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Ann Arbor, Michigan, poet and journal writer. Journals, manuscripts of poetry and short stories, photographs, scrapbooks and other materials documenting her struggles as a polio survivor to cope with her disability and to lead an independent life; papers concern in part her association with the youth culture of the 1960s and 1970s.

The Andrea Cappaert papers date from 1952 to 1980 and measure 3 linear feet. The papers document Andy's involvement in the youth culture of the late 1960s and 1970s, and reflect her struggles as a handicapped woman to be an active participant in the world she lived in.

Republican U.S. Senator from Michigan; advocate of the United Nations and bipartisan foreign policy. Correspondence, scrapbooks, diaries, and visual materials.

The Arthur H. Vandenberg collection consists of 8 linear feet of materials (available on microfilm), 25 volumes of scrapbook/journals, and assorted audio and visual materials. The collection covers Vandenberg's entire career with a few folders of papers post-dating his death in 1951 relating to the dedication of memorial rooms in his honor in the 1970s. The collection is divided into four major series: Correspondence; Speeches; Campaign and Miscellaneous Topical; Clippings, Articles, and Scrapbooks; Miscellaneous and Personal; Visual Materials; and Sound Recordings.

The Calvin Mixter papers are primarily comprised of seventy-five letters written from stateside military camps during the Spanish-American War. Mr. Mixter served as a drummer in the Fifth Massachusetts Infantry Regiment.

The Calvin Mixter papers are primarily comprised of seventy-five letters written from stateside military camps during the Spanish-American War. Most were addressed to members of the family of William H. Campbell at his home in Massachusetts. These letters provide interesting accounts of routine military activities, such as dress parades, monthly inspections, and band rehearsals and marches. The collection also contains newspaper clippings, photographs, and miscellaneous items (including 2 military passes).

The collection documents not only the various rumors circulating at the military camps, but also how the regiment dealt with death and sickness. The high mortality from disease, much of it preventable, was a hot topic with Mixter and his fellow soldiers, and runs throughout the collection. Having remained healthy himself, Mixter was able to take several small trips in the vicinity of the camps, and in one letter, gives a fine description of Gettysburg and the battle that took place there during the Civil War.

The collection also contains numerous references to African-Americans, with whose culture Mixter seems to have had little direct experience. Mixter considered their church services "amusing," though he felt at least that they were "earnest." He and his friends easily fell into disparaging comments, such as Will Mann's comments of September, 1898, Frank B. Harmon's of November, 1898, or Mixter's own notice of a cook at Camp Meade who had been dismissed for stealing (October, 1898).

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.

The Clements Library's collection of individual friendship and autograph albums (the ones that are not part of larger bodies of family papers) dates primarily from the second half of the 19th century. The creators of these albums sought out friends, family, schoolmates, public persons, and others to write signatures, sentiments, poetry, extracts from books and serials, personal sentiments, and more. Contributions often emphasize ties of friendship, exhortations to seek love, happiness, or Christian religious salvation. Most of the volumes in this collection were compiled in the Northeast United States and areas in the Midwest, with urban and rural areas represented. The greater number of the albums were kept by young women and the bulk of the signers were also female. At least one volume was kept by an African American man, Lewis G. Mosebay. Contributors occasionally illustrated pages with calligraphic designs, trompe l'oeil visiting cards, animals, flowers, and themes that had particular significance to their relationship with the keeper of the album. The volumes in this collection are largely decorative blank books adorned with tooled covers, sometimes containing interspersed engravings of religious, literary, historical, and landscape themes. Some include pasted-in photographs, die-cuts, or stickers.