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5.5 Linear feet (4 records boxes, 1 manuscript box, 2 oversize boxes)

Robert Shaye founded New Line Cinema in 1967. The company began by distributing foreign, kitsch and art house films to college campuses and eventually grew to distribute and produce films in the Hollywood industry. The archive consists of five series: Personal, Business Documents, Projects, Articles and Clippings, and Audiovisual Materials. The documents range in date from 1958-2008.

The collection is divided into five series: Personal, Business Documents, Projects, Articles and Clippings, and Audiovisual Materials. All the series contain many of Shaye’s hand-written notes from notebooks to scraps of paper in which many of his ideas are written. Along with the notes, Shaye included many Post-it notes explaining some of the content. The majority of documents for the Projects series and all the material from the Audiovisual series are from The Last Mimzy, directed by Shaye and released in 2007.

The Personal series includes correspondence between friends and business partners as well as congratulatory cards and notes. The majority of the series consists of Shaye’s speeches made during awards ceremonies, general speeches for company events, movie premiere speeches and speeches for family and friends’ events. Many documents refer to Shaye as L.E. Moko. This reference refers to Pépé le Moko, a 1937 French gangster film directed by Julien Duvivier.

The Business Documents series ranges from 1967-2008 with documents focusing on New Line and consisting of correspondence, shareholder meeting notes, and film catalogs showcasing the variety of movies available for distribution that year. A binder with information on New Line common stock and correspondence can be found in an oversize box.

The Project series highlights some of New Line Cinema’s distributed and produced films. Highlights include storyboards for Nightmare on Elm Street 4: Dream Master, produced in 1988. The majority of documents are production documents for two films directed by Shaye, Book of Love and The Last Mimzy.

The Articles and clippings section consists of personal articles about Robert Shaye as a business entrepreneur and creative director, New Line Cinema articles, and miscellaneous film reviews along with trade magazines with issues dedicated to New Line or Robert Shaye.

The Audiovisual Materials series consists of The Last Mimzy DVD’s and a CD of video clips, trailers and publicity events. The DVD’s include production footage such as alternate beginnings, B-roll footage and different edited versions of the film.

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Personal

The Personal series includes correspondence between friends and business partners as well as congratulatory cards and notes. The majority of the series consists of Shaye’s speeches made during awards ceremonies, general speeches for company events, movie premiere speeches and speeches for family and friends’ events. Many documents refer to Shaye as L.E. Moko. This reference refers to Pépé le Moko, a 1937 French gangster film directed by Julien Duvivier.

20 linear feet.

Forms part of the Robert Altman Archive. The Robert Altman Personal series (14 linear feet, 3 oversized boxes) ranges in date from 1945-2007. The series includes correspondence, legal, and medical documents, topical and award-related material, early work, interviews and clippings, as well as photographs. The Early Projects series contains assorted materials from early projects including movies, TV, commercials, and short films (1 linear foot and 1 oversized box). Forms part of the Robert Altman Archives.

The Robert Altman Personal series (14 linear feet, 3 oversized boxes) ranges in date from 1945-2007. The series includes correspondence, legal, and medical documents, topical and award-related material, early work, interviews and clippings, as well as photographs. The Early Projects series contains assorted materials from early projects including movies, TV, commercials, and short films (1 linear foot and 1 oversized box). Forms part of the Robert Altman Archives.

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Correspondence, 1945-1965

The correspondence sub-series include letters and cards from friends, co-workers and acquaintances, as well as fan mail. Early work is comprised of music, poetry, scripts, and short stories ranging in date from 1945-1965. Documents such as marriage certificates, birth certificates and passports can be found in the legal and other documents sub-series while Robert Altman's wills are in the legal-Jerome Walsh sub-series. The family sub-series is comprised of material relating to Dana Altman and Signe Corriere, as well as an undated family tree. The medical sub-series contain medical records and bills.

103 linear feet.

Forms part of the Robert Altman Archive. Includes materials related to The Company, Dr. T and the Women, Gosford Park, A Prairie Home Companion, Resurrection Blues, Roads and Bridges, Tanner on Tanner, andTrixie . Records include scripts, legal files, publicity materials, photographs and correspondence.

Projects 2000s forms part Robert Altman Archive. It includes materials related to The Company, Dr. T and the Women, Gosford Park, A Prairie Home Companion, Resurrection Blues, Roads and Bridges, Tanner on Tanner, andTrixie . Records include scripts, legal files, publicity materials, photographs and correspondence.

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The Company (2003)

The Company series (27 linear feet and 5 oversized boxes) consists of material from the 2003 film directed by Robert Altman. The film was co-written by Neve Campbell and Barbara Turner, and co-produced by Neve Campbell and Joshua Astrachan. The film's actors include Neve Campbell, James Franco, and Malcolm McDowell along with dancers from the Joffrey Ballet of Chicago.

The legal sub-series contain numerous agreements including those for the actors, crew, musicians and dancers in the Joffrey Ballet of Chicago. Many of the legal files reflect licenses to use the Joffrey Ballet of Chicago's choreography, music and dances in the film.

Business and financial is the largest sub-series in the collection. The majority of files include payroll for the cast and crew, an extensive invoice history that includes releases, contracts and annotated bills and a variety of accounting reports including posting reports, closing reports and cost reports. The payroll services company called Cast and Crew Payroll, Inc. for the film was audited by the Directors Guild of America's Producer Pension and Health Plans branch in 2004.

The scripts sub-series include interviews between writer Barbara Turner and the Joffrey Ballet of Chicago dancers. Production and post-production includes production files that document the start of filming from camera tests to day 1-33 of shooting and production. Also, a variety of foley cue sheets for sound editing are found in oversized boxes. In the awards, events and festivals sub-series information on the San Francisco International Film Festival's Lifetime Achievement in Directing Award for Altman in 2003 is included.

Photographs consist of contact sheets, cast photos, headshots and continuity shots in the photograph sub-series. The Joffrey Ballet of Chicago's official photographer, Herbert Migdoll, photographed the dance sequences while the production photographer, Matt Dinerstein, photographed the rest of the filming and production.

34.5 linear feet.

Forms part of the Robert Altman Archive. Documentation related to unfinished and suspended projects, 1960s-2000s, that Altman had an involvement with but were never produced. Materials for a project may include correspondence, legal and financial files, scripts and publicity files.

The unfinished and suspended projects series consists of materials related to projects that Altman had an involvement with but were never produced. The reason that any specific project failed may or may not be apparent from the materials and vary greatly. Materials in this series run from the 1960's through the late 2000's.

The type and volume materials also vary greatly from project to project. These can include correspondence, legal materials, legal materials from Jerome Walsh, business and financial materials, scripts and related materials, production materials including those used for research, materials related to publicity and distribution, and articles and reviews related to both the productions and the subjects of the productions.

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