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Architect, professor of architecture at the University of Michigan. Biographical information; subject files relating to his professional activities, his involvement with the International Congress for Modern Architecture, his interest in architectural education, and his own design work; photographs and architectural drawings. The collection includes correspondence exchanged with Buckminster Fuller and Walter Gropius. There is also a letter from Lewis Mumford.

The Walter Sanders collection consists of architectural drawings and photographs, correspondence, and subject files dating from the mid-1930s to his death in 1972. The collection begins with a folder of biographical material followed by a series of folders arranged alphabetically by topic or type of material. Judging by the fullness of his career, it is apparent that these materials represent but a fragment of the documents created and accumulated by Walter Sanders during his professional lifetime. The materials extant in this collection provide a sampling of Sanders' designs, his architectural philosophy, his professional associations, and his teaching career.

The richest portions of the collection include those files of correspondence with other architects and his association with CIAM (the Congrès Internationaux d'Architecture Moderne) or the International Congress for Modern Architecture. Some of Sanders' correspondents include Buckminster Fuller, Walter Gropius, and Lewis Mumford. There are few materials in this collection relating to Sanders' own designs. Except for photographs and drawings of his Ann Arbor residence, the most interesting drawings are for the Pencil Point Home Competition (undated) and for the Chile Pavilion at the 1939 New York World's Fair. Course and class material is also limited though something of Sanders' views on architecture will be found in the "Talks" folder.

Michigan architect, mainly with firms Sanford Rossen A.I.A. Architects and Rossen-Neumann Associate in Southfield, Michigan, best known for design of several outdoor music venues, collection is primarily of buildings designed by Rossen with some papers related to various projects.

The Sanford Rossen Collection is comprised almost entirely of black and white photographs and color slides of buildings and complexes designed by Sanford-Neumann & Associates during the 1970s. There are a few folders of projects undertaken in the 1960s and in the early 1980s, but the bulk of the material represents the period during which Rossen was associated with Kenneth Neumann. Although the collection includes some slides and photographs of architectural drawings, there is little of substance in this regard, and there is virtually no printed documentation related to individual buildings. The collection will therefore best serve the researcher interested in the visual representation of newly constructed buildings in this time period.

Rossen utilized the services of Balthazar Korab, an internationally acclaimed Detroit-based photographer, to capture on film the essence of many of his buildings. (In 1964, Korab was awarded the American Institute of Architects' Medal for Photography of Architecture, and his photographs have been exhibited in numerous major galleries, including the Metropolitan Museum of Art and the Detroit Institute of Arts.) Rossen had numbers of these prints dry-mounted to hang on office walls and featured others in marketing materials. Some of the photographs are signed by Korab, but the majority are not, and for most, the identity of the photographer is unknown. Researchers wishing to study examples of effective and exceptional architectural photography, however, will find the collection a rich resource, particularly for Michigan area buildings.

Papers of Richard Ahern, Ann Arbor architect and community planner for over 40 years, and instructor at Lawrence Institute of Technology from 1977 to 1981. Collection consists mainly of documents from Ahern’s professional projects, as well as his teaching career at Lawrence.

The Richard Ahern papers consist of writings, correspondence, sketches and designs relating to his professional career as an architect, community planner, and educator. The collection provides insight into Ahern's creative and philosophical growth as a designer and planner, and provides snapshots of the growth of several Michigan communities in the 1960s and 1970s.

When they were donated, the Richard Ahern papers contained a large volume of newspaper clippings, publications, and similar research material that Ahern collected in preparation for each of his projects. Although only those documents that directly reflect Ahern's work were kept (a small fraction of the original volume), much of the overall organization schema was maintained.

The Richard Ahern papers are divided into five series: Personal, Early Designs and Sketches, Architecture, Planning, and Teaching.

Papers of Washtenaw County, Mich. architectural historian and preservation activist Mary M. Culver. Collection includes records of Washtenaw County, Mich. historic preservation organizations, Culver's research files and presentations, and images of Michigan historic buildings.

Collection reflects Culver's work in the areas of and historic preservation and Michigan architectural history, and divided into two series: Committee Work and Research and Presentations.

Cincinnati and Detroit based architect. Major commissions include the Grosse Pointe Shores, Michigan residence for Oscar Webber, the Fordson Village Development, and the Goulburn Avenue and Dresden Avenue Defense Houses in Detroit. The collection consists primarily of project files, correspondence, personal diaries, photographs, commission accounts, and architectural drawings.

The Willeke papers are organized into three series: Personal Papers, Professional Papers, and Defense Housing. The collection encompasses eleven linear feet of correspondence, photographs, journals, sketches, commission notebooks and accounts, as well as architectural drawings in eight flat file drawers, and twenty-four tubes.

Papers of Michigan architect John Ward Jickling. The collection mainly consists of Jickling's architectural projects, including correspondence and blueprints. The bulk of the collection contains papers from Jickling's involvement with the Oakland Land Conservancy and committees. In addition, the collection contains papers of his father, Clare Jickling, and his wife's father, James Fairman. It also contains a large amount of genealogy research that Jickling and his family conducted. There are photographs in the collection ranging from the mid-19th century to the early 2000s.

The collection mainly consists of Jickling's architectural projects, including correspondence and blueprints. The bulk of the collection contains papers from Jickling's involvement with the Oakland Land Conservancy and committees. In addition, the collection contains papers of his father, Clare Jickling, and his wife's father, James Fairman. It also contains a large amount of genealogy research that Jickling and his family conducted. There are photographs in the collection ranging from the mid-19th century to the early 2000s. The collection consists of three series: Professional (2 linear feet and 2 outsize folders), Personal (1.5 linear feet and a tube), and Photographs (1 linear foot).

Irving Tobocman (1933-2017) was a University of Michigan alum and Birmingham, Michigan, architect whose Bauhaus-influenced works—while primarily concentrated in the Metro Detroit area—can be found throughout the world. Tobocman was active from circa 1956 to 2017. The collection documents Tobocman's professional career designing commercial, religious, and residential buildings, and includes architectural drawings, contracts, correspondence, legal documents, notes, photographs, publications, reports, and specifications.

The Irving Tobocman papers document Tobocman's professional career designing commercial, religious, and residential buildings, primarily in Metro Detroit. The materials in this collection, which are dated from 1955 to 2017, include large architectural drawings—such as elevation, floor, framing, and mechanical drawings—as well as topographical surveys and smaller materials that were originally rolled with the larger drawings. Also included are contracts, correspondence, drawings, legal documents, notes, photographs, publications, and specifications.

Researchers interested in specific projects should consult materials in both series. Project job numbers have been indicated when possible, although many drawings and files lack job numbers.

Michigan-based architect, founder of Gunnar Birkerts and Associates, professor in the University of Michigan College of Architecture and Urban Planning. The collection is comprised of six series: Personal papers, Professional papers, Faculty papers, Project records, Personal Project Files and Personal Correspondence and Files. Personal papers includes biographical information, family photographs, early architectural drawings, and course notebooks and project drawings completed while a student at the Technische Hochschule Stuttgart. Professional papers includes transcripts and notes of speeches, lectures and seminars (many of these are also available on audiotapes; some are available on videocassettes). Also included are correspondence, awards, travel diaries with conceptual drawings, newspaper and journal articles and photographs. Faculty papers include course and other materials relating to his career as professor at the University of Michigan College of Architecture and Urban Planning. Project files contains textual files, photographs, and conceptual drawings associated with 122 of the buildings and projects designed by Birkerts. Scanned images of some conceptual drawings are available online.

The Gunnar Birkerts Collection offers researchers the opportunity to study the personal, professional and faculty papers and conceptual sketches of one of the masters of American modern architecture, whose career spans the second half of the twentieth century. The collection encompasses 15 linear feet of Birkerts' student work, notes and transcripts of speeches, lectures and interviews, video and audio tapes, writings, correspondence, awards, travel diaries, academic course materials, photographs and project records. Perhaps the greatest significance of this collection lies in its presentation of over 1900 drawings of 122 buildings and projects by the architect's own hand, many of which are valuable, early conceptual sketches.

In its pairing of narrative and visual documents, the Gunnar Birkerts Collection offers a rich perspective on the architect himself, illuminating his views on the creative process and the resulting conceptual designs which have defined his expressive architecture over his illustrious fifty-plus-year career. The Gunnar Birkerts Collection is the architect's deeply personal legacy. He recognizes that, while some of his buildings may be demolished over time, his original conceptual designs on paper are conserved here for future generations to study and enjoy. To this end, he has endowed the Gunnar Birkerts Collection to ensure that his drawings will be preserved and that his place in architectural history can be studied and understood.

The Gunnar Birkerts Collection is comprised of six series: Personal Papers, Professional Papers, Faculty Papers, Project Records, Personal Project Files and Personal Correspondence and Files. The narrative and visual documents in these series illuminate the full breadth of the architect's life and work, from his early years as a student at the Technische Hochschule in Stuttgart, Germany in the 1940s to his career in Michigan as an internationally acclaimed architect, esteemed design professor and global lecturer from the early 1950s to the present.

Edward V. Olencki was a practicing architect and a professor at the University of Michigan College of Architecture and Urban Planning from 1949 to 1987. Prior to coming to Ann Arbor, Olencki worked as a designer and draftsman for prominent architect Mies van der Rohe while studying at the Illinois Institute of Technology.

This collection primarily reflects Olencki's work as a practicing architect, but also contains some materials related to his research interest in church design, and his association with Mies van der Rohe.

Professor of architecture at the University of Michigan. The series in the collection are: Architectural Research, 1932-1983; College of Architecture and Urban Planning, 1967-1985; Correspondence, 1962-1972; Development Index, 1947-1984; and Published Materials, 1930-1982.

The papers of C. Theodore Larson measure 4.0 linear feet and date from 1930 to 1985. The bulk of materials, however, are from 1951 to 1974. The papers contain five series: Architectural Research; College of Architecture and Urban Planning; Correspondence; Development index and Published materials.