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Collection

Howell family photograph album, 1860s-1880s

1 volume

The Howell family photograph album contains tintype and carte-de-visite portraits of the relatives of Clarissa Cutler Howell, who lived in Waltz Township, Indiana, in the mid- to late 19th century. Pictures of her children, parents, and siblings are included.

The Howell family photograph album (13cm x 10cm) contains 34 photographs of the relatives of Clarissa Cutler Howell, who lived in Waltz Township, Indiana, in the mid- to late 19th century. Included are 26 tintypes, seven cartes-de-visite, and one silver gelatin print, which shows Clarissa Cutler Howell at an advanced age. A lithograph entitled "Love at the Gate" is tucked into a sleeve behind this print. With the exception of the later print, the photographs are formal studio portraits of Clarissa Cutler Howell and her parents, siblings, children, and other family members. The album's blue leather cover has a geometric relief design.

Collection

Shaw family collection, 1905-1925 (majority within 1915-1925)

1.75 linear feet

This collection is primarily made up of letters that brothers Charles B. and Clarence F. ("Freeman") Shaw wrote to their mother, Hattie C. Shaw of Swampscott, Massachusetts. Charles discussed his life in Schenectady, New York, prior to World War I and his life in Washington, D.C., in the early 1920s, when he was a clerk for General John J. Pershing. Freeman Shaw wrote to his mother about his experiences with the United States Army's 103rd Aero Squadron in the United States and France during World War I.

This collection (1.75 linear feet) contains correspondence and other items related to Hattie C. Shaw of Swampscott, Massachusetts, and her two eldest sons, Clarence F. ("Freeman") and Charles B. Shaw.

The Correspondence series (approximately 400 letters) comprises the bulk of the collection. The earliest items are personal letters to Hattie C. Shaw from her son Charles and from other correspondents, between 1905 and 1911. Charles B. Shaw began writing regularly to his mother after he moved to Schenectady, New York, in July 1915. He wrote about his daily life, including initial homesickness and leisure activities, such as attending dances, attending sporting events, and participating in bowling leagues. He described public gatherings such as parades and pro-war rallies, Union College events, and festivals, and mentioned local efforts to enlist volunteers after the country's entry into World War I in April 1917. A few letters briefly reference a large workers' strike in October 1915 and the presidential election of 1916. Shaw's final letters from this period concern his intention to accept employment in Washington, D.C., which he did just before joining the United States Army. Enclosures in these letters include a printed advertisement, newspaper clippings, and a certificate authorizing Charles B. Shaw to work as a stenographer for the state of Massachusetts (June 16, 1915).

The bulk of the letters written during World War I consist of Freeman Shaw's letters to his mother pertaining to his experiences in the United States Army. His letter of December 2, 1918, provides details about his service history, including the names of the towns and bases where he was stationed. Shaw wrote a few letters from Fort Slocum, New York, in August 1917 before joining the 103rd Aero Squadron at Kelly Field in San Antonio, Texas. While in training, he shared details of camp life and conditions, often commenting about his uniform. After his arrival in Europe around December 1917, Shaw was briefly stationed in England before traveling to France. He commented on the scenery and the warm reception his squadron received from local citizens. His letters refer to his work digging trenches and performing guard duty, and his preference for working with the French army rather than the American army. By April 1919, he returned to the United States, where he awaited a discharge.

Charles B. Shaw wrote infrequently to his mother while serving at the American Expeditionary Forces' headquarters during the war, focusing mostly on his leisure activities, including concerts and sporting events held at the YMCA. From May-July 1919, he received a group of letters from the War Department Zone Finance Office, concerning the payment of his Liberty Loan bonds. Many of these letters enclose blank affidavits and similar forms.

From 1920-1925, Charles B. Shaw wrote weekly letters to his mother about his life in Washington, D.C., where he was a clerk in the office of John J. Pershing. He often used stationery of the American Expeditionary Forces' General Headquarters and the office of the General of the Armies. Shaw reported on Pershing's travels, the gradual downsizing of his office, and the general's retirement. Despite fears that he would lose his job, he remained employed until at least August 1925. Shaw also discussed his leisure activities, including bowling, playing tennis, going to the racetrack, and attending football and baseball games (including at least one contest that featured Babe Ruth). He occasionally wrote about his automobile. In his later letters, he referred to a female acquaintance named Mary, possibly his future wife.

The collection's Writings (2 items) are a typed copy of a speech by Chauncey Depew entitled "The Problem of Self-government," delivered by Charles B. Shaw in a prize speaking contest on May 26, 1911, and a brief essay regarding the "Fortification of the Panama Canal."

Five Financial Documents include a receipt to Charles Shaw for dental work (December 3, 1910), receipts for dues paid to the Swampscott Club (July 1, 1917) and the Supreme Temple of Pythian Sisters (February 8, 1922), and receipts related to Charles B. Shaw's policies with the New England Mutual Life Insurance Company (December 1, 1921, and undated).

The Photographs series (22 items) contains snapshots of unidentified men, women, children, and a cat at leisure outdoors. Four items show young men wearing sweaters with a large letter S sewn on the fronts.

The Printed Items and Ephemera series (4 items) is made up of a newspaper clipping with photographs of Russians in a queue and barracks in France, a social invitation for Charles B. Shaw, a wedding invitation, and a monogrammed napkin.

Collection

Traveling photographers collection, ca. 1850s-1900s

approximately 245 photographs

The Traveling photographers collection contains approximately 245 examples of photographs produced by various traveling photographers that operated in the United States primarily during the latter half of the 19th-century.

Works by approximately 145 different traveling photographers are present in this collection and include cartes de visite, cabinet cards, stereographs, tintypes, and a small number of larger format images. For many of these photographers there is only a single example of their work included in the collection. Locations of operation include a wide range of regions across the United States, with eastern states such as Pennsylvania being particularly well-represented. Most of these photographs are typical individual and group portraits of men, women, and children.

The collection has been divided into two volumes. Volume 1 contains cartes de visite and tintypes while Volume 2 contains cabinet cards, stereographs, and a few other images with larger mounts of varying sizes. Volume 1 also includes two clippings and one photocopied page from an article about traveling photographers written by Eaton S. Lothrop, Jr., for Popular Photography magazine as part of his "Time Exposure" column series.

While most of the people represented in this collection are unidentified, the following individuals are identified by accompanying inscriptions:
  • “Wm. Johnson” - taken by N. L. Stone (Vol 1)
  • “F. W. Huling” - taken by C. S. Roshon’s Mammoth Union Photograph Car (Vol 1)
  • “Jimmie McCool Taken in 1889” - taken by S. R. Miller’s Photograph Car (Vol 1)
  • “J. B. [or J. R.?] Enders” - taken by A. J. Miller, Keystone Traveling Gallery (Vol 1)
  • “Uncle John Grimes” - taken by H. F. Knoderer & Bro (Vol 1)
  • “J. P. Seip & Bro” - taken by Josiah Knecht (Vol 1)
  • “Angalina Seip” [Angelina Seip] - taken by Josiah Knecht (Vol 1)
  • “Julie Hamlin” - taken by Huested Bros. (Vol 1)
  • “Timo Moyer?” - taken by Geo. V. Knecht (Vol 1)
  • “Sam Rhenis Martin” and “Probably Sam Rhenis Martin’s Wife” - taken by Callahan’s Traveling Gallery (Vol 1)
  • “Mrs. R H Blodget 236 35th St. Denver Col. Formily Mary Neil” - taken by King & Co.’s Traveling Gallery (Vol 1)
  • “[?] Adaline Temple” - taken by F. J. Aiken (Vol 1)
  • “Presented to Mr. & Mrs. Silas Boyer” - taken by B. Breslow’s Empire Movable Photograph Gallery
  • “C. H. Holmes May 2nd 1881” - taken by J. B. Silvis (Vol 1)
  • “Lou House - Graham’s Baby” - taken by the Erik Borklund Photo Car (Vol 2)
  • “Olive Woodward” - taken by A. Couturier (Vol 2)
  • “Geo. H. Dunham” and “Fredd Harry Dunham” - taken by Currier & Parkinson (includes stamp depicting Landing of Columbus on verso) (Vol 2)
  • “Will Duning of Dresden” - taken by F. M. Foster (Vol 2)
  • “Pansy Lovewell” - taken by the Hutchings Rail-Road Photo-Car (Vol 2)
  • “Jabez Willes brother of Julia Willes Thrall” - taken by F. L. Hale (Vol 2)
  • “Charlie, Mary, & Bruce Blaney Claysville Washington Co Pa.” - taken by Gibson & Myres (Vol 2)
  • “Mrs. James J. Connelly #10 McConnellsburg PA” - taken by S. R. Miller’s Photograph Car (it is unclear if this inscription is related to the couple depicted) (Vol 2)
  • “Carrie and Mattie Ewan”- taken by the National Art Company’s Railroad Palace Photographic Studio (Vol 2)
  • “George & Sarah Kistler” - taken by Rollow’s Art Car (Vol 2)
  • “Leo Martin” and "Jim Martin" - both taken by the Pacific Photograph Car, Rockford, Washington (Vol 2)
  • “Arron Smith Children” - taken by the Pacific Photograph Car, Rockford, Washington (Vol 2)
  • “Miss. Kittie M. Newell July 22nd 1889” - taken by Abel J. Whalen’s Accommodation Photo. Car (Vol 2)
  • “Will Schnegg” - taken by H. C. Williams’ Floating Gallery (Vol 2)
  • “Jonas Heim” - taken by B. L. Wilson’s Traveling Gallery (“Christina Waltz Williamsport Pa.” likely a relative of the subject and former owner of the photograph) (Vol 2)
  • “April 1891 - Maggie Austin April 1891. A. M. Austin 43. E. G. ‘ ‘ 43 Mag ‘ ‘ 14 Edd ‘ ‘ 18 May ‘ ‘ 21.” - taken by W. H. Yant (Vol 2)
  • “Howard J. Martin about 1893” - taken by Boston and Albany R.R. Photo Car (Vol 2)
  • “Wash’s Daughter Pearl” - taken by F. M. Steele (Vol 2)
  • “The Boy Preacher, Age 14: John E. De Merritt” - taken by Winslow and Shobe (Vol 2)
  • “Maurice (Moe?) Boynton Alice Price } 2nd buggy” - taken by Carson Bros (Vol 2)
  • “Mrs. J. C. Boxley” - taken by Newton & Sprague Photo Car (Vol 2)

Other items of interest include 14 tintypes including a group portrait taken at the Algonquin Bon Ton Tent by W. H. Pearce and a miniature tintype produced by Douglass’ Travelling Car (Vol 1); several photographs with revenue stamps; and 10 cartes de visite by C. G. Blatt, including three items containing humorous poetry in their backstamps (Vol 1); a stereograph view of "the old Block House at Annapolis Royal" by the Palace R.R. Photograph Car Co. (Vol 2); a stereograph view of Bridgewater, Vermont (Vol 2); a stereograph view of the "Steam Packet 'Minnesota' at Hastings [Minnesota] (Vol 2); a portrait of a pet pug taken by Will. H. McMillan, R. R. Palace Photo Car that bears an inscribed caption reading: “For my dear ‘Missis’ from her Devoted ‘Brownie’” (Vol 2); a group portrait of a man and women taken by Keil & Matula with an inscribed caption reading “Czechlovakia Couple Fayetteville, TX” (Vol 2); several portraits of children that appear to show hidden mothers in the background; two studio portraits of unidentified individuals produced by Civil War veteran turned photographer Capt. J. B. Shane (Vol 2); a number of photographs that appear to be copies of earlier images, including a portrait of a man produced by the Hutchings Railroad Photo Car bearing an inscribed caption reading: “Copied from original” (Vol 2); and a possible self portrait of photographer Abel J. Whalen on a mount stamped "Whalen's 'Accommodation' Photo. Car."

The following lists contain names of photographers represented in the collection as well as the total number of images included for each photographer:

Volume 1: Cartes de visite
  • F. J. Aiken [2 images]
  • Aldhizer & Eutsler [2 images]
  • Atkinson’s Photographic Railroad Gallery [1 image]
  • L. K. Bair [1 image]
  • B. Billian [1 image]
  • C. G. Blatt [10 images]
  • A. F. Bonine [1 image]
  • E. A. Bonine [2 images]
  • J. K. Bottorf [1 image]
  • Bowdish's Traveling Gallery [1 image]
  • B. Breslow’s Empire Movable Photograph Gallery [2 images]
  • Brown & Huard [1 image]
  • Burchfield & Bottorf [1 image]
  • J. Bushong [1 image]
  • Callahan’s Travelling Gallery [3 images]
  • H. P. Carnes [1 image]
  • Coggeshall’s Excelsior Photographic Car (John Ingersoll Coggeshall) [2 images]
  • G. W. Dibert [1 image]
  • W. A. Dietrich [4 images]
  • Doran's Photographic Car [1 image]
  • Dougherty (Mammoth wagon) [2 images]
  • Dougherty & Cope (Mammoth wagon; J. L. Cope) [3 images]
  • J. W. Fothergill's Mammoth Photograph Car [1 image]
  • F. Z. Fritz [2 images]
  • William R. Godkin [1 image]
  • M. C. Goodell [4 images]
  • William Griffin [2 images]
  • Harry Gurlitz’s Photograph Car [1 image]
  • W. H. Heiss [2 images]
  • J. J. Hodge [2 images]
  • J. M. Horning & Co. [2 images]
  • Huested Bros. [1 image]
  • Johnson & Sullivan’s Portable Railroad Gallery [1 image]
  • King & Co.’s Traveling Gallery [1 image]
  • George V. Knecht [5 images]
  • Josiah Knecht [8 images]
  • H. F. Knoderer & Bro. [1 image]
  • C. L. Leonard [3 images]
  • J. Loveridge [1 image]
  • C. D. Luccock [1 image]
  • J. H. McGowan (U.P.R.R. Photographic Car) [1 image]
  • A. J. Miller [1 image]
  • S. R. Miller's Photograph Car [2 images]
  • William Nick [3 images]
  • Nick & Knecht [2 images]
  • E. W. Peirce (The Railroad Photograph Coach) [1 image]
  • Lewis P. Peter [7 images]
  • Peter & Kresge [1 image]
  • Peters & Brother [1 image]
  • F. B. Pine's Floating Photographic Studio, of the St. John's River, Fla. [1 image]
  • S. Place [1 image]
  • Portable Picture Palace [1 image]
  • G. M. Primrose [2 images]
  • W. H. Rector [4 images]
  • C. S. Roshon (Mammoth Union photograph car) [1 image]
  • J. B. Silvis (U.P.R.R. Photographic Car) [2 images]
  • C. H. Sisson [1 image]
  • C. M. Stark [1 image]
  • N. L. Stone [1 image]
  • A. Stoppel [1 image]
  • Tucker & Powell [1 image]
  • W. A. Vale [1 image]
  • M. C. Vance [1 image]
  • D. S. Von Nieda [1 image]
  • Horace L. Webber [1 image]
  • West & Lewis (Travelling photographers) [1 image]
  • Whalen's Portable Art Gallery (Abel J. Whalen) [1 image]
  • L. H. Whitson (Professor L. H. Whitson's Rail Road Photographic Car) [1 image]

Volume 1: Tintypes
  • Bishop's Portable Photograph Gallery [1 image]
  • J. Davidson [1 image]
  • Doolittle & Humphrey's Tintype and Ferrotype Car [1 image]
  • Dougherty & Cope (Mammoth wagon; J. L. Cope) [1 image]
  • Douglass’ Traveling Car [2 images]
  • Paul’s Mammoth Travelling Photograph and Ferro-type Car [1 image]
  • W. H. Pearce (The Algonquian Bon Ton Tent) [1 image]
  • E. B. Squier [2 images]
  • A. D. Terhune [1 image]
  • Williams & Dodge’s Photograph Cars [2 images]
  • C. C. Williams [1 image]

Volume 2: Cabinet cards
  • Antoinette Palace Railroad Photo Car (Studio Antoinette) [2 images]
  • Blocker Palace Art Studio and Traveling Cottage Gallery [1 image]
  • Erik Borklund [1 image]
  • Boston and Albany R. R. Photo Car [2 images]
  • W. A. Bradley [1 image]
  • P. L. Britain (Palace R. R. Photo Car.) [1 image]
  • Clark’s Portable Gallery [1 image]
  • J. P. Coffey, Photo. Car. (J. N. Bayles) [1 image]
  • A. Couturier [2 images]
  • James H. Crockwell [1 image]
  • Currier & Parkinson [1 image]
  • J. W. Dalrymple [1 image]
  • Drum Rail Road Photo Car (Oscar Drum) [1 image]
  • Elite R. R. Photo Co. [1 image]
  • Fallman Parlor Photo Car [3 images]
  • F. M. Foster [1 image]
  • Gibson & Myres, Traveling Photographers [1 image]
  • F. L. Hale [2 images]
  • F. J. Haynes [3 images]
  • T. E. Hays [1 image]
  • Howell (Prairie Queen Gallery - Temple, Tex.) [1 image]
  • Hutchings Bros. Railroad Photo. Car [1 image]
  • Hutchings Rail-Road Photo-Car [3 images]
  • K. C. Photo Car [1 image]
  • Keil & Matula, Traveling Photographers [1 image]
  • Keystone Portable Gallery [1 image]
  • Lyden & Bellinger [1 image]
  • Malloy (20th Ave. No. & Wash. Minneapolis) [1 image]
  • William H. McMillan [1 image]
  • J. W. Merideth [1 image]
  • S. R. Miller [3 images]
  • National Art Company’s Railroad Palace Photographic Studio [1 image]
  • Newton & Sprague Photo Car. [1 image]
  • Nowack Bros. Floating Gallery [1 image]
  • Pacific Photograph Car [4 images]
  • Palace R.R. Photograph Studio [1 image]
  • Lewis DeArcy Rollow (Rollow’s Art Car) [2 images]
  • J. B. Shane [2 images]
  • Showman & Joy’s Palace Cars [1 image]
  • Smith Brothers [1 image]
  • C. H. South [1 image]
  • F. M. Steele [1 image]
  • The K. C. Art Chariot [1 image]
  • The Stuart Queen City Photo Co's. Great Australian Route, Car No. 12 [4 images]
  • The Traveling Art Company [1 image]
  • M. F. Timmerman (East Tenn. Photo Car) [1 image]
  • Tooley & Grigsby (The Monarch Traveling Photographers) [1 image]
  • Turner & Johnson [1 image]
  • N. A. Watkins [1 image]
  • Welsh & Harlow [1 image]
  • West & Lewis (Travelling photographers)
  • Whalen's "Accommodation" Photo. Car. (Abel J. Whalen) [2 images]
  • H. C. Williams (Williams' Floating Gallery) [1 image]
  • B. L. Wilson's Traveling Gallery [1 image]
  • Wilson's Railroad Photo Car. (B. L. Wilson) [1 image]
  • Winslow and Shobe [1 image]
  • Wolfe & Peiffer (Keystone Traveling Photo Studio) [2 images]
  • W. H. Yant [1 image]
  • Young, Portrait Artist (Boston Portrait Car) [1 image]

Volume 2: Stereographs
  • T. A. Aldrich [1 image]
  • Coggeshall’s Excelsior Photographic Car (John Ingersoll Coggeshall) [2 images]
  • Mrs. Emma A. Cooke's Traveling Photo. Pavillion (Emma A. Cooke and W. A. Cooke) [1 image]
  • J. P. Doremus [1 image]
  • H. H. H. Langill [1 image]
  • Palace R. R. Photograph Car Co. [1 image]
  • F. B. Pine's Floating Photographic Studio, of the St. John's River, Fla. [1 image]
  • W. E. Warren's Portable Photograph House [2 images]

Volume 2: Larger formats
  • J. A. Bellinger [1 image]
  • Carson Bros. [1 image]
  • Newton & Sprague Photo Car. [1 image]
  • D. R. White [1 image]