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Chairman of the National Commission of Fine Arts. Reminiscences, 1889-1909, relating in part to his activities as clerk of the U.S. Senate Committee on the District of Columbia, and including his impressions of U.S. Senators and prominent architects and artists; scrapbook of postcards depicting European scenes and art work; scrapbooks of correspondence and clippings, 1921-1922, largely concerning his biography of architect, Daniel H. Burnham; correspondence with friends, artists, editors, learned societies; articles, addresses, miscellaneous papers, and photographs.

The Moore collections include reminiscences, 1889-1909, relating in part to his activities as clerk of the U.S. Senate Committee on the District of Columbia, and including his impressions of U.S. Senators and prominent architects and artists; scrapbook of postcards depicting European scenes and art work; scrapbooks of correspondence and clippings, 1921-1922, largely concerning his biography of architect, Daniel H. Burnham; correspondence with friends, artists, editors, learned societies; articles, addresses, miscellaneous papers, and photographs. The collection has been arranged into the following series: Correspondence; Manuscripts of addresses and articles; Diary / Reminiscences; Other materials; Daniel Burnham materials; and Visual Materials.

Additional Charles Moore papers are located at the Library of Congress and the Detroit Institute of Art.

David Wheeler Palmer was a Bridgewater, Michigan school teacher and farmer. His papers consist of diaries, 1846-1864, 1876-1882, and 1887-1892, concerning daily activities and farm life. There are also papers of other family members, including Emmett Newton Palmer, a Brooklyn, Michigan physician, Fred E. Palmer, a surgeon who served in the Spanish-American War, and Louisa Palmer, who was a teacher in Hawaii.

The David Wheeler Palmer collection consists mainly of his diaries and other papers. These diaries, dating from 1846 to 1892 with some gaps, comment in detail on his life, his family, the weather, financial transactions, and local politics. Other portions of the collection include materials of other family members: Palmer's wife Fidelia Randall Palmer; her brother Roswell Randall, Jr.; Emmett Palmer, the son of David and Fidelia; Fred Palmer, the son of Emmett; and Joseph Palmer, the father of David. Of interest are the photographs accumulated by Dr. Fred Palmer while he was serving in the Philippines. These include images of Hawaii on route to the Philippines and of the Santa Mesa facility in the Philippines. Another family member represented in the collection is Louisa Palmer who taught in Hawaii. She was an inveterate traveler who wrote extensive letters describing places visited for her students and family.

Artist, art critic, director of the University of Michigan Art Museum. Scrapbooks with clippings of Ann Arbor News art reviews, scrapbook, 1905-1907, concerning University of Michigan student life, topical files relating to his interest in art and cultural organizations, original scripts of lectures and radio talks.

The Slusser papers document only portions of this artist/critic's life. The majority of the collection consists of scrapbooks containing his art review columns for the Ann Arbor News. These were written in the period of his retirement, 1963 to 1978. There is also one scrapbook from his years as a student at the University of Michigan, 1905-1907. The remainder of the collection consists of such personal materials as a diary he kept of a trip to Europe in 1909 when he went to study in Munich, a selection of some of his lectures and radio talks, and miscellaneous topical files relating to art and artists. Of interest is a series of letters written to his brother Herbert and letters received from artist William H. Littlefield.

Businessman with the S. S. Kresge Company (later K mart Corporation) and philanthropist. Business records, materials relating to philanthropic activities, notably documenting the work of the Kresge Foundation, and family materials; also organizational materials, speeches, and photographs and motion pictures.

The Stanley Kresge Papers, an important source for the researcher interested in the history of the S.S. Kresge Company/K mart Corporation; the work of the Kresge Foundation; and the Kresge family, have been divided into six series: Kresge Company/K mart Corporation; Kresge Foundation; Organizations; Personal; Speeches; and Visual Materials. The collection has now been microfilmed to allow inter-library access to the collection. These 21 microfilm rolls comprise the bulk of Kresge's collection. Excluded from the microfilming have been a few folders of restricted financial materials, two oversize ledgers, and, of course, the motion picture films. The following finding aid is a guide to the entire collection with appropriate indication of files and other materials not part of the microfilm edition.

Professor of physiology at the University of Michigan; correspondence, speeches, and other materials concerning U-M Medical School activities, the Ann Arbor Red Cross, the Ann Arbor Art Association, and Lombard’s interest in art and etching.

The Warren P. Lombard papers have been arranged into the following series: Biographical/miscellaneous; Correspondence; Organizational and other interests; Physiology and related materials; and Photographs. Much of the collection relates to Lombard's organizational activities, notably the Ann Arbor Red Cross and the Ann Arbor Art Association. Some of Lombard's correspondents include: James B. Angell, William W. Bishop, Marion L. Burton, James J. Couzens, John G. Curtis, Joseph Erlanger, Frederick R. Green, Charles W. Greene, Granville S. Hall, Yandell Henderson, Donald R. Hooker, Frederic S. Lee, Carl Ludwig, Graham Lusk, George W. Norris, Reuben Peterson, William T. Porter, Henry Sewall, Albert A. Stanley, Langdon C. Stewardson, and Victor C. Vaughan.

General secretary of the Alumni Association of the University of Michigan and editor of the Michigan Alumnus; correspondence, drawings and etchings, photographs and other visual materials

The Shaw collection is an assemblage of personal materials such as correspondence, essays and student notebook, and of Shaw's work as an artists including drawings, etchings, and other examples of artistic expression that he used in connection with his work with the University's Alumni Association and its publications. Records of Shaw's activities with the university will be found in the record groups for the Alumni Association and the Bureau of Alumni Relations also located at the Bentley Library. The collection has been divided into five series: Correspondence, Essays, Drawings and Etchings, Miscellaneous, and Photographs and other Visual Materials.