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"Snook's Lives of Celebrated Men: Flobby MacSquelsh" are sketches narrating the life of the fictional profligate son of a Barbados planter. The story satirizes the plantation culture of nineteenth-century Barbados.

"Snook's Lives of Celebrated Men: Flobby MacSquelsh" are sketches narrating the life of Flobby Macsquelsh, the fictional profligate son of a Barbados planter. The story is told on 10 pages (22 x 32 cm) and divided into 11 parts, each part consisting of an ink sketch and a paragraph of text.

MacSquelsh is referred to as the "hero" in the story. He is depicted as a fat man known for his "intense gluttony." As a child, witnessing the whipping of a slave brings Flobby "intense delight." As an adult, he visits Europe and is placed in the distinguished 179th Highland Rifles corps. He engages in heavy drinking, attends balls, and meets a woman but later has "deserted and undid her." He is unfit for hunting, as he loses control of his horse, kills two hunting hounds, and even loses his umbrella. The story ends with Flobby returning to Barbados, where he successfully proposes marriage to a "Lady of Colour" and inherits his father's plantation property. This satirical story is likely a commentary of the behaviors of the planter elite in the West Indies after the abolition of slavery.

The Warren L. Fletcher diary chronicles Fletcher's daily activities in Leominster, Massachusetts, during the year 1897. Fletcher held a job, played with several orchestras and bands, visited the Y.M.C.A., and socialized with friends.

This diary (approximately 150 pages) chronicles the daily activities of Warren Lewis Fletcher, a resident of Leominster, Massachusetts, during the year 1897. The "Standard Diary" contains several printed pages of reference material, including a page providing Fletcher's height, weight, and clothing sizes, and each diary page contains entries for 3 days. Fletcher regularly kept entries throughout the year, reporting on his work and social activities, which often included visiting the Y.M.C.A., attending high school football games, and playing cards with friends. Fletcher, a member of several musical groups, played the banjo, flute, and other instruments, and his diary often records the amount of time he spent practicing. On most weekdays, he spent from 8.5-10 hours at work, and on Sundays he frequently attended church services, both at Baptist and Methodist churches. The back pages contain records of Fletcher's finances, a list of addresses and social calls, and a pencil sketch of a person lying next to a bottle, entitled "Among the Rushes."

The William Eighinger ledger contains two sections: a ledger kept by a Baltimore shipping merchant between 1798 and 1801 and math problems and copied compositions compiled by George Eighinger in 1850. The accounts pertain to the shipment of goods between North America, the Caribbean, and Germany, and the copied material includes a narrative told from the point of view of a slave.

This volume contains 2 sections: a ledger kept by a Baltimore shipping merchant between 1798 and 1801 (about 105 pages) and math problems and copied compositions compiled by George Eighinger in 1850 (5 pages).

The financial records intermittently cover the period from October 1, 1798, to June 24, 1801, on pages numbered 47-144 and 188-211; some pages have been torn from the book. The accounts concern the affairs of a Baltimore shipping merchant who imported linens and other items from Europe while exporting coffee, tobacco, sugar, and other goods to Bremen, Hamburg, and other German ports. Each entry reflects a transaction with a merchant, and the ledger often records the names of the ships carrying the cargo, as well as inventories, prices, the names of shipmasters, and consignment agents' marks. The ledger occasionally includes costs of storage or insurance. On December 31, 1799, the bookkeeper recorded "postage of 1798 & 1799" (pp. 131-133). Cartoonish drawings illustrate a few pages throughout the accounts (e.g. pages 93 and 239).

The pages numbered 235-239 contain arithmetic problems, copied prose, and cartoons by George Eighinger, who received the book from Nash G. Camp on March 4, 1850. The pages, which are labeled "Compound Subtraction" and "Compound Addition," include a narrative told from the point of view of a slave (p. 235).