coverings or veils, and chopines (a platformed shoe), possibly representing adherents of the Eastern Orthodox Church. Several of the drawings feature women at work doing tasks like cooking, sewing, washing dishes or floors, sweeping, gardening, tending to the ill, or bathing children. Older women are represented alongside middle-aged women, young girls, and infants. Adult men and young boys appear occasionally in the scenes.

Several illustrations appear to show women laboring as domestic servants, and at least four of these images represent dark-skinned women. One additional drawing shows a family scene with three dark-skinned women knitting or resting in a hammock.

Outdoor scenes are also represented, showing women and children walking and travelling in the streets, playing games, visiting the beach, riding horses, shopping, sleighing, or picking fruit. One drawing depicts a family standing beside a sphinx with pyramids in the background. Other locales outside of the home are also featured, including a store, a church, a theater, a photographer's studio, and possibly a school.

Miscellaneous other topics were drawn, such as angels, Grecian women, a dream, a centaur statue, a shield with an American crest, and two singing girls who appear to be impoverished.

Only two of the drawings were signed, both landscapes by Theodore H. Pond, one dated 1882 shows a building in the countryside and the other depicts a village street scene leading towards a church. Two other unsigned landscapes are also present, one labelled "St. Augustines Canterbury." Two other illustrations -- one a portrait of a young woman and the other an interior scene with four children blowing bubbles-- have the name "Edith" inscribed with ink on the verso. Several of the drawings were labelled by a child in block letters. One of the drawings was made on a sheet of paper that had previously been used to write notes on the Letters of Paul.

The drawings were enclosed in an Upsala College envelope labeled: "'Drawings of Edith & Elsie Pond when they were little girls in Syria.' (Be Sure To Save These)"

The Suckley family papers provide documentation of family life, mercantile business, and the Methodist Church in antebellum New York City.

This Suckley collection is only a small residuum of a much larger collection, yet what remains provides important documentation of several aspects of nineteenth century life, particularly relating to commercial life in antebellum New York City and the Methodist Church.

Boxes 1 and 2 consists primarily of in-coming correspondence dated between 1791 and 1839, centering on the personal and professional life of George Suckley, with the earliest material originating in the family of his first wife, Miss Lang, in England. The letters contain some information on English Methodism (1:1-6, 16-18). Of particular interest are the letters of the Methodist missionary, Francis Asbury (1:10-11) and of the wife of Richard Reece, who began his itinerant ministry in 1787 (The Christian Advocate and Journal, May 13, 1846, contains a brief sketch of Reece's life). The letters of Catherine Rutsen Suckley and Joseph Holdich include discussions of the Methodist Church in America, and the missionary Freeborn Garretson, is discussed in several letters (1:21-23,25,26,32).

George Suckley's business correspondence includes dealings with the English firm of Holy, Newbould and Suckley (1:33-42,47) and two sets of letters from agents who Suckley retained to manage his vast land holdings, John Reed in upstate New York and John Rangeley in Maine. Among the personal correspondence are several letters from Philadelphia lawyer(?) Cornelius Comegys and letters from three of George Suckley's sons. John Lang Suckley wrote frequently to request money to pay his servants; Rutsen Suckley assisted in managing his father's properties, and Thomas Holy Suckley was a college student.

Box 3 contains family correspondence written after George's death in 1846. Among the family members represented are George's children Rusten, Mary, and Thomas Holy Suckley, and his grandson Dr. George Suckley (1830-1869). George's letters are the most intrinsically interesting, as they were written during a period in the 1850s when he was practicing in Oregon and Washington Territory and considering land investments in California. During this same period, Dr. Suckley was the recipient of several letters from David and Jack Green (apparently cousins of some sort). One item (3:39) relates to George's Civil War service. The later correspondence heavily concerns New York charities. One interesting letter (3:52) is a stableman's apology for drunkenness on Christmas.

Boxes 5 through 9 are arranged in folders by subject. Of particularly interest are materials that document the various New York City rental properties owned by Rutsen Suckley, recording rents collected and upkeep expenses between the 1840s and 1870s. The cost of living in New York can be calculated from bills and receipts for a wide range of products and services.

The Townsend Young daybook contains financial accounts for Young's business as a clothier in Sing Sing, New York. His clients were predominantly individuals, who paid cash for many types of clothing, cloth, tailor work, and sewing tools. He also rented Singer sewing machines. Each entry includes the customer name, goods purchased or rented, costs, and reference numbers. While Townsend Young held a work contract with Sing Sing's female prison during at least part of this period, no products in this daybook are specifically identified as the result of contract system labor.

The Townsend Young daybook contains 800 pages of financial accounts for Young's business as a clothier in Sing Sing, New York, between 1876 and 1877. His clients were predominantly individuals who paid cash for many types of clothing, tailor work, cloth, and sewing tools. He also rented Singer sewing machines. Each entry includes the customer name, goods purchased or rented, costs, and reference numbers. While Townsend Young held a work contract with Sing Sing's female prison during at least part of this time period, no products in this daybook are specifically identified as the result of contract system labor.

Townsend Young's store also provided tailor services such as sewing, cleaning, pressing, repairing, making buttonholes, and other work. The list of products sold by Young is lengthy. A selection of the goods referenced in the daybook include vests, suspenders, buttons, suits, hats, caps, silk hats, pants, drawers, cravats, studs, spools, silk, socks, needles, linen, "brick", collars, coats, handkerchiefs, shirts, scarves, coachman gloves, kid gloves, castor gloves, bows, umbrellas, elastics, overcoats, canes, muslin, satin, "livingston collars", "geyser water", night shirts, cashmere, cotton coats, bending (cloth), foweling (cloth), balls of cord, wiggan, cotton goods, "grey Cadet cloth" (September 12, 1876, p. 265), velvet, ties, "Campaign Uniforms"/"Campaign Suits" (A. L. Young, October 12, 1876, p. 315; B. C. Insler, Abraham Hyatt, and Dr. Woodcock, November 4, 1876, p. 360), "Suits of Clothing" (George R. Young, Agent and Warden of Sing Sing Prison, October 19 and 26, 1876, pp. 327 and 338), epaulettes (Sharp Terrell's coat, October 21, 1876, p. 331). sheet wadding, canvas, pocketing, twist, thread, slaven jackets, fanning, "Wolf Robes" (Mrs. Dr. Mead, January 10, 1877, p. 487), buffalo robes, and more.

The William Young papers center on the lives of William Young and his son-in-law John McAllister, Jr. The strengths of the collection are its documentation of William Young's careers as printer, publisher, bookseller and paper maker; the Associate Presbyterian Church; John McAllister's antiquarian interests; and the personal lives of the Young and McAllister families.

The William Young papers center on the lives of William Young and his son-in-law John McAllister, Jr., and through these lives document a wide scope of business, cultural, family and religious history both in America and Scotland. The strengths of the collection are its documentation of William Young's careers as printer, publisher, bookseller and paper maker; the Associate Presbyterian Church; John McAllister's antiquarian interests; and the personal lives of the Young and McAllister families.

The earliest papers in the collection date from William Young's days as a Scottish seminarian, and include valuable information on the Associate Presbytery of Scotland. A group of letters written after the Youngs' removal to America, 1784, documents European interest in the new nation: the immigrants received many letters from Scottish friends (and potential emigrants) inquiring into the details of America life. Young kept certain business concerns in Scotland; his brother Stephen and Agnes Young's brothers, William and John McLaws, were all active in the book trade, and their correspondence provides some insight into the burgeoning international book business.

The backbone of the collection is the correspondence relating to William Young's diverse business enterprises from the 1780s through 1820s. Among the later material, the correspondence between William Young McAllister and his thirty-year-old son, William Mitchell McAllister (7:54 and 56), stands out as illustration of a father's displeasure over his son's mismanagement of affairs during the disastrous panic of 1873. Also interesting is a plaintive letter written by the 52 year-old Thomas H. Young (7:59) in 1876, asking his aging father to bail out his business with a handout of $5,000.00. Box 8 contains a large quantity of receipts, accounts, and other business papers of Young's, along with information on the tangled settlement of Young's estate (8:30) and information on the settlement of other estates. Additional information on Young's estate is located with the oversized material (see Separation Record).

The Young Papers also contains rich resources for study of the history of the Associate Presbyterian Church in America. One of the smallest Presbyterian denominations, the Associate Presbyterians preserved few primary resources and little survives from their presence on the American scene; the Young Papers contain some of the earliest records known for that church (folder 8-37). Among other Associate Presbyterian ministers represented in the collection is Rev. Thomas Hamilton (1776-1818), William Young's son-in-law. Much of the work compiled by John McAllister Jr. in compiling the Associate Presbyterian volume of Sprague's Annals of the American Pulpit, is preserved in folder 8:10.

Yellow fever in Philadelphia (1793) and the nation's first major cholera epidemic (1832) are both well documented through letters containing medical information, largely confined to home remedies and professional advice on medicines. There is some discussion of Frances Stevenson's illness which cost her the use of a leg, resulting in her use of a prosthesis (6:88). In addition, there is a detailed report on the body of Dr. William R. Grant in 1852 (folder 7:6).

The photographs associated with the collection include valuable insights into family relations within both the Young and McAllister families (1:1 to 1:8), particularly when seen in conjunction with the large number of personal letters between family members. William Young's instructions to his housekeeper (3:54), John McAllister's consultations with his wife on business matters, race relations in Philadelphia (5:9, 6:11), relations with a mother-in-law (4:58), and the execution of Robert Morris's seldom-mentioned and ne'er-do-well son Charles (4:21) are among the topics discussed. Perhaps the wittiest correspondent is Mary Ann Hunter, a friend of Eliza Young McAllister, whose observations on Philadelphia society in the first decades of the 19th century are trenchant and insightful and read almost like a novel.