Collections : [University of Michigan William L. Clements Library]

This collection contains Ella St. John Whallon's personal correspondence, including letters from friends and family members in Michigan and love letters from her husband, James M. Whallon of Dowagiac, Michigan. The collection also has letters to Lizzie Wittle of Columbia, Pennsylvania, from Edward E. Seifred, a member of the United States Army's 18th Infantry Regiment who served in the Philippines during the early twentieth century. Other items include financial documents, tintype photographs, a commemorative ribbon, and a leather postcard.

This collection (63 items) contains Ella St. John Whallon's personal correspondence, including letters from friends and family members in Michigan, as well as love letters from her husband, James M. Whallon of Dowagiac, Michigan. The collection also has letters to Lizzie Wittle of Columbia, Pennsylvania, from Edward E. Seifred, a member of the United States Army's 18th Infantry Regiment who served in the Philippines, and another correspondent, dated between 1903 and 1909. Other items include financial documents, tintype photographs, a commemorative ribbon, and a leather postcard.

The Correspondence series (58 items) contains correspondence related to Ella St. John Whallon and Lizzie Wittle. During the final years of the Civil War, Philena Hood of Saline, Michigan, wrote to Ella St. John about her experiences in school; one of her letters encloses a small piece of fabric (October 16, 1864). Several of Ella's cousins wrote to her during the late 1860s, mostly about family news from Clinton and Lansing, Michigan. One cousin, Wallace J. Hunt, commented on his experiences while serving with the Union Army in Winchester, Virginia; his letter of January 31, 1865, encloses a tintype photograph.

From 1871-1874, James M. Whallon wrote 27 letters and postcards to Ella St. John, pertaining to his life in Dowagiac, Michigan, his feelings for Ella, and their anticipated marriage. After their wedding, he sometimes wrote brief postcards while traveling. In 1872, Ella wrote 1 letter to James and received 2 letters from her mother. In August 1876, a relative wrote to Ella about his experiences at the Centennial Exhibition in Philadelphia. She received a postcard from her brother Frank in Grand Rapids, Michigan, in 1917, and a partial letter from a friend in 1923.

The second group of correspondence is comprised of 5 letters to Lizzie Wittle of Lancaster County, Pennsylvania. Edward E. Seifred wrote 3 letters while serving with Company I of the United States Army's 18th Infantry Regiment in Manila, Philippines, in 1903 and 1904. He discussed his feelings for Wittle, proposed marriage, and reflected on his life as a soldier. In 1909, she received 2 letters from "Andrew," who explained his decision to delay marriage until achieving financial security and reported on a couple who had eloped in York, Pennsylvania. Undated items include a leather postcard addressed to Lizzie Wittle with an ink drawing of a bulldog on the back.

Five receipts are integrated with the correspondence, including documentation of wages paid to James M. Whallon during his Civil War service (October 24, 1863) and 4 receipts for Samuel St. John's contributions to a church building (1869-1872).

The Photographs series (3 items) contains a tintype portrait of Ella St. John Whallon, a tintype portrait of Samuel St. John, and a carte-de-visite portrait of Ella St. John Whallon.

Ephemera items include a poem that Philena Hood wrote for Ella St. John, with a pencil drawing of a bird on the back, and a ribbon from the 11th Michigan Cavalry Regiment's 1889 reunion in Battle Creek, Michigan.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.