Collections : [University of Michigan Bentley Historical Library]

Albert Kahn was a Detroit-based architect, active from 1896 to 1942. He founded the firm, Albert Kahn Associated Architects & Engineers, which is today known as Albert Kahn Associates, Inc. He was best known for his industrial design work, including the Ford Motor Company's Highland Park and River Rouge plants; numerous commercial buildings in Detroit such as the Fisher Building, Detroit Athletic Club, and General Motors Building; and much of the University of Michigan's Central Campus, including Angell Hall, the Clements Library, and Hill Auditorium, as well as the Willow Run Bomber Plant near Ann Arbor, Michigan. After Kahn's death in 1942, his architectural firm, Albert Kahn Associates, Inc., has continued to be a worldwide leader in the design of factory buildings that enhance the manufacturing process. The Albert Kahn Associates records are composed of materials produced by Albert Kahn the architect, as well as materials produced by his firm, Albert Kahn Associates, Inc., and include correspondence, company files, photographs, published materials, and architectural drawings.

The Albert Kahn Associates records offer researchers the opportunity to study the correspondence, transcripts of speeches, photographs, and architectural drawings of the preeminent, American, industrial architect, Albert Kahn, and his firm, Albert Kahn Associates, Inc. On March 21, 2003 (the 134th anniversary of Albert Kahn's birthday), Albert Kahn Associates, Inc. (AKA) donated this collection to the Bentley Historical Library at the University of Michigan to ensure the conservation and accessibility of these records. Through this gift, AKA has shown its commitment to preserving the legacy of Kahn, whose factories on five continents influenced the development of industrial architecture and whose commercial, residential and institutional buildings define the character of Detroit and the University of Michigan today. The collection encompasses 166 linear feet (in 180 boxes) of correspondence, transcripts of speeches, newspaper and journal articles, company files, audiovisual materials, photographs and slides, as well as 90 leather portfolios containing photographs of completed buildings, 22 albums of sample architectural materials, 131 books, and 12,731 architectural drawings in 45 flat-file drawers and 114 oversize tubes.

The narrative and visual materials in the collection illuminate the breadth of Kahn's career and highlight the work of his architectural firm, Albert Kahn Associates, Inc., which continued to develop projects after his death, and remains a living institution. In pairing the textual materials with the photographs and architectural drawings associated with Kahn's projects, this collection offers a rich perspective on the master architect himself, illuminating his personal views on his own architecture and its place in a changing and often tumultuous world.

Michigan-based architect, founder of Gunnar Birkerts and Associates, professor in the University of Michigan College of Architecture and Urban Planning. The collection is comprised of six series: Personal papers, Professional papers, Faculty papers, Project records, Personal Project Files and Personal Correspondence and Files. Personal papers includes biographical information, family photographs, early architectural drawings, and course notebooks and project drawings completed while a student at the Technische Hochschule Stuttgart. Professional papers includes transcripts and notes of speeches, lectures and seminars (many of these are also available on audiotapes; some are available on videocassettes). Also included are correspondence, awards, travel diaries with conceptual drawings, newspaper and journal articles and photographs. Faculty papers include course and other materials relating to his career as professor at the University of Michigan College of Architecture and Urban Planning. Project files contains textual files, photographs, and conceptual drawings associated with 122 of the buildings and projects designed by Birkerts. Scanned images of some conceptual drawings are available online.

The Gunnar Birkerts Collection offers researchers the opportunity to study the personal, professional and faculty papers and conceptual sketches of one of the masters of American modern architecture, whose career spans the second half of the twentieth century. The collection encompasses 15 linear feet of Birkerts' student work, notes and transcripts of speeches, lectures and interviews, video and audio tapes, writings, correspondence, awards, travel diaries, academic course materials, photographs and project records. Perhaps the greatest significance of this collection lies in its presentation of over 1900 drawings of 122 buildings and projects by the architect's own hand, many of which are valuable, early conceptual sketches.

In its pairing of narrative and visual documents, the Gunnar Birkerts Collection offers a rich perspective on the architect himself, illuminating his views on the creative process and the resulting conceptual designs which have defined his expressive architecture over his illustrious fifty-plus-year career. The Gunnar Birkerts Collection is the architect's deeply personal legacy. He recognizes that, while some of his buildings may be demolished over time, his original conceptual designs on paper are conserved here for future generations to study and enjoy. To this end, he has endowed the Gunnar Birkerts Collection to ensure that his drawings will be preserved and that his place in architectural history can be studied and understood.

The Gunnar Birkerts Collection is comprised of six series: Personal Papers, Professional Papers, Faculty Papers, Project Records, Personal Project Files and Personal Correspondence and Files. The narrative and visual documents in these series illuminate the full breadth of the architect's life and work, from his early years as a student at the Technische Hochschule in Stuttgart, Germany in the 1940s to his career in Michigan as an internationally acclaimed architect, esteemed design professor and global lecturer from the early 1950s to the present.

Irving Tobocman (1933-2017) was a University of Michigan alum and Birmingham, Michigan, architect whose Bauhaus-influenced works—while primarily concentrated in the Metro Detroit area—can be found throughout the world. Tobocman was active from circa 1956 to 2017. The collection documents Tobocman's professional career designing commercial, religious, and residential buildings, and includes architectural drawings, contracts, correspondence, legal documents, notes, photographs, publications, reports, and specifications.

The Irving Tobocman papers document Tobocman's professional career designing commercial, religious, and residential buildings, primarily in Metro Detroit. The materials in this collection, which are dated from 1955 to 2017, include large architectural drawings—such as elevation, floor, framing, and mechanical drawings—as well as topographical surveys and smaller materials that were originally rolled with the larger drawings. Also included are contracts, correspondence, drawings, legal documents, notes, photographs, publications, and specifications.

Researchers interested in specific projects should consult materials in both series. Project job numbers have been indicated when possible, although many drawings and files lack job numbers.

Papers of Michigan architect John Ward Jickling. The collection mainly consists of Jickling's architectural projects, including correspondence and blueprints. The bulk of the collection contains papers from Jickling's involvement with the Oakland Land Conservancy and committees. In addition, the collection contains papers of his father, Clare Jickling, and his wife's father, James Fairman. It also contains a large amount of genealogy research that Jickling and his family conducted. There are photographs in the collection ranging from the mid-19th century to the early 2000s.

The collection mainly consists of Jickling's architectural projects, including correspondence and blueprints. The bulk of the collection contains papers from Jickling's involvement with the Oakland Land Conservancy and committees. In addition, the collection contains papers of his father, Clare Jickling, and his wife's father, James Fairman. It also contains a large amount of genealogy research that Jickling and his family conducted. There are photographs in the collection ranging from the mid-19th century to the early 2000s. The collection consists of three series: Professional (2 linear feet and 2 outsize folders), Personal (1.5 linear feet and a tube), and Photographs (1 linear foot).

Architect, professor of architecture at the University of Michigan. Biographical information; subject files relating to his professional activities, his involvement with the International Congress for Modern Architecture, his interest in architectural education, and his own design work; photographs and architectural drawings. The collection includes correspondence exchanged with Buckminster Fuller and Walter Gropius. There is also a letter from Lewis Mumford.

The Walter Sanders collection consists of architectural drawings and photographs, correspondence, and subject files dating from the mid-1930s to his death in 1972. The collection begins with a folder of biographical material followed by a series of folders arranged alphabetically by topic or type of material. Judging by the fullness of his career, it is apparent that these materials represent but a fragment of the documents created and accumulated by Walter Sanders during his professional lifetime. The materials extant in this collection provide a sampling of Sanders' designs, his architectural philosophy, his professional associations, and his teaching career.

The richest portions of the collection include those files of correspondence with other architects and his association with CIAM (the Congrès Internationaux d'Architecture Moderne) or the International Congress for Modern Architecture. Some of Sanders' correspondents include Buckminster Fuller, Walter Gropius, and Lewis Mumford. There are few materials in this collection relating to Sanders' own designs. Except for photographs and drawings of his Ann Arbor residence, the most interesting drawings are for the Pencil Point Home Competition (undated) and for the Chile Pavilion at the 1939 New York World's Fair. Course and class material is also limited though something of Sanders' views on architecture will be found in the "Talks" folder.