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Manages the University of Michigan's participation in intercollegiate athletic competition. Governed by the Board in Control of Intercollegiate Athletics and headed by the Athletic Director. Since 1973 has managed women's intercollegiate athletics. Sub-units include Sports Information, Athletic Director, Football Office and various administrative and support offices. The records, primarily from the Sports Information Office, include team rosters, press releases and news clipping scrapbooks, media guides, game programs, and team, individual, and game action photos for all varsity sports and game films of football and basketball. Other material includes scouting reports, 1938-1963, and administrative records from the football office, records of the NCAA baseball investigation, 1988-1990, and miscellaneous publications and promotional material.

The records of the University of Michigan Athletic Department document the participation of University of Michigan Athletic teams in intercollegiate competition, 1864 to the present. The records include media guides, game programs and other printed material; press releases; team and individual statistics; photographs, films and videotapes; development and Fund-raising material, and a variety of accounts, audits and other administrative The records are organized into several sub-groups based on the administrative structure of the department. The subgroups are: Sports Information Office, Football Office, Athletic Director's Office, Development Office, Ticket Office and Business Office. The Sports Information Office sub-group constitutes by far the largest portion of the Athletic Department records and includes series for each of the varsity sports.

The Bing Crosby collection includes 21 letters and documents from Crosby's professional and personal life, three photographs or photograph reproductions, and one autograph musical quotation. Most letters and documents are in regards to Crosby's film projects during the 1940s and 1950s, especially White Christmas (1954).

The Bing Crosby collection includes 21 letters and documents from Crosby's professional and personal life, three photographs or photograph reproductions, and one autograph musical quotation. Most letters and documents are in regards to Crosby's film projects during the 1940s and 1950s. Multiple documents pertain to the film White Christmas, including a letter confirming the early script approval by the Paramount Picture Company, and a planning document for the presentation of names in the credits.

See the box and folder listing below for details about each item in the collection.

Music critic for the Ann Arbor News and musical composer. Manuscripts of musical compositions, scrapbooks with newspaper clippings of his criticisms, and sound recordings of performances of his compositions, and microfilm of his compositions.

The Gehring collection consists of manuscripts of musical compositions, scrapbooks with newspaper clippings of his criticisms, and sound recordings of performances of his compositions, and microfilm of his compositions. The collection is organized into four series: Correspondence, essays and other materials; Scrapbooks; Musical Compositions; and Sound Recordings.

Journalist, historical researcher from Kalamazoo, Michigan; Correspondence, research articles and notes, and photographs.

The Weissert collection includes correspondence, 1893-1947, including letters from Joseph Bailly, Clarence M. Burton, Gurdon S. Hubbard, Chase S. Osborn, Albert E. Sleeper, and George Van Pelt. There are also speeches, and writings mostly on Michigan history topics, including Indian history and the history of Kalamazoo and Barry County. The series of research notes illustrates the variety of Weissert's interests: historical personalities, forts, Michigan cities, and early state history. The photographs and snapshots pertain to Weissert's interest in Michigan history, especially homes, churches, mills, hotels, businesses, and other sites primarily in western Michigan, but also including Sault Ste. Marie and Mackinac Island. There are also photographs of Michigan pioneers, particularly from the Hastings, Michigan area.

Detroit, Michigan, police officer. Scrapbooks containing material concerning the Detroit Police Department and Ungermann's career; also photographs.

The collection consists of scrapbooks relating to his career, to the activities of the police department, and to civil defense activities. The photographs in the collection are of Detroit, Michigan buildings, streets, people, and activities, especially as they relate to the work of the Detroit Police Department; group and individual portraits and photographs of Detroit Police, and photos of police training; photos of war bond drives and other war work during World War II; and photos of WJR radio broadcasting during the 1930s.

Graduate of the University of Michigan College of Engineering, Class of 1895. Glass negatives and prints of scenes at the University of Michigan, including Alpha Delta Phi fraternity, the Engineering summer camp, football and baseball games, the track team, University buildings and campus scenes, and views of the Huron River; also views of Bay City, Michigan, and portraits of members of the LeFavour, Shearer, and McMillan families.

The David LeFavour glass negatives collection documents a variety of activities, individuals, groups, and buildings in Ann Arbor and Bay City. As a member of the class of 1895, a year which was, coincidently, the first year of formal recognition for a Department of Engineering at the University of Michigan, LeFavour participated in an annual event for engineering students. A summer camp was set up outside the University to conduct field projects. The camp was periodically relocated and in 1895 a change was made from a grove on the outskirts of Leland, Michigan, at an outlet of Carp Lake (now Lake Leelanau), to a point further up the lake near the Fountain Point Hotel.

The scenes of the camp and the engineers depict several projects undertaken by the group, their campsite and equipment, and members of the entourage, including Professor Joseph B. Davis (Geodesy and Surveying) who was in charge of the operation. LeFavour also captured his peers at play, as a print of a baseball game at nearby Sutton's Bay reveals.

As a student, David LeFavour was also a member of the Alpha Delta Phi Fraternity. He photographed his fraternity house, his room, an unidentified ceremony, and several group portraits of his fraternal brothers and their dates.

Although there is no indication of any personal participation by LeFavour in university athletics, he did photograph members of the university track team and local football games. Other negatives and prints detail several university buildings and more "artistic" views of the Huron River and local Ann Arbor streets.

Those negatives and prints focusing on Bay City, Michigan, provide an insight into another facet of LeFavour's life and interests. Several exterior views are present, which detail the various Shearer homes in the city as well as those of other prominent residents. Interior views of the James Shearer home (where David grew up), reflect the style of life and living conditions of a prosperous Michigan family at the turn of the century.

Many Bay City buildings, including schools, hospitals, and government structures are identified. As was done in Ann Arbor, LeFavour also photographed street views and individuals. Two favorite subjects for LeFavour were children and women. He frequently photographed young relatives and used his photographic skills to show his sister Helen in particular. Often the young lady (or ladies) were posed with bicycles.

The LeFavour negatives were randomly described and dated. Available information has been provided when possible, however. All negatives were produced between 1894 and 1895, but no dates have been attempted for undated negatives or prints. The print collection is numbered so that one can refer back to the appropriate glass negative. There are over 155 glass negatives and a corresponding number of prints.

Research papers, 1967-1979, of students in journalism at the University of Michigan; contain essays relating to the history of Michigan newspapers and journalists, and the development of radio and television broadcasting; include papers concerning newspapers in Adrian, Ann Arbor, Detroit, and Grand Rapids, and the journalistic efforts of Father Charles Coughlin, Henry Ford, and Gerald L. K. Smith.

The Department of Journalism research papers collection measures 2 linear feet and consists solely of student research papers written between 1967 and 1979. The papers contain essays written regarding the history of various newspapers -- many in Michigan cities such as Adrian, Ann Arbor, Detroit and Grand Rapids; journalists and the journalistic efforts of individuals such as Father Charles Coughlin, Henry Ford, and Gerald L.K. Smith; and the development of radio and television broadcasting.

The surviving administrative records of the Department of Journalism were retained by its successor unit, the Department of Communication, and can be found in that department's records.

Resident of Mulliken, Michigan. Includes a photo of the Mulliken, Michigan, baseball team and photos of the Eaton County Board of Supervisors.

The collection includes a photo (1907) of the Mulliken, Michigan, baseball team and photos (1905 and 1912-1913) of the Eaton County Board of Supervisors.

Veteran of World War II, later commander of Erwin Prieskorn Post No. 46 of the American Legion, Ann Arbor, Michigan. Subject files relating to veterans activities and his involvement in issues of concern to veterans; minutes of meetings of Ann Arbor, Michigan, post of the American Legion; and scrapbook of American Legion Post No. 46 containing letters from servicemen in Vietnam and photographs of post activities; also other photographs and videotapes.

The George W. Harms collection has been arranged into four series: Biographical; Topical Files; American Legion Post No. 46; and Visual Materials. Most of the collection relates to his activities with the Ann Arbor American Legion post and with veterans affairs in general. Post No. 46 materials includes minutes, correspondence, a scrapbook, and some newspaper clippings dating from 1968 to 1988. The issues of concern to veterans and to Harms included government policies and procedures concerning soldiers listed as missing in action and relationships with their families, Veterans Administration policies toward disabled soldiers, veterans' benefits for survivors of soldiers killed in action, and anti-war protests in Ann Arbor in the 1960s.

John and Leni Sinclair were leaders of the counterculture movement in Michigan, organizers of radical social, political, and cultural endeavors primarily in the areas of music, poetry, graphic design, and community welfare projects. Papers and photographs (1957-1979) relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, and prison reform. Also material, 1979-2000, relating to John Sinclair's work as a writer, performer, radio show host and music promoter.

The John Sinclair papers came to the library in 1979. Jointly donated by John and Leni Sinclair, this initial accession, covering the period 1957-1979, included textual material, sound recordings, and photographs relating to all phases of their careers, including participation in the Artists' Workshop in Detroit, the Rainbow Multi-Media Corporation, the White Panther Party and its offshoot, the Rainbow Peoples Party; also materials concerning the legalization of marijuana, radical politics, prison reform, and rock and jazz music.

The Sinclair papers provide a rich and unique source for the study of America's radical movement in the nineteen sixties and seventies. Beginning with a remarkable series of correspondence that includes letters from Abbie Hoffman, Allen Ginsberg, Timothy Leary, and Jerry Rubin, and continuing on through extensive subject files, the collection details the cultural, political and business activities of a man whose energy and charisma made him a local and national leader of the counterculture. In addition, the collection documents the support and creativity of his wife and partner, who as writer, photographer and publicist helped to showcase the lifestyle which he symbolized.

Throughout the 1980s and 1990s, John Sinclair added to his papers with materials relating to his career as a writer and performer. In the winter of 2000, he donated a second large accession relating mainly to the period since leaving Detroit for New Orleans.

The Sinclair collection has been divided into four subgroups: Textual Files, Printed Material, Sound Recordings, and Visual Material.