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Collection

Charles R. Underhill, Jr., Collection, ca. 1930-1935

approximately 116 items

The Charles R. Underhill, Jr. collection consists of approximately 103 photographs, 3 letters, and 10 items of miscellaneous documentation and ephemera related to Charles R. Underhill, Jr.’s employment with RCA Photophone, which saw him travel around the country installing motion picture theater projector equipment.

The Charles R. Underhill, Jr. collection consists of approximately 103 photographs, 3 letters, and 10 items of miscellaneous documentation and ephemera related to Charles R. Underhill, Jr.’s employment with RCA Photophone, which saw him travel around the country installing motion picture theater projector equipment.

Many of the photographs present in this collection appear to have once been part of an album or scrapbook which may have been compiled and captioned by Underhill, Jr.’s sister, Marguerite Allare Underhill Goetz (1895-1970). Images of interest include views of numerous movie theaters, street scenes, and landscapes in various locations in Pennsylvania, Kentucky, North Carolina, Tennessee, Maryland, Virginia, West Virginia, and Washington, D.C; photos of P-2 projector equipment manufactured for RCA by General Electric; snapshots of Underhill, Jr. and family members including his parents, wife, and daughter taken in various locations during work-related travels; photos of movie theater managers John M. Bernardi (Roxy Theatre, Williamsport, Pennsylvania) and Paul O. Klingler (Rialto Theatre, Lewiston, Pennsylvania); a portrait of Harold Graffius, projectionist for the Rowland Theatre in Phillipsburg, Pennsylvania; and pictures of several theatre organists.

Additional items include Underhill, Jr.’s projected service schedule beginning June 1, 1935; his service schedule for the month of July 1931; a list of films reviewed by Box Office for the year 1933; an undated letter from Rialto Theatre manager Paul O. Klingler regarding an unknown article that had originally been attached; a letter from Ike Benny of Pastime Theatre in Lewiston requesting Underhill, Jr.’s help regarding equipment issues dated October 9 1930; a letter from W. K. Glodfelter regarding an upcoming local meeting of the International Alliance of Theatrical Stage Employees dated November 9 1931; and a broadside advertising the Rivoli Theatre of Johnstown, Pennsylvania ; posters advertising the McVeytown Theatre in McVeytown, Pennsylvania; an issue of the Charleroi Mail advertising the opening of the 1935 fall film season at the Menlo Theatre in Charleroi, Pennsylvania.

Collection

Marie Louise Kellogg journal, 1915-1916

81 pages (1 volume)

Marie Louise's journal documents the few days her family spent in southern California and the automobile trip home along the Santa Fe Trail, through St. Louis, and on to Richmond, Kentucky in 1915. The trip was publicized by the Ford Motor Company.

Marie Louise's journal documents the few days her family spent in southern California and the automobile trip home along the Santa Fe Trail, through St. Louis, and on to Richmond, Kentucky. There are two later entries detailing two dances she hosted. Most of the daily entries are written in a staccato style that rarely gets beyond a laundry list of the day's activities. Still, a certain sense of an irrepressible teenage girl, who described eating while driving as "flying lunch," and had a penchant for olives, and a burning need for ice cream sundaes, peeks through. At the back of the volume she pasted in ephemeral items from the trip, including an advertisement for "The Clansman," which she saw at the Empress Theatre in San Diego, permission to visit a gold mine, and a sunflower. There are also several small newspaper clippings, mostly concerning the family's trip.

The Kelloggs stopped to see the sights along their route, including the gold mine, cañons, and the original twenty mule team wagon that ran into Death Valley. Marie Louise rarely did more than record action. A typical account reads, "Went to the Petrified Forest. Picked up some pieces of the wood," but she did occasionally notice and note the scenery: "At one of the turns sat an Indian woman. It was one of the most picturesque scenes I ever saw. the winding road, an adobe village and the sunshine down to the left and the black clouds, sharp curves and mountains up to the right" (pp.26, 32).

The tourists saw Mojave, Hopi, Navajo, and Pueblo Indians enroute, and bought beads from the Indians in the Mojave desert, and rugs and pottery from the Navajo. Marie Louise snapped photos all along the way. The Kelloggs preferred to stay at "Harvey Houses," as the many establishments along the way owned and run by Fred Harvey were called. The car behaved fairly well, meaning there were only a couple flat tires on the way home, and a few instances of engine trouble. Twice Marie Louise and her mama had to get out and push the car out of mud holes.

The Kelloggs stayed in Santa Fe for a few days, where they were shown the sights by a "perfectly lovely" librarian named Mrs. Wilson (p.34). The family also spent several days in St. Louis, detained on account of the severe rains. Marie Louise and her mama occupied themselves with vaudeville shows (one featured a "Japanese primadonna"), movies, malted milks, and clothes shopping (p.58). At one shop, the retailer was "looking up Daddy's credit in some listing book and so we looked up all the Richmond people and others. I looked up several people in Versailles of course and found that flowers must sell pretty well as they give the seller good credit" (p.54).

After they crossed the Missouri, Marie Louise wrote that they were "Back in hot biscuit country anyway," and she began to anticipate getting home (p.50). She hoped their arrival would get all sorts of attention. "Really when I get home if every time we stop anywhere every body around doesn't run out to look at us and the car, I shall feel very bad about it" (p.52). She got her wish when they pulled into Louisville: "Mr. Banks, head of the Ford Motor Company in Kentucky, had a regular reception, reporters, a photographer and all the clerks. Trying to get our picture in the Sunday paper! Heavens, what a excitement for Richmond if they do succeed!" (p.63). They did succeed, and the clipping is pasted in the journal.

Once home in Richmond, Marie Louise quickly caught up with her best friend Martha, and planned a dance for "about a dozen couples of her young friends," as the newspaper so gratifyingly reported. She weighed herself at the store while getting some cakes for the party, and noted "151. -- caused by sundaes, malted milk and Harvey Houses I suppose" (p.68). Marie Louise expressed her hopes for a boyfriend, and after describing three boys, she longingly admitted to herself, "I could easily lose my heart to any of those three if I only had half a chance" (p.71). In the next, and last entry, Marie Louise, now back at Margaret College, wrote about another dance, her "first real Versailles german" (p.74). She had the satisfaction of reporting that her escort, Grover, was a "wonderful dancer," and declaring, "my old flame absolutely disgusted me. Didn't even like him."

Collection

McKelligett family scrapbooks, 1922-1924

3 volumes

These 3 volumes pertain to the McKelligett family's annual automobile trips from their home in Warren, Massachusetts, to Québec, by way of New Hampshire, Vermont, Maine, New York, and Ontario. The scrapbooks contain manuscript descriptions of the family's travels, occasionally accompanied by photographs, maps, and ephemera.

These 3 volumes (approximately 110 pages, 110 pages, and 65 pages, respectively) pertain to the McKelligett family's annual automobile trips from their home in Warren, Massachusetts, to the province of Québec, by way of New Hampshire, Vermont, Maine, New York, and Ontario. The scrapbooks contain manuscript descriptions of the family's travels, occasionally accompanied by photographs, maps, and ephemera. The volumes are dated August 17, 1922-August 28, 1922; July 17, 1923-July 29, 1923; and August 14, 1924-August 20, 1924.

Each of the scrapbooks consists primarily of a narrative account of the McKelligetts' daily experiences, including a record of the car's total mileage, daily mileage, daily gas consumption, and daily mileage per gallon of gas. Expenses are recorded at the time of payment and in itemized lists at the end of each volume. The family took different routes each year, but visited some locations on multiple occasions. They attended religious services and celebrations at Catholic churches and cathedrals, including the Basilica of Sainte-Anne-de-Beaupré and Saint Joseph's Oratory in Québec, and visited natural landmarks such as the Old Man in the Mountain and Niagara Falls. The author often described the scenery and recorded brief stories about the family's activities, their campsites and hosts, and aspects of local culture, particularly in French-speaking areas. The travelogues also include mentions of encounters with other motorists and car maintenance issues such as flat tires.

Each of the volumes contains a printed map highlighting the McKelligett family's traveling route; the map in the first volume is extended by manuscript line drawings. Photographs include images of family members, their car, campsites, man-made landmarks, and natural scenery; most are personal photographs, though some commercial prints and newspaper clippings are also present. Additional items include souvenir scenes of New York lake regions and Toronto landmarks, a beer label from a Canadian brewery, a ticket for a trip across the Victoria Jubilee Bridge, and a receipt for a speeding ticket.