Collections : [University of Michigan William L. Clements Library]

The James Douglas papers are comprised of letters, letter books, logbooks, account books, and official naval documents relating to the career of Sir James Douglas, a British Admiral who was active in European and Caribbean waters and participated in the 1745 Siege of Louisbourg.

The James Douglas papers are comprised of letters, letter books, logbooks, account books, and official naval documents relating to the career of Sir James Douglas. Douglas rose to the rank of admiral and was active in European and Caribbean waters, and participated in the 1745 Siege of Louisbourg. The collection contains 7 letterbooks, 10 logbooks, 1 orderly book, 7 prize and account books, 1 book of sailing instructions (with notations by Douglas), 10 letters, 17 financial and official documents, and 2 genealogical documents (for an itemized list of the collection, see Additional Descriptive Data).

The Letter Books, Logbooks, and Account Books series contains the collection's bound volumes.

The letter books are comprised of copies of over 1,000 letters and orders to and from Douglas and his fellow naval officers. The letter book from Jamaica (1738-1745) includes letters and orders from Edward Vernon, Sir Chaloner Ogle, Thomas Davers, and Commodore Charles Brown, mostly addressed to naval store keeper George Hinde, concerning repairing and outfitting ships. The 1755-1759 letter book contains observations on ship movements and encounters, and letters from him to other naval officers, largely concerning European waters. The letter books from 1775 to 1777 hold copies of letters from Douglas, written when he was commanding the naval base at Spithead during the Revolutionary War. The letters are primarily addressed to Sir Philip Stephens, Secretary of British Admiralty, regarding naval administration and military news during the war in America (August 6, 1775-May 27, 1777).

• Tilbury, 1741-1742 (kept by Thomas Lempriere)
• Vigilant, 1745-1747
• Anson, 1755
• Bedford, 1755-1759
• Alcide, 1757
• Dublin, 1760
• SterlingCastle, 1760-1762
• Cruzer, 1770 (kept by Midshipman James Douglas, Jr.)
• Cerberus, 1770 (kept by Midshipman James Douglas, Jr.)

Topics of note include: an account of the British attack against the Spanish at Cartagena (Tilbury logbook, 1740-1741); the British capture of Dominica and Martinique, and the Siege of Havana, while Douglas was commander and chief of the Leeward Island Station (1760-1762 logbook); and a logbook for a captured French ship (1760-1761). The logbook of a French ship captured in the West Indies (December 16, 1761-May 1, 1762) contains sketches on the insides of the front and back covers. Depicted are fish and sea creatures; crude portraits of men and women, dressed in finery; silhouettes of faces; and drawings of two stately homes.

• Ledger of Douglas' private accounts (1770-1771).
• Two notebooks accounting for prizes taken by British ships in 1759 and 1762.
• A sederunt book of the trustees, relating to the settlement of Douglas' estate, created sometime after his death in 1787.

Also of note is a printed copy of Sailing and Fighting Instructions, heavily annotated by Douglas.

The Correspondence and Documents series contains 29 letters and documents, including: 8 letters concerning naval matters; 4 letters concerning Douglas' will, estate, and genealogy; Douglas' marriage agreement; 7 signed naval promotions on vellum; Douglas' appointment as baronet (1786); 3 memorials and petitions; 2 essays; 1 speech; 1 receipt; 1 legal disposition; and two genealogical items. Genealogy records include a family tree of Douglas' ancestor Douglas of Friarshaw (d. 1388) and a facsimile of the genealogical chart of Sir Thomas Makdougall Brisbane's ancestors going back to the 13th century.

This pocket diary contains entries written by Mrs. H. C. Adams between 1901 and 1916. Most of the volume is Adams' narrative of her visit to the 1901 Pan-American Exposition in Buffalo with her friend Alice, describing buildings and exhibits of the Exposition as well as their excursions into the cities of Buffalo and Syracuse.

This pocket diary contains entries written by Mrs. H. C. Adams between 1901 and 1916. Most of the volume is Adams' narrative of her visit to the 1901 Pan-American Exposition in Buffalo with her friend Alice, describing buildings and exhibits of the Exposition as well as their excursions into the cities of Buffalo and Syracuse.

Mrs. Adams recorded what she saw in many of the buildings, including the "living villages" of the Exposition. They included "genuine" homes of people from the Philippines, Africa, and Japan, as well as Inuit (called Esquimaux Village) and Indigenous North American tribes. In the Japanese Village (called Fair Japan) Mrs. Adams observed a band consisting mostly of women and made note of a theater purported to be the finest in the world. She saw more singers, dancers, and theater productions in the Philippine Village, mentioning some religious practices happening there.

• A chair made of horns
• A list of fish present in the Fishery Building
• The largest tanned elephant hide in the world (500 pounds)
• A gold bed
• A statue representing a Quaker
• Moveable wooden feet
• A bear made of raisins
• An elephant made of English walnut
• Wood from each U.S. state and from some foreign countries
• A theater named The Land of the Midnight Sun
• A house made of butter

During her trip, Adams also visited the Temple of Music, where President William McKinley (1843-1901) was shot. Following Mrs. Adams' diary entries are several lists of names. One is attributed to the Teachers' Institute in November 1906, containing women's names, cities, and states. A similarly formatted list, dated October of 1909, is titled "Institute," but has Xs beside the names. The final list, titled "[Bonnie?] Beach Sandy Creek NY" and dated December 1913, appears to have signatures of individual people.

At the end of the volume is a single-page entry dated January 1927: a list of baked goods with amounts and apparent prices listed.

The Pan-American Exposition photograph album contains 33 photoprints taken by an amateur photographer of the 1901 Pan American Exposition in Buffalo, N.Y. Included are a nighttime view of the exposition; city views; candid photographs of children, images of houses, possibly in Ossining, N.Y.; and two images of Sing Sing Prison.

The Pan-American Exposition photograph album (14 x 18 cm) contains 33 photoprints taken by an amateur photographer of the 1901 Pan American Exposition in Buffalo, N.Y. Included are a nighttime view of the exposition; a city view featuring streetcars; candid photographs of children and images of houses, possibly in Ossining, N.Y.; and two images of Sing Sing Prison. One loose photo is identified as a church in Ossining, N.Y. Of note is an interior photograph of a bedroom dresser with many portrait photographs, and alarm clock, and hair brush displayed facing the last page of the album, which in turn features a portrait of a man with light colored eyes and a mustache.

The album has a gray cover with the printed title "Photographs" in white ink, and is housed in a pale blue cardboard box.

The Perry family photograph albums consist of a five-volume set of albums containing 208 albumen print photographs showing scenic and town views in the vicinity of Cumberland, Maryland.

The Perry family photograph albums consist of a five-volume set of albums containing 208 albumen print photographs showing scenic and town views in the vicinity of Cumberland, Maryland. The albums (each 18 x 27 cm) are half leather bound.

• Images of particular interest in this volume include street views (mostly of Washington Street) in Cumberland, Maryland; a bird's-eye view of Cumberland from Rose Hill Cemetery; views of the Chesapeake & views of the Chesapeake & Ohio Canal and Potomac River; interior views of St. Peter & Paul Church during Christmas of 1889; a view of the Old National Road (Cumberland Road); and a portrait of a Capuchin monk identified as "Brother Metard." Also of interest are three photographs depicting African Americans of Cumberland, including an image captioned "A moment of antebellum days" showing a black woman identified as "Mammy Daphne" conversing with a white woman identified as "Aunt Eliza Murdock"; an image captioned "Celebrities of Frog Eye, with pickaninnies in the gateway" showing two black men operating a horse-drawn wagon bearing a placard that reads "The Cumberland Baggage Delivery Transfer No 4" while a group of black girls looks on the background; and an image captioned "Our neighbors in Shanty Town" showing a black man with an amputated leg standing in front of a house while playing the banjo. Many but not all of the images bear contemporary inscribed captions. Some photographs are present in other volumes. Contemporary inscription on first page reads "Thornton Tayloe Perry."

• Images of particular interest in this volume include views of the Perry family mansion (formerly owned by the family of George Calmes) on the Cohongaronta islet; views of the Perry family cottage, home of Thomas J. Perry, and home of Henry Shriver on Washington Street; bird's-eye views of Cumberland; views of Cumberland Narrows, Wills Mountain, and Knobly Mountain; views of Rose Hill Cemetery and the Cemetery of St. Peter & Paul; a view of Baltimore Street after a flood; views of Cumberland's working class; an interior view of Emmanuel Church on Easter; a view of people watching a flood with the mansion on Cohongaronta in the background; and views of the "German Cemetery" including one photograph of two women praying at the crucifix shrine. Many but not all of the images bear contemporary inscribed captions. Some photographs are present in other volumes.

• Images of particular interest in this volume include views of the mansion on Cohongaronta and other residences; street scenes from Cumberland (mainly of Washington Street); and various landscape photographs. None of the images have captions. Some photographs are present in other volumes.

• Images of particular interest in this volume include views of the Perry family mansion on Cohongaronta; views of residences including the Perry family cottage, home of Thomas J. Perry, and a house built in 1790 by "Geo Dentone" near the site of Old Fort Cumberland; street scenes from Cumberland (mainly of Washington Street); views of Cumberland's working class; views of canal boats; and various landscape photographs. A number of images bear contemporary inscribed captions. Some photographs are present in other volumes. Contemporary inscription on first page reads "Thornton Tayloe Perry."

• Images of particular interest in this volume include views of Cumberland; views of churches; views of the National Road leading through the Cumberland Narrows; views of Rose Hill Cemetery; views of the Vale Farm homestead; a portrait of a woman mourning at Col. William Lynch Lamar's tombstone; street scenes from around Cumberland; views of the Perry family mansion on Cohongaronta; views of the West Virginia Central Rail Road bridge; views of residences; and various landscape photographs. All of the images bear contemporary inscribed captions. Some photographs are present in other volumes. Contemporary inscription on first page reads "Carroll Sprigg Christmas 1886."

The Toll-Mitchell-Clark family photograph album includes photographs of residences belonging to the Toll, Mitchell, and Clark families in upstate New York and Los Angeles, California, as well as studio portraits of various family members. The album also contains deeds, financial records, and other manuscripts related to the Toll, Mitchell, and Clark families.

This collection is comprised of a photograph album and three groups of manuscripts related to the Toll, Mitchell, and Clark families of upstate New York and Los Angeles, California.

The photograph album (27cm x 32cm) contains 30 photographs: cabinet cards, card photographs, and photo postcards laid into the volume. The first several images are exterior views of Toll and Mitchell family homes in Baldwinsville and Memphis, New York, sometimes with family members present. Other images show the Baldwinsville cemetery, the interior of A[sabel] K. Clark's music store, and interiors of the Clark family home in Los Angeles, California. The remaining items are mounted studio portraits of Toll and Mitchell family members; photographs of Truman Mitchell, Sarah Hyde Toll, Sophia Hinman Mitchell, and Abel Hyde and Sarah Mitchell Toll with manuscript wills mounted on the back, dated as early as 1856 and as late as 1893. Two images are duplicated: a portrait of Abel Hyde and Sarah Mitchell Toll (2 copies) and a photographic postcard featuring an unidentified residence (7 copies). The album's purple cloth cover originally had the title "Photographs" stamped front and back; the text is now faded.

The remaining items are approximately 34 manuscripts related to the Toll, Mitchell, and Clark families, including deeds, bank checks, financial records, wills, and correspondence. The deeds relate to land in upstate New York, and a few items pertain to estate administration. Personal letters from Laura F. Clark of Los Angeles, California, to her father are also present, as is a marriage certificate for Mariah Mitchell [sic] and Oliver Glass.