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Records of the Law School document the evolution of legal education at the University of Michigan as well as tenures of various deans and faculty. Documentation includes historical and class files; student organizations and activities; planning and construction of Law School buildings; information on William W. Cook and his bequest; topical files; deans' correspondence; reports and minutes. Also included are materials related to the Thomas M Cooley and William W. Cook lecture series and portraits of faculty and students, photographs of activities of the Judge Advocate General's School held at the Law School during World War II, the construction of the Law Quadrangle and Law Library addition, and student activities.

The Law School Records begin in 1852 and span the years through the end of the twentieth century. The records document the history of legal education at the University of Michigan, the administration of the Law School, and the lives of some of the scholars who have studied and taught there.

The physical arrangement of the records reflects the various accessions of material that have been received from the Law School over the years. This finding aid is structured to reflect the intellectual organization of the records - continuing series and like materials have been brought together regardless of when the records were transferred to the library. The Summary Contents List provides and overview of the organization of the records.

There are eight major series in the record group: Historical and Class Files (1865-1974); Deans of the Law School (1852-1999); Faculty Files (1859-1994); Student Files (1894-1996); Law Quadrangle and William W. Cook, (1919-1938); Law School Lecture Series; Committee of Visitors and Audio/Visual Materials.

The Norton Strange Townshend Family papers include correspondence, diaries, essays, lectures, printed matter, clippings, financial and legal papers, photographs, daguerreotypes, ephemera, realia, maps, and books belonging to the Townshend and Dodge families, who were connected by the marriage of Margaret Wing (granddaughter of Norton Townshend) and Homer Levi Dodge (grandson of Levi Dodge) in 1917. Much of the collection documents the life and career of politician and agricultural educator Norton Strange Townshend, including his political, educational, and social reform activities.

The Norton Strange Townshend Family Papers consist of 20.5 linear feet of manuscripts, 66 cased photographs, 3 linear feet of paper photographs, 8 cubic feet of photographic slides, and 7 cubic feet of realia, arranged into 13 series. For more detail, see scope and content notes, below.

The Correspondence series (Boxes 1-10) contains all the collection’s letters, postcards, and telegrams (with the exception of official military correspondence, financial correspondence, and genealogy correspondence, which are under "Topical Files," "Financial Correspondence," and "Genealogical Correspondence," respectively). Correspondence spans the years 1827-1989 and makes up around one quarter of the collection. It is subdivided by family into the "Townshend Subseries" and "Dodge Subseries," and arranged chronologically, with undated items at the end. The series contains correspondence to and from prominent Ohio politicians, such as Salmon P. Chase; who wrote 34 letters to Townshend; William Medill; Rutherford B. Hayes; and notable agricultural educators, including James Sullivant and John Klippart. Correspondence among family members is also voluminous, and documents a wide variety of issues during the mid-19th to early-20th centuries, including social and family life, courtship, women’s work and viewpoints, travel, and attitudes toward education. For an index of correspondents, see "Additional Descriptive Data."

The Joel Townshend papers series (Box 10) brings together documents by and related to Norton Townshend’s father, Joel Townshend (1780-1864). It includes a few religious writings, as well as financial and legal documents that shed light on the family’s life in Northamptonshire, England, and Ohio. Most items date from 1810 to 1830, with the exception of a biography of Townshend written in the 1930s or 1940s by his great-grandson, H. Percy Boynton.

The Norton S. Townshend papers series (Boxes 10-26) is the largest series in the collection and contains diaries, published and unpublished writings, printed materials, clippings, broadsides, biographical materials, and other items relating to nearly every facet of Townshend’s adult life. These materials document Townshend’s political involvement, particularly in local and national antislavery, in agricultural movements, and in the U.S. House of Representatives. The series also includes papers about his educational career, family life, Civil War service, and religious views and work. Townshend frequently worked and reworked his ideas on paper, and both his published and unpublished writings are a rich source of intellectual and reform history. Townshend was also an inveterate collector and preserver of interesting items, including materials relating to northern Ohio’s Liberty Party, his admission tickets to medical courses and the World Anti-Slavery Convention, an application to the Ohio State Asylum for the Education of Idiotic and Imbecile Youth, of which he was a trustee, and dozens of fliers and handbills for lectures given by himself and others.

The Margaret Bailey Townshend papers series (Boxes 26-27) is comprised of two diaries, a rich autobiographical writing entitled "Genealogy," describing her childhood and education, a small number of clippings, and materials relating to her education and career as a teacher in Illinois and Ohio in the 1850s. Many items in the Realia series (below) also relate to Margaret Bailey Townshend.

The Other Townshend family members’ papers series (Boxes 28-30) contains materials relating mainly to Townshend’s children and their spouses, but also includes James B. Wood (Townshend’s father-in-law), Harriet Wood Townshend (Townshend’s first wife), Margaret Wing Dodge (Townshend’s granddaughter), and several other relatives. The bulk of this series is made up of their writings, which are autobiographical, religious, and cultural in subject. Also of interest is biographical information on family members, including articles on Townshend’s children, who were early students of Ohio State University, and a number of obituaries of these family members.

The Dodge family papers series (Boxes 30-34) consists of materials produced and collected by the Dodges of upstate New York, from 1839 to approximately 1970, and documenting their family life, travels, hobbies (in particular the outdoors and canoeing), financial and legal transactions, and civic engagement. Incorporated are some writings by various family members, including Levi R. Dodge, F. Isabella (Donaghue) Dodge, Homer Dodge, and family friend Lydia Sayer Hasbrouck; topical files, the bulk of which are 20th century; biographical materials such as obituaries and clippings; and periodicals on topics of interest to the Dodges.

The Genealogical research series (Boxes 35-37) reflects the family’s interest in its own history and consists of correspondence, family trees, historical essays, as well as commercially produced family histories for some lines. The materials reflect a particular interest in finding links between various family members and such prominent figures as the Townshends of Raynham Hall, the Green family of Vermont, and General Grenville Dodge. This series pertains mainly to the 20th century and is arranged by family, except for the correspondence, which is arranged chronologically.

The Collection-related materials series is made up of documents and articles that shed light on the outreach efforts made on behalf of the collection, particularly for the Easterly items, prior to their accessioning by the William L. Clements Library. The series is comprised of fliers, museum publicity materials, and articles on exhibits. Materials date from the late 20th century, particularly the 1990s.

The Books series contains three items that are housed with the collection: Sermons on Various Subjects by the Late Rev. Thomas Strange, Kilsby, Northamptonshire, with Some Memoirs of His Life (1807); the Townshend Family Bible (with manuscript notes on births, deaths and marriages); and Robert W. McCormick’s 1988 self-published biography of Townshend: Norton S. Townshend, M.D. Antislavery Politician and Agricultural Educator. The rest of the books, including books from the personal libraries of Norton Townshend, Joel Townshend, Margaret Bailey Townshend, and the Dodge family, are housed in the Book Division of the Clements Library; for the list of titles, search for "M-3437" in the University of Michigan's library catalog.

The Visual materials series is arranged by type of item and then by subject. This includes daguerreotypes by prominent daguerreotypist Thomas M. Easterly, other photographs, drawings/prints, and maps. The materials range from the 1840s to the 1970s. See also Realia series below.

The Realia series contains approximately 8 linear feet of objects, including items from the childhood and teaching career of Margaret Bailey Townshend, intricate hairwork jewelry and a hair wreath made with the locks of at least 16 family members, geological materials and fossils collected by Norton Townshend and possibly Thomas Easterly, and other three-dimensional objects such as a glass vial for medicine, ribbons from the Ohio State Fair, and decorative objects. Also noteworthy are a number of paper objects, such as Civil War era chromolithograph animal toys, a Japanese paper lantern, and an alphabet game for children.

The Dodge Photographic Slides series includes eight cubic feet of photographic slides, totaling approximately 22,000 slides, attributed to Homer L. Dodge. They document travels around the southwest United States and to countries such as Japan, Canada and Sweden.

The Miscellaneous series contains envelopes without accompanying letters, blank letterhead, and a binder of transcriptions of select letters from Harriet Wood Townshend to Sarah Wood Keffer.

The Nova Scotia diary chronicles the daily life of a carpenter and small farmer throughout much of 1877. The volume also contains several pages written in mock-African American dialect and several drawings.

The Nova Scotia diary chronicles the daily life of a carpenter and small farmer throughout much of 1877. The author began his diary on March 18, 1877, by relating his different activities at the beginning of the planting season. His crops were corn, potatoes, and turnips, and he also raised and sheared sheep. Throughout the year, the diarist reflected on various events in the life of his small, intimate community, which included many visits from neighbors, occasional picnics, and short vacations. He hosted a meeting of several "county lodge" delegates, and assisted other farmers with planting and harvesting their crops. In addition to attending Easter church services and celebrating the Queen's birthday, he noted the beginning of the 1st Provincial Expedition in Kentville, which opened in October. Though the author concluded his entries on October 21, 1877, he appended a number of births and marriages for the years 1877-1879. The final four pages of the book contain an imitation of an African American dialect, and include a caricature of two well-dressed African Americans sitting before a fireplace. Other drawings in the book include a pencil map of Shaw's Point, drawn before the construction of a railroad; a map of "Grandfather's place" previous to its 1862 sale; and floor plans for the upper and lower floors of "W Spurr's house," 1862.

The Parrish family photograph album contains 110 photographs assembled by the Parrish family of Philadelphia, Pennsylvania, including images of family and friends, political figures, celebrities, and popular illustrations as well as photographs related to Union efforts to educate freed slaves during the Civil War in the Port Royal Experiment.

The album (15.5 x 24 cm) has embossed brown leather covers and two metal clasps. 63 loose photographs are stored in Mylar sleeves and many appear to have been separated from the album over time. In some cases, it is possible to match loose images with a specific page slot through pairing inscriptions on the photograph with annotations present in the album. However, many loose images do not contain any identifying information, so it is unclear where some may have been located within the album or if they were ever associated with the album in the first place. It is possible that a small portion of the loose images were never originally included in the album since there are more photographs present in the collection than there are available photo slots in the album. At least two portraits from the 1890s do not appear to have belonged to the original family collection.

Compilation of the album may have first begun in the 1860s, but it was most likely completed during in the 1870s with photographs that the Parrish family had acquired over time. Sarah H. Parrish, née Wilson (1836-1892), the wife of Joseph Parrish’s grandson John Cox Parrish (1836-1921), may have been one of the primary creators of the album. She and John had a daughter named Caroline L. Parrish (1863-1915), who may be the “Carrie” whose name is written on the back of some of the photographs. Overall, there appear to be three different styles of handwriting present in the album. Captions for several of the album’s portraits were made in pencil in a flowing cursive while other names appear in a more juvenile-looking cursive hand, and a distinctive third hand also appears sporadically. The two cursive hands may well have been Sarah’s and Carrie’s as mother and daughter worked on the album together in the mid to late-1870s, with an occasional contribution (the third hand) possibly made by one of Carrie’s three younger brothers. One other detail supports this hypothesis: a portrait labelled “Fred” with “Mrs. Parrish, with love of Fred” inscribed on the verso. The individual photographed here was most likely Sarah’s cousin, Frederick Cleveland Homes (1844-1915). Additionally, the portrait on the page next to Fred’s portrait is of a young child identified as “Charlie Homes,” and it is likely that this is Fred’s son Charles Ives Homes (1872-1939).

Parrish family members are well represented in this album, while other unidentified family members may also be portrayed in some of the loose photographs without captions. Likely family friends or acquaintances of the Parrishes whose portraits are present include George and Catherine Truman, James and Lucretia Mott, the Rev. Richard Newton, and Phillip Brooks, all of whom were active in the same abolitionist organizations as the Parrishes. The album also contains many images of admired religious, political, and cultural figures, including Quaker heroes George Fox and Elizabeth Fry; Civil War leaders Abraham Lincoln and Ulysses Grant; George and Martha Washington; social reformers Dorothea Dix and Anna E. Dickinson; actor Edwin Booth; and Queen Victoria and Prince Albert. A number of these images are photographic reproductions of painted, engraved, or lithographic portraits. Also present are four hand-colored photographs of Dutch women in traditional dress as well as photographic reproductions of popular sentimental genre scenes such as “The Unconvanience of Single Life.”

Of particular note are a series of photographs related to the Port Royal Experiment, an ambitious effort to provide education for freed slaves following the capture of islands off the coast of South Carolina by Union troops in 1861. Relief committees in the North raised money and sent volunteers to set up schools and other institutions. Among the most successful was the Penn School, established by Laura Matilda Towne with support from the Philadelphia Freedmen’s organization in which the Parrish family was actively involved. People and places are identified with ink captions on the photographs themselves in a hand that differs from other inscriptions in the album. Towne may possibly have compiled these images herself and sent them to supporters back home. This series of photographs includes seven images of Beaufort, South Carolina, (four of which were produced by Sam A. Cooley, photographer to the Tenth Army Corps) captioned “Beaufort Soldiers’ Chapel and Reading Room,” “Path to the river of Smith’s Plantation,” “Beaufort House / Where we Stopped, showing the Beaufort Hotel and nextdoor office of the Adams Express Company,” “Soldiers’ Graves,” “Gen. Saxton’s Headquarters,” “Father French’s House,” and “Our House.” Three cartes de visite produced by Hubbard & Mix show instructors Towne, Ellen Murray, and Harriet Murray respectively posing with freed black children. The photograph with Ellen Murray bears inscriptions identifying her students as “Peg Aiken” and “Little Gracie Chapin (one of Miss Murray’s brightest pupils).” A fourth Hubbard & Mix image captioned “I’m a freeman” shows an African-American man dressed in clothing made from rags and includes an album page inscription that reads: “Young Roslin says, ‘Now I’m free, I go to bed/ when I please I’se gits up/ when I please. In olden times/ I’se help gits de breakfast/ but no’se time to eats it myself/ Ha-ha-I’se happy boy now.” Also present are three cartes de visite produced by photographers based in Nashville, Tennessee, including one portrait by T. M. Schleier of an African-American woman with two children (one of whom has a much lighter complexion than the other) with the recto caption “Lights & Shadows of Southern Life” and verso caption “Aunt Martha and children/ Slaves/ Nashville, Tenn.,” as well as two other images by Morse’s Gallery of the Cumberland that show the same young African-American boy looking sad “Before the Proclamation” and then grinning broadly “After the Proclamation.”

The Suckley family papers provide documentation of family life, mercantile business, and the Methodist Church in antebellum New York City.

This Suckley collection is only a small residuum of a much larger collection, yet what remains provides important documentation of several aspects of nineteenth century life, particularly relating to commercial life in antebellum New York City and the Methodist Church.

Boxes 1 and 2 consists primarily of in-coming correspondence dated between 1791 and 1839, centering on the personal and professional life of George Suckley, with the earliest material originating in the family of his first wife, Miss Lang, in England. The letters contain some information on English Methodism (1:1-6, 16-18). Of particular interest are the letters of the Methodist missionary, Francis Asbury (1:10-11) and of the wife of Richard Reece, who began his itinerant ministry in 1787 (The Christian Advocate and Journal, May 13, 1846, contains a brief sketch of Reece's life). The letters of Catherine Rutsen Suckley and Joseph Holdich include discussions of the Methodist Church in America, and the missionary Freeborn Garretson, is discussed in several letters (1:21-23,25,26,32).

George Suckley's business correspondence includes dealings with the English firm of Holy, Newbould and Suckley (1:33-42,47) and two sets of letters from agents who Suckley retained to manage his vast land holdings, John Reed in upstate New York and John Rangeley in Maine. Among the personal correspondence are several letters from Philadelphia lawyer(?) Cornelius Comegys and letters from three of George Suckley's sons. John Lang Suckley wrote frequently to request money to pay his servants; Rutsen Suckley assisted in managing his father's properties, and Thomas Holy Suckley was a college student.

Box 3 contains family correspondence written after George's death in 1846. Among the family members represented are George's children Rusten, Mary, and Thomas Holy Suckley, and his grandson Dr. George Suckley (1830-1869). George's letters are the most intrinsically interesting, as they were written during a period in the 1850s when he was practicing in Oregon and Washington Territory and considering land investments in California. During this same period, Dr. Suckley was the recipient of several letters from David and Jack Green (apparently cousins of some sort). One item (3:39) relates to George's Civil War service. The later correspondence heavily concerns New York charities. One interesting letter (3:52) is a stableman's apology for drunkenness on Christmas.

Boxes 5 through 9 are arranged in folders by subject. Of particularly interest are materials that document the various New York City rental properties owned by Rutsen Suckley, recording rents collected and upkeep expenses between the 1840s and 1870s. The cost of living in New York can be calculated from bills and receipts for a wide range of products and services.

The Weld-Grimké family album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. The photographs are almost all studio portraiture. While some of the individuals in the album have been identified (including Theodore D. Weld) the vast majority are unidentified.

The Weld-Grimké Family Album is a 12.5 x 16 cm bound cartes de visite photograph album with some tintypes and gem tintypes interspersed. The album has a brown leather cover with gilt clasps. The photographs all appear to date from the 1860s to the 1870s but there is no precise date for individual photographs listed. The album has a printed title page that reads "Photographs/Boston/Roberts Brothers." The album is 50 pages with each page containing a single slot for a photograph, though some pages have multiple photographs tucked into the same slot. There are 52 photographs in the album, 46 of which are cartes de visite. There are also 6 tintypes, 2 of which are gem tintypes. The photographs are almost all studio portraiture of individuals ranging from infanthood to old age. One exception to this is a photograph of a satirical drawing of an unidentified individual playing some sort of instrument (loose photograph on page 49). Some of the individuals in the album have been tentatively identified with the majority unidentified. One photograph (on page 24) has been speculated to be a portrait of Charlotte Brown, an African-American servant of the Weld-Grimké family, but this has not been confirmed.

• Theodore Dwight Weld (page 1, page 20)
• William Hamilton (page 4)
• Sarah Weld Hamilton (page 5)
• Angelina G. Hamilton (page 6)
• William Hamilton Jr. (page 7)
• Llewellyn Haskell (page 9)
• Llewellyn Thomas Haskell (page 12)
• Louis Olcott Haskell (page 13)
• Elizabeth "Lizzie" Cram (page 21)
• William James Rolfe (page 22)
• Theodore Weld Parmele (page 27, page 34)
• Elizabeth Smith Miller (page 28)
• Ann Carroll Fitzhugh (page 29)
• George Walker Weld (page 30)
• Gerrit Smith Miller (page 35)
• Ruth C. Bodwell (page 36)
• Rena Louise Twiss (page 45)

• A photograph of a painting of the Empress Eugenie. (page 33)
• A portrait of Rebecca an escaped slave from New Orleans. (page 38)
• A photograph of a painting of Beatrice Cenci. (loose item on page 41)
• A portrait of actor Edwin Booth (page 40) brother of John Wilkes Booth.
• A photograph of a painting of "Little Samuel" based on the etching done by Samuel Cousins. (page 43)

In addition to this finding aid, the Clement Library has created a Photographer Index for the album, containing the names of all the photographers in the order that they appear in the album. This index also records any handwritten inscriptions that were found on the photographs.

The Zelona Eaton journal is the diary of a Baptist minister from Troy, Ohio, who was active in the local anti-slavery and temperance movements. The volume is composed of a diary, in which Eaton discussed his ministerial duties and local issues concerning abolition, temperance, fornication, and sodomy (1843-1844); 3 pages of accounts for house-building materials (1843-1844); 9 philosophical essays with an introduction (undated); and 2 letters addressed to Lottie Churchill of Washington, Vermont (1823).

The Zelona Eaton journal is the diary of a Baptist minister from Troy, Ohio, who was active in the local anti-slavery and temperance movements. The volume is composed of a 95-page diary that Eaton kept from October 31, 1843, to September 17, 1844; three pages of accounts for house-building materials (December 1843-January 1844); 8 philosophical essays with an introduction (undated); and 2 letters addressed to Lottie Churchill of Washington, Vermont (1823).

In the diary, Eaton wrote about his daily life (health, food, family, and building a new house) and the activities of his church community in Troy. He wrote descriptions of his ministerial duties, such as travelling to meetings and conferences, visiting parishioners, performing marriages, lecturing, leading prayer meetings, raising funds for missionary work, and writing sermons. Eaton also described his intellectual and spiritual life in Troy. He attended a Millerite lecture (November 15, 1843), a lecture on phrenology (November 9, 1843), and multiple anti-slavery lectures (November 29, 1843; January 19, ,March 2 and 10, April 1 and 27, 1844). He often read the Cross and Journal and the anti-slavery paper The Emancipator, which some of his friends had procured for him. In the fall of 1843, he recorded thoughts on his own spiritual health, writing that he was, "Greatly distressed about my situation in temporal things...I have reason to think God is against [me]" (November 17, 1843). Eaton also kept track of some of his finances, which he worried about frequently, and often noted food and daily house work. He mentioned making sausages and vinegar, and purchasing coffee, cinnamon, buckwheat flour, eggs, rice, and apples.

Much of the journal concerns African Americans and the anti-slavery movement. On at least two occasions, Eaton interacted with two free African Americans: he visited a man named Mr. Newsome and loaned him money, and purchased items from another man named Mr. Smith. Registering the intensity of anti-slavery activities in his community, Eaton described the many anti-slavery lectures, debates, and prayer meetings that he attended. At the meetings, they discussed questions such as whether Congress should abolish slavery in Washington D.C. without the consent of the city's inhabitants, and what people who lived in free states could lawfully do to end slavery in the slave states (December 10, 1843). Eaton also served as the secretary for a group of women who formed a "ladies Society to educate colored persons" (December 3, 1843). He traveled one hundred miles to Brown County to visit what he described as a "Colored Association," perhaps a settlement of free African Americans, reporting, upon his return, that he "was much interested at the Association, mostly by the talent exhibited. They showed about as much attention to me, as an Association would have shown to one of their ministers (September 8, 1844)."

Eaton also recounts several controversies surrounding sex in his community. On March 14, 1844, Eaton wrote that he felt "exceedingly afflict[ed]" to have "Learned of an aggravated case of fornication by two of the members" of his church. A month later he excluded two parishioners from church service "for lewdness" (April 29, 1844). Eaton also gave an account of a case of "buggery." Minister T.A. Warner had "been accused of buggery, but not proved guilty [in a church trial]" and claimed to Eaton not to be guilty (July 25, 1844). Before his church, however, Warner had "Confessed the attempt & attributed it to a habit contracted when a boy." Eaton and a Brother Whitman informed Last Creek Church of the incident "because [they] thought, such a thing had much better go before a man than to come after him" (March 2, 1844) Eaton clearly felt disturbed by Warner’s purported behavior but what is especially noteworthy is the matter-of-fact tone Eaton used in writing about the situation.

Starting at the back of the volume, Eaton wrote 8 "dissertations," with an introduction and a transcript of a letter, that explore moral, religious, and philosophical questions (pages 162-98). Eaton's goal was to "attempt to enter into the immaterial world, & investigate the properties of spirit" (page 160).

• Dissertation 1: Methods, What is meant by a Faculty of the mind? What is meant by a principle of mind?
• Dissertation 2: Understanding
• Dissertation 3: Taste
• Dissertation 4: Will
• Dissertation 5: Liberty
• Dissertation 6: Natural & Mortal Agent
• Dissertation 7: Good and Evil: Dr. Hendrick's Lecture on Good and Evil
• Dissertation 8: Difference between Natural good and evil & Moral good and evil

Many of the essays have commentary labeled "Dr. Henricks Remarks" or "Professor's Remarks." These are brief notes and criticisms of the essays.

The two letters are addressed to Lottie Churchill, wife of Arthur Churchill, of Washington, Vermont (1923). One is from her cousin Cretia from Walla Walla, Washington (3 pages), and the other is from her friend Estella, from Morrisville, Vermont (8 pages). Both letters focus on personal news and mention food and cooking.