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Fifth chapter of the Alpha Phi Alpha Fraternity, the first intercollegiate Greek-letter fraternity for African American college students. Epsilon Chapter was established at the University of Michigan in April 1909. Various photographs, including a photo of a group of Black men and women posed on the front porch steps of the Alpha Phi Alpha House (1017 Catherine St., Ann Arbor, Michigan).

The physical photographs are arranged in two folders. Photographs taken at the University of Michigan depict African American men and women posing in front of the East Catherine Street house as well as an informal group photo in the university's chemical laboratory. The collection's other various photographs primarily depict unidentified African American men and children.

This record group pertains to the University of Michigan Department of Afroamerican and African Studies and to campus, regional, and national organizations devoted to political and civil rights causes from the 1960s to the 1990s. The collection includes print documents, photographs, and audio-visual material that document racial harassment incidents, political protests, scholarly conferences and symposia, MLK Day celebrations and black student life on the U-M campus. There are also materials about the civil rights movement of the 1960s and the anti-apartheid and divestment movements of the 1980s. Originally a Center, the unit was formally recognized as a department of the College of Literature, Science and the Arts in 2011.

The records of the Department of Afroamerican and African Studies (DAAS; formerly known as the Center for Afroamerican and African Studies, or CAAS) include correspondence, syllabi, clippings, publicity materials, photographs and audio and video recordings of campus speakers. The record group includes archival material that was originally collected and made available in DAAS's library relating to black activism and to organizations of interest to black students, faculty and staff, as well as DAAS's own organizational archives. Because these materials have been consulted and cited by researchers prior to their transfer to the Bentley in 2011, their original arrangement has been preserved so far as possible.

Paper and photographic records consist of three major series: Black student activism, 1969-2001 (5.5 linear feet), Blacks at U-M, 1969-2007 (4.5 linear feet) and Organizational archives of CAAS, 1962-2010 (17 linear feet) (formerly designated simply "Archives.") There is some overlap of subject matter. These categories reflect the organization of the materials imposed by CAAS librarians and archivists prior to transfer to the Bentley in 2011.

The following list identifies the greatest concentration of material relevant to some of the notable subjects in the collection:

1. The Black Action Movements (Boxes 1-2 and 55)
2. Incidents of on-campus harassment and responses (Boxes 1, 2, 4)
3. South Africa, apartheid, and divestment -- (Boxes 2, 3, 5)
4. Free South Africa Coordinating Committee (Box 3)
5. Washtenaw County Coalition Against Apartheid (Box 5)
6. United Coalition Against Racism and the Baker-Mandela Center (Boxes 1, 4, 5)
7. The Michigamua controversy (Box 3)
8. The Nelson Mandela Honorary Degree Petition (Boxes 3, 11)
9. Gulf War activism (Boxes 3, 4)

This record group also includes a large number of audio and video recordings of presentations, interviews, documentaries, and cultural performances from the 1970s to the 1990s. The recordings include several notable faculty members, visiting scholars, and activists, including Harold Cruse, Cornell West, Rita Dove, Jesse Jackson, Angela Davis, Marian Wright Edelman and Rosa Parks.

The audio-visual material in the collection is organized is organized in to six series by format: Audio recordings on cassettes, 1975-2001 (486 cassettes, 9 linear feet), U-Matic videotapes, 1971-1989 (91 videotapes, 9.1 linear ft.) VHS videotapes, 1971-2004 (131 videotapes, 7 linear feet), Open reel videotapes, 1971-1980 (12 videotapes, 1 linear feet), Reel-to-reel audiotape, 1971, 1980 and undated (4 audiotapes, 0.3 linear feet) and Mini DVDs, 1999-2000 and undated (24 Mini-DVDs, 0.2 linear feet).

Social and political activist whose main causes included access to high quality health care for marginalized ethnic and racial groups and the elderly, homelessness, hunger, job skills training, and Democratic political activism. Papers are comprised of materials documenting her professional and personal life after the passing of her husband, Roger Warren Barney, in 1978. Materials include meeting minutes, notes, correspondence, reports, awards, photographs, and family materials.

The Jane L. Barney papers are comprised of materials documenting her professional and personal life. The Professional Files include organization meeting minutes, correspondence, notes, flyers, manuals, press articles, and personnel files, as well as other administrative papers and reports for the organizations she worked to establish, develop, and run. Also found here are speeches, papers relevant to her work with churches, marginalized ethnic and racial groups, and gerontology.

Jane L. Barney's personal papers largely include correspondence with friends, co-workers, politicians, and family, as well as notebooks, diplomas, hospital and assisted living documentation, and photographs.

Producer of local Ann Arbor, Michigan, cable television programs highlighting achievements of African Americans in the Ann Arbor-Ypsilanti area. Videocassette copies of television program, "Another Ann Arbor" that featured interviews with local area and national African American public figures.

The Lola Jones collection consists of digitized videotapes (mainly U-matic with some VHS copies) of her cable television program Another Ann Arbor, and of the documentaries that she produced. Another Ann Arbor, produced by Lola Jones, was an interview/discussion program hosted by Carole Gibson and featuring as guests locally and nationally prominent African American men and women.

Willis C. Patterson, the first African American professor at the University of Michigan's School of Music, was an active faculty member from 1968 to 1999. He was a professor of voice and associate dean for academic affairs. Patterson directed the Men's Glee Club from 1969 and 1975 and spent summers as a faculty member at the National Music Camp at Interlochen, Michigan. While maintaining an active concert career and fulfilling teaching duties, Patterson organized a Black American Music Symposium and compiled several works on African American composers. Patterson played an active role in securing funding and mentorship for students of color and disadvantaged students both at Michigan and in the Ann Arbor community. The collection includes some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. It includes correspondence, research, photographs, clippings, publications, and topical files.

The Willis C. Patterson papers include some biographical material, but focuses mainly on his professional career, musical career, and collection of works by African American composers. The collection includes correspondence, publications and research material, photographic material, posters, student records, clippings, and topical files.