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This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

This slim volume contains a partial account of a trip from New York City to Niagara Falls in August 1825, with entries cutting off abruptly at Lockport, New York. The currently unidentified writer traveled on the incomplete Erie Canal aboard the safety barge Lady Clinton and by road on the last leg of their journey. The author included descriptions of scenery, geographic features, towns, and canal systems they passed. Within the volume are calligraphic headings, pressed leaves, and a color illustration of two birds and flowers.

Major points of the route serve as headings within the volume, being visually differentiated from the main text by calligraphic headings. Observations on town layouts and architecture—including rough estimations of population count—provide a developmental snapshot of the region as perceived by the writer. Also mentioned is the construction on the Mt. Pleasant Prison at Sing Sing [Sing Sing Prison, Ossining, New York] and the quarry of white marble used by the builders.

The writer's travel by road was apparently not as easy as their travel by canal. After turning off the Ridge Road at Hartland, New York, descriptions of the woodland seem to indicate a host of obstructions in the form of mudholes, ruts, and stumps (p. 22). Apart from the entries on towns and landscapes, the writer noted a hotel landlord in Victor, New York, who kept two wolves, two small deer, and a fox in his yard (p. 16).

Yellowed imprints of larger leaves placed into the volume can be found on later pages, but only the smallest have lasted to the present day.

This collection consists of personal information, journal entries, poems, and correspondence of Gene Stratton-Porter, 1904, 1914 - 1924, 2019, and undated.

This collection consists of personal information, journal entries, poems, and correspondence of Gene Stratton-Porter, 1904, 1914 - 1924, 2019, and undated, .5 Cubic Feet (in 1 box). The collection is organized alphabetically. All the correspondence is photocopies.

A large portion of the collection consists of letters sent from Gene Stratton-Porter to Mr. and Mrs. Robert Cochrane, close friends of hers. These letters talk about her writing, surroundings (people, objects), and the environments (nature) she was in. There are also journal entries, where Stratton-Porter makes observations about the world around her. The box also includes poems with markings and edits that were probably made by Gene Stratton-Porter herself. At times, the markings themselves appear to be in another’s handwriting other than Stratton-Porter, in which the reader can make out through the content notes. Topics in her poems typically are nature and emotions. Gene made frequent mention of what her writing meant to her and how it made her feel. This correspondence helps to understand Stratton-Porter on a deeper, more emotional level. Some collection highlights include “A Collection of Poems” by Gene Stratton-Porter, edited poems and short stories, and letters revealing a deeper understanding of her love for nature. Most of the letters are typed. Some letters, from her later life, are addressed from California, her final permanent residence, to various parts of the country, including Arkansas, New York, and Indiana. Most of the letters, however, do not contain a location.

Processing Note: One folder of duplicates was withdrawn from the collection during processing.

This collection is made up of 2 volumes that Marianna Chandler Lanman composed while studying at Mrs. Rowson's Academy for Young Ladies in Boston, Massachusetts, around 1814. One concerns arithmetic, focusing on practical applications in bookkeeping, conversion, and monetary transactions; the other contains copied poems, calligraphic alphabets, and graphic illustrations.

This collection is made up of 2 volumes that Marianna Chandler Lanman composed while studying at Mrs. Rowson's Academy for Young Ladies in Boston, Massachusetts, around 1814. One concerns arithmetic, focusing on practical applications in bookkeeping, conversion, and monetary transactions; the other contains copied poems, calligraphic alphabets, and graphic illustrations. Lanman dedicated both volumes to her parents.

Lanman composed the first volume, entitled "Practical Arithmetic[:] Comprising All the Rules for Transacting Business" (10"x16", 60 pages), at Mrs. Rawson's Academy in 1814. Its sections, each labeled in calligraphy, concern mathematical operations, rules and theorems; weights and measures; and practical applications of mathematical principles. Many of the later pages concern subjects such as the calculation of simple and compound interest, the value of "federal money" against "lawful money" (state currencies), commission charges, and bookkeeping. The explanatory text is accompanied by finished exercises and problems. The volume also includes tables of weights and measures and an index.

The second volume, "Specimens of Penmanship" (16"x10", 23 pages), is undated. Lanman copied poetry and proverbs on the book's odd-numbered pages; most concern subjects such as happiness, rural living, and gratitude. The title of a poem on the "Pleasures of retired Life" is written on a drawing of a ribbon (p. 19). One poem, entitled "Virtue's Tears Embalm the Brave," is dedicated to the memory of American casualties of the War of 1812 (p. 21). The volume contains several drawings: a hermit in his home (p. 3), a bald eagle among patriotic decorations (p. 21), a sailing ship (p. 21), and a line drawing of a bird with the word "industry" in its feathers (p. 23). The volume also includes examples of cursive, German, and Old English alphabets.

In 1899 an unidentified artist created 21 pages of watercolor paintings of different North American birds accompanied by manuscript descriptions detailing the birds' habitat, size, coloration, distinctions between males and females, and the scale used to render the image. An additional two pages consist of a numbered diagram of a bird identifying various physiological components, with a close-up view of the beak.

In 1899 an unidentified artist created 21 pages of watercolor paintings of different North American birds accompanied by manuscript descriptions detailing the birds' habitat, size, coloration, distinctions between males and females, and the scale used to render the image. An additional two pages consist of a numbered diagram of a bird identifying various physiological components, with a close-up view of the beak.

• Horned Grebe
• Partridges
• Screech Owls
• Bee or King Birds
• Red Bird or Bobolink
• Red-Winged Blackbird
• Baltimore Oriole or Hang-Nest
• Crimson or Purple Finch
• Goldfinch or Salad Bird
• Chipping Sparrow
• Song Sparrow
• Vesper Sparrow
• Yellow Winged Sparrow
• English Sparrow
• Snow Bird
• Cardinal Bird
• Rose Breasted Grosbeak
• Indigo Bunting
• Scarlet Tanager
• Cedar Bird
• American Redstart
• Common Blue Bird
• Maryland Yellow Warbler
• Blue Jay

The pages were previously bound into a volume and most contain page numbers in the top left corner, revealing the loss of a number of pages.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are largely copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. A few patriotic titles were included. Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members. One watercolor illustration of an African American man accompanies the lyrics of a minstrel song.

This volume was produced by Peter McGivney as a gift for his sister, Julia A. McGivney. Its entries are primarily copies of popular song lyrics and some poetry. Many focus on sentimental themes like remembrance, familial relationships, love, death, and religion. Some patriotic titles are also included. Titles like "Little Low Cabin" and "Half Way Doings" were likely minstrel songs, and include racist dialect. One is accompanied by a watercolor painting of an African American man in striped pants and a blue overcoat standing at a table with a Bible on it and a whitewash bucket on the floor.

Peter McGivney elaborately decorated and illustrated the volume with paintings, pencil drawings, pen-and-ink embellishments, printed scrapbook die-cuts, and calligraphic titles and borders. He drew numerous patriotic images, including American flags, shields, eagles, Union soldiers, and a portrait of George Washington. Flowers, leaves, birds, and landscapes feature prominently, along with depictions of women. He drew several illustrations of hands holding calling/visiting cards filled out with the names of friends and family members.

• "The Lady’s Yes," by Elizabeth Barrett Browning
• "Write Me a Letter [from] Home," by Will S. Hays
• "[Darling] Minnie Lee," by Dexter Smith
• "Ella Ree," by Charles E. Stewart
• "God Bless My Boy at Sea," by T. Brigham Bishop
• "Little Robin, Tell Kitty," by Frank Howard
• "Killarney," by E. Falconer
• "Sunny Days," by Edwin Ransford
• "Remember Me," by M. W. Balfe
• "We Parted by the River Side," by Will S. Hays
• "The Last Rose of Summer," by Thomas Moore
• "Lottie Lee," by C. T. Lockwood
• "Kiss the Little Ones," by W. F. Wellman, Jr.
• "Kiss Me Mother E'er I Die," by W. Dexter Smith, Jr.
• "To a Beloved Woman," translated from Sappho
• "Driven from Home," by Will S. Hays
• "Bessy O'er the Lea" [e.g. "Darling Bessie of the Lea"], by George Cooper
• "Our Own," by Margaret Elizabeth Sangster
• "[When] The Corn is Waving, Annie Dear," by Charles Blamphin
• "A Woman's Question," by Adelaide Anne Proctor
• "Daisy O'Lynn," by M. H. McChesney
• "I'll Remember You Love in my Prayers," by Will S. Hayes
• "Don't be Angry With Me, Darling," by W. L. Gardner
• "The Good Bye at the Door," by J. E. Carpenter
• "Love On," by Eliza Cook
• "Sweet Genevieve," by George Cooper
• "When the [Autumn] Leaves are Falling," by J. E. Carpenter
• "Mother, Is the Old Home Lonely," by Arthur W. French
• "The Golden Side," by Mary Ann Kidder
• "Wait Till the Moonlight Falls on the Water," by Sam Bagnall
• "The Bells of Shadow" [e.g. "The Shandon Bells"], by Francis Mahony
• "Annie of the Vale," by G. P. Morris
• "My Pretty Jane," by Edward Fitzball
• "Silver Threads among the Gold," by Eben E. Rexford
• "When I Saw Sweet Nellie Home," by John Fletcher
• "Come Like a Beautiful Dream," by George Cooper
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Star of the Evening," by James M. Sayles
• "The Good Bye at the Door," by J. E. Carpenter
• "Memory Bells," by Henry Tucker
• "I Love the Merry Sunshine," by J. W. Lake
• "Every Home has Lost a Darling," by George Cooper
• "Wilt thou say Farewell Love," by Thomas Moore
• "A Sweet Face at the Window," by W. C. Baker
• "Faded Flowers," by I. H. Brown
• "The Blind Girl," by Joshua Swan
• "What Will I Do Without Thee," by Elmer Ruan Coates
• "Why Was I Looking Out," by Claribel
• "God Save the Flag," by Oliver Wendell Holmes

• "Fair Maid of Perth"
• "Arabella Dolora"
• "A little Puss"
• "Rebecca at the Well"
• "E Pluribus Unum"
• "Excelsior"
• "The French Iron Clad Solferino"
• "Volcano of Turrialba (Mexico)."
• "View of Paknam on the Memam. Farther - India"
• "The Rose of Orleans"
• "The Queen of Flowers"
• "Marriot's Aerial Steam Carriage. 'Avitor.'"
• "Love in Winter"
• "Dressing for the Masquerade"
• "William Penn first Settler of Pennsylvania 1675"
• "The Tambourine Player"
• "Love in Summer"

This visiting card specimen book contains 48 printer's sample cards pasted into the volume, including "hidden name" examples with movable die-cut flaps and other devices.

This visiting card specimen book contains 48 printer's sample cards pasted into the volume, including "hidden name" examples with movable die-cut flaps and other devices. Predominant visual themes are flowers, birds, hands, children, and cherubs. Others include a dog holding a guitar, a quill pen, a G.A.R card, and an "Imp Card" showing a devil holding a sign to read "I AM ___ WHO THE [DEVIL] ARE YOU."

A "Gold Escort" card has the text "I beg the blissful felicity of being honored with your gracious condescension to the extent of allowing your humble servant to escort you to your leafy bower this balmy eve. Say yes, fair lady!"