Collections : [University of Michigan Bentley Historical Library]

Detroit German-American business; scrapbooks containing a variety of printed material, photographs, handwritten accounts of sentiments and occasions, and hand-drawn ink illustrations.

The Carl E. Schmidt collection consists of sixteen volumes of scrapbooks documenting the wide scope of Schmidt's interests. These scrapbooks were compiled and numbered by Schmidt himself, although some of the explanatory text was added by a friend, Dr. Tobias Sigel, who was himself a German immigrant and prominent citizen of Detroit. The scrapbooks are filled with a variety of printed material, photographs, handwritten accounts of sentiments and occasions, and hand-drawn ink illustrations. Much of the scrapbooks' text is in German, including many clippings from German language newspapers. The illustrations in Volume II are particularly attractive. They are hand-drawn red and black ink illustrations of fanciful, legendary themes relating to Walhalla.

The following inventory is a general guide to the contents of each volume. For those scrapbooks that were paginated by Schmidt, specific sections of special interest have been noted in the inventory. Volume 2 also has its own, original index. There is one corresponding folder for each of thirteen of the volumes. These folders contain loose items removed from volumes one through eleven, thirteen, and fourteen.

As the inventory shows, Schmidt was most thorough in documenting his recreational and farming interests, and his political activity in Detroit, at the state level, and in the German-American community. There is, however, very little information about his tannery business.

Amateur photographer; sixty-two reels of film shot by Benz on various trips.

When the University of Michigan Media Resources Collection was accessioned by the Bentley Historical Library, a number of films were discovered in the vault that were not related to that collection. Within that material were travel films shot by Fred E. Benz. These films document Benz's travels around the world between 1929 and 1950. The films had been edited together and were probably used by Benz for presentation to local groups and as home entertainment.

The Fred E. Benz Collection contains sixty-two, 400 foot reels of silent 16mm film. It is made up of eight series, one for each trip taken. The series are: Africa, Australia/New Zealand, Guatemala, Havana, Mexico, Russia, South America, and a World Cruise. The contents of each reel are described in the finding aid. Benz has included handwritten descriptions of the images found on the Russian and World Cruise series attached to the inside lids of each can of film. Benz was careful to document most of the locations with a handwritten note displayed before the camera. When cities or natural markers are noted in the finding aid, the identifying information was taken from that supplied by the film maker on the screen or from his notes in the can lids. The spelling of geographic locations in the finding aid reflect the information on the film and not current spellings.

Short notes found with the Mexican footage indicate it was the result of two different trips. The reels retain their original numbering because the numbered reels (1,2,3,4) appear to comprise one trip and numbered/lettered reels (1a, 3a, 4a) comprise the second trip.

The value of the collection is that it captures moments in time, documenting lifestyles, architecture and modes of travel which no longer exist or have evolved over time. Footage exists of London on the eve of war and Shanghai one year before being destroyed by the Japanese invasion.

Perhaps the greater value lies in the depiction of the indigenous lifestyles captured on film. Benz, as an amateur photographer, was interested in the common events that he experienced as he traveled. The collection features extensive recordings of people working or playing, and children of different cultures going about their daily activities. The films show barren huts in remote areas of Russia in the 1930s, families living under stone bridges outside of Buenos Aires, life-saving competitions in Sydney and the plethora of street markets found in most cultures and countries that he traveled through.

Because these are travel films, the scope of the footage included often extends beyond the geographic area used to identify the series. For example, the Australia footage includes material filmed on various Pacific islands, the Asian continent and Japan. The Russian trip contains footage of England and Northern Europe, and the South American films contain shots of the departure from New York. Each series should be examined for additional geographic content.

Special attention should be given to the Mexican series containing film recordings of Mt. Rushmore with construction only partially complete. Included as well are extensive shots of bullfighting in addition to other Mexican scenes. Also of note is the extensive depiction of women throughout all of the series. On the canister containing reel 5 in the Russia series is a receipt from United States Navy Department stating that this reel was being forwarded to Chicago for study of the shots of Kirkenes, Norway.

The color in the Africa, Guatemala, Havana, Mexico and South America series is excellent. The wide, clean, lush cityscapes of Havana and Capetown are richly captured in color and give an indication why they were popular travel destinations at this time.

In addition to the eight travel series, the collection also included one reel of World War II footage assembled by Castle Films from public domain footage. This type of film was sold through camera stores and mail order houses and Benz probably purchased a reel for his own use. The identifying writing on the film can is in Benz's handwriting and clearly belonged with his collection.

Board minutes, annual reports; photographs; also files relating to the construction and expansion of the shelter, to problems of dog control, and concerning local animal control ordinances.

The record group includes minutes of meetings of the board, annual reports, and other subject files relating to animal control and the sheltering of various animals, and to the construction and expansion of the shelter.

Professor of zoology at the University of Michigan, scientist for the Rockefeller Foundation, and scientific writer for both professional and popular publications. Correspondence, journals, manuscripts of writings, and class materials, including papers detailing his work with the United Fruit Company in Central America, 1928-1931, his later activities with the International Health Division of the Rockefeller Foundation, especially his interest in mosquito research and malaria control programs during the 1930's and 1940's, and his demographic studies of the people of the Ifalik Atoll in the South Pacific in 1953; and photographs.

The Bates papers cover the period 1913-1974 and include material relating to all phases of his career, including his research in Guatemala and Honduras with the United Fruit Company, his studies of mosquito biology and malaria control programs during the 1930's and 1940's in Albania, Egypt, Colombia, and elsewhere and his later investigations into problems of demography and human ecology. The collection includes correspondence, personal and scientific journals, miscellaneous entomological notes, manuscripts of many of his books, articles, and book reviews, copies of the scripts of his television appearances, and University of Michigan class notes. The collections also includes personal photographs and photographs relating to his scientific research.

The collection has been arranged into six series: Correspondence; University of Michigan; Journals, diaries, research; Writings; Notes/miscellaneous personal; and Photographs.