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Albert Kahn was a Detroit-based architect, active from 1896 to 1942. He founded the firm, Albert Kahn Associated Architects & Engineers, which is today known as Albert Kahn Associates, Inc. He was best known for his industrial design work, including the Ford Motor Company's Highland Park and River Rouge plants; numerous commercial buildings in Detroit such as the Fisher Building, Detroit Athletic Club, and General Motors Building; and much of the University of Michigan's Central Campus, including Angell Hall, the Clements Library, and Hill Auditorium, as well as the Willow Run Bomber Plant near Ann Arbor, Michigan. After Kahn's death in 1942, his architectural firm, Albert Kahn Associates, Inc., has continued to be a worldwide leader in the design of factory buildings that enhance the manufacturing process. The Albert Kahn Associates records are composed of materials produced by Albert Kahn the architect, as well as materials produced by his firm, Albert Kahn Associates, Inc., and include correspondence, company files, photographs, published materials, and architectural drawings.

The Albert Kahn Associates records offer researchers the opportunity to study the correspondence, transcripts of speeches, photographs, and architectural drawings of the preeminent, American, industrial architect, Albert Kahn, and his firm, Albert Kahn Associates, Inc. On March 21, 2003 (the 134th anniversary of Albert Kahn's birthday), Albert Kahn Associates, Inc. (AKA) donated this collection to the Bentley Historical Library at the University of Michigan to ensure the conservation and accessibility of these records. Through this gift, AKA has shown its commitment to preserving the legacy of Kahn, whose factories on five continents influenced the development of industrial architecture and whose commercial, residential and institutional buildings define the character of Detroit and the University of Michigan today. The collection encompasses 166 linear feet (in 180 boxes) of correspondence, transcripts of speeches, newspaper and journal articles, company files, audiovisual materials, photographs and slides, as well as 90 leather portfolios containing photographs of completed buildings, 22 albums of sample architectural materials, 131 books, and 12,731 architectural drawings in 45 flat-file drawers and 114 oversize tubes.

The narrative and visual materials in the collection illuminate the breadth of Kahn's career and highlight the work of his architectural firm, Albert Kahn Associates, Inc., which continued to develop projects after his death, and remains a living institution. In pairing the textual materials with the photographs and architectural drawings associated with Kahn's projects, this collection offers a rich perspective on the master architect himself, illuminating his personal views on his own architecture and its place in a changing and often tumultuous world.

Professor of architecture at the University of Michigan. The series in the collection are: Architectural Research, 1932-1983; College of Architecture and Urban Planning, 1967-1985; Correspondence, 1962-1972; Development Index, 1947-1984; and Published Materials, 1930-1982.

The papers of C. Theodore Larson measure 4.0 linear feet and date from 1930 to 1985. The bulk of materials, however, are from 1951 to 1974. The papers contain five series: Architectural Research; College of Architecture and Urban Planning; Correspondence; Development index and Published materials.

Edward V. Olencki was a practicing architect and a professor at the University of Michigan College of Architecture and Urban Planning from 1949 to 1987. Prior to coming to Ann Arbor, Olencki worked as a designer and draftsman for prominent architect Mies van der Rohe while studying at the Illinois Institute of Technology.

This collection primarily reflects Olencki's work as a practicing architect, but also contains some materials related to his research interest in church design, and his association with Mies van der Rohe.

Michigan-based architect, founder of Gunnar Birkerts and Associates, professor in the University of Michigan College of Architecture and Urban Planning. The collection is comprised of six series: Personal papers, Professional papers, Faculty papers, Project records, Personal Project Files and Personal Correspondence and Files. Personal papers includes biographical information, family photographs, early architectural drawings, and course notebooks and project drawings completed while a student at the Technische Hochschule Stuttgart. Professional papers includes transcripts and notes of speeches, lectures and seminars (many of these are also available on audiotapes; some are available on videocassettes). Also included are correspondence, awards, travel diaries with conceptual drawings, newspaper and journal articles and photographs. Faculty papers include course and other materials relating to his career as professor at the University of Michigan College of Architecture and Urban Planning. Project files contains textual files, photographs, and conceptual drawings associated with 122 of the buildings and projects designed by Birkerts. Scanned images of some conceptual drawings are available online.

The Gunnar Birkerts Collection offers researchers the opportunity to study the personal, professional and faculty papers and conceptual sketches of one of the masters of American modern architecture, whose career spans the second half of the twentieth century. The collection encompasses 15 linear feet of Birkerts' student work, notes and transcripts of speeches, lectures and interviews, video and audio tapes, writings, correspondence, awards, travel diaries, academic course materials, photographs and project records. Perhaps the greatest significance of this collection lies in its presentation of over 1900 drawings of 122 buildings and projects by the architect's own hand, many of which are valuable, early conceptual sketches.

In its pairing of narrative and visual documents, the Gunnar Birkerts Collection offers a rich perspective on the architect himself, illuminating his views on the creative process and the resulting conceptual designs which have defined his expressive architecture over his illustrious fifty-plus-year career. The Gunnar Birkerts Collection is the architect's deeply personal legacy. He recognizes that, while some of his buildings may be demolished over time, his original conceptual designs on paper are conserved here for future generations to study and enjoy. To this end, he has endowed the Gunnar Birkerts Collection to ensure that his drawings will be preserved and that his place in architectural history can be studied and understood.

The Gunnar Birkerts Collection is comprised of six series: Personal Papers, Professional Papers, Faculty Papers, Project Records, Personal Project Files and Personal Correspondence and Files. The narrative and visual documents in these series illuminate the full breadth of the architect's life and work, from his early years as a student at the Technische Hochschule in Stuttgart, Germany in the 1940s to his career in Michigan as an internationally acclaimed architect, esteemed design professor and global lecturer from the early 1950s to the present.

Irving Tobocman (1933-2017) was a University of Michigan alum and Birmingham, Michigan, architect whose Bauhaus-influenced works—while primarily concentrated in the Metro Detroit area—can be found throughout the world. Tobocman was active from circa 1956 to 2017. The collection documents Tobocman's professional career designing commercial, religious, and residential buildings, and includes architectural drawings, contracts, correspondence, legal documents, notes, photographs, publications, reports, and specifications.

The Irving Tobocman papers document Tobocman's professional career designing commercial, religious, and residential buildings, primarily in Metro Detroit. The materials in this collection, which are dated from 1955 to 2017, include large architectural drawings—such as elevation, floor, framing, and mechanical drawings—as well as topographical surveys and smaller materials that were originally rolled with the larger drawings. Also included are contracts, correspondence, drawings, legal documents, notes, photographs, publications, and specifications.

Researchers interested in specific projects should consult materials in both series. Project job numbers have been indicated when possible, although many drawings and files lack job numbers.

Papers of Michigan architect John Ward Jickling. The collection mainly consists of Jickling's architectural projects, including correspondence and blueprints. The bulk of the collection contains papers from Jickling's involvement with the Oakland Land Conservancy and committees. In addition, the collection contains papers of his father, Clare Jickling, and his wife's father, James Fairman. It also contains a large amount of genealogy research that Jickling and his family conducted. There are photographs in the collection ranging from the mid-19th century to the early 2000s.

The collection mainly consists of Jickling's architectural projects, including correspondence and blueprints. The bulk of the collection contains papers from Jickling's involvement with the Oakland Land Conservancy and committees. In addition, the collection contains papers of his father, Clare Jickling, and his wife's father, James Fairman. It also contains a large amount of genealogy research that Jickling and his family conducted. There are photographs in the collection ranging from the mid-19th century to the early 2000s. The collection consists of three series: Professional (2 linear feet and 2 outsize folders), Personal (1.5 linear feet and a tube), and Photographs (1 linear foot).

Cincinnati and Detroit based architect. Major commissions include the Grosse Pointe Shores, Michigan residence for Oscar Webber, the Fordson Village Development, and the Goulburn Avenue and Dresden Avenue Defense Houses in Detroit. The collection consists primarily of project files, correspondence, personal diaries, photographs, commission accounts, and architectural drawings.

The Willeke papers are organized into three series: Personal Papers, Professional Papers, and Defense Housing. The collection encompasses eleven linear feet of correspondence, photographs, journals, sketches, commission notebooks and accounts, as well as architectural drawings in eight flat file drawers, and twenty-four tubes.

Papers of Washtenaw County, Mich. architectural historian and preservation activist Mary M. Culver. Collection includes records of Washtenaw County, Mich. historic preservation organizations, Culver's research files and presentations, and images of Michigan historic buildings.

Collection reflects Culver's work in the areas of and historic preservation and Michigan architectural history, and divided into two series: Committee Work and Research and Presentations.

Papers of Richard Ahern, Ann Arbor architect and community planner for over 40 years, and instructor at Lawrence Institute of Technology from 1977 to 1981. Collection consists mainly of documents from Ahern’s professional projects, as well as his teaching career at Lawrence.

The Richard Ahern papers consist of writings, correspondence, sketches and designs relating to his professional career as an architect, community planner, and educator. The collection provides insight into Ahern's creative and philosophical growth as a designer and planner, and provides snapshots of the growth of several Michigan communities in the 1960s and 1970s.

When they were donated, the Richard Ahern papers contained a large volume of newspaper clippings, publications, and similar research material that Ahern collected in preparation for each of his projects. Although only those documents that directly reflect Ahern's work were kept (a small fraction of the original volume), much of the overall organization schema was maintained.

The Richard Ahern papers are divided into five series: Personal, Early Designs and Sketches, Architecture, Planning, and Teaching.

Michigan architect, mainly with firms Sanford Rossen A.I.A. Architects and Rossen-Neumann Associate in Southfield, Michigan, best known for design of several outdoor music venues, collection is primarily of buildings designed by Rossen with some papers related to various projects.

The Sanford Rossen Collection is comprised almost entirely of black and white photographs and color slides of buildings and complexes designed by Sanford-Neumann & Associates during the 1970s. There are a few folders of projects undertaken in the 1960s and in the early 1980s, but the bulk of the material represents the period during which Rossen was associated with Kenneth Neumann. Although the collection includes some slides and photographs of architectural drawings, there is little of substance in this regard, and there is virtually no printed documentation related to individual buildings. The collection will therefore best serve the researcher interested in the visual representation of newly constructed buildings in this time period.

Rossen utilized the services of Balthazar Korab, an internationally acclaimed Detroit-based photographer, to capture on film the essence of many of his buildings. (In 1964, Korab was awarded the American Institute of Architects' Medal for Photography of Architecture, and his photographs have been exhibited in numerous major galleries, including the Metropolitan Museum of Art and the Detroit Institute of Arts.) Rossen had numbers of these prints dry-mounted to hang on office walls and featured others in marketing materials. Some of the photographs are signed by Korab, but the majority are not, and for most, the identity of the photographer is unknown. Researchers wishing to study examples of effective and exceptional architectural photography, however, will find the collection a rich resource, particularly for Michigan area buildings.