Collections

The collection consists of lessons and sermons given by Wishart as pastor of Fountain Street Baptist Church in Grand Rapids.

Algernon Charles Swinburne was an important Victorian poet and critic. The collection documents Swinburne's literary affairs and friendships, plus critical reactions to the poet. It consists of correspondence, writings, photographs, artworks, and printed material produced by Swinburne, his friends and associates, and present-day scholars. Over 200 pieces of holograph correspondence and manuscript material, over half of which is by Swinburne, are included. Also prominent is material by Theodore Watts-Dunton, Swinburne's friend and legal advisor.

This finding aid encompasses accessions of single manuscripts and small groups of manuscripts and other papers by or pertaining to Algernon Charles Swinburne, which the library has chosen to gather into one collection.

Much of the material in this collection forms part of the Kerr collection, formally titled the "Evelyn and Lowell Kerr Collection of Swinburne Books and Manuscripts in the Library of the University of Michigan." The Kerr collection was assembled by Lowell Kerr, a dedicated Swinburne collector. (See biographical entry.) In addition, Kerr worked for many years on the compilation of a descriptive catalog to the collection, which was, unfortunately, never completed. More information on arrangement of the Kerr collection can be found at the end of this section. All of the books from the Kerr collection, and many of the pamphlets, have been removed and cataloged separately.

The works and correspondence of Swinburne are well-represented here. Much of the selection of verse is fragmentary in nature--in some cases, leaves of a single work are spread across repositories; but Swinburne's prose pieces are notable in their completeness and number. Also showcased are the letters and works of important figures in the Pre-Raphaelite movement, as well as other literary luminaries of the day. The publishing interests of Swinburne and his circle are also detailed.

The collection is made up of six series: Works, Correspondence, The Swinburne Circle, Photographs and Art Images, Printed Material, and Swinburne Research and Collecting. Unless indicated otherwise in the contents list, items in the Works and Correspondence series are holograph works by Swinburne (or, rarely, in the hand of an amanuensis). Items in the Swinburne Circle series are letters or manuscripts in the hand of their respective authors, or their secretaries. In some cases, autograph material originally laid into books has been removed and added to the collection; in other cases, such items have been left in the books. Either way, a note to such effect has nearly always been made in the book's catalog record or in the contents list below. Moreover, for purchased material, copies of dealer descriptions often have been retained and may offer further details not included here.

A Note on the Kerr and Lang Numbers:

Since many of the pieces in this collection have already been cataloged individually, further details can often be found in the catalog records for those items. Furthermore, "Kerr numbers" have been assigned to many items. These numbers refer to entries in Lowell Kerr's catalog, in which he described the items that were originally from his collection. Along with library staff members, he continually updated and reworked the catalog up until his death. Library staff continued to revise the work through the 1980s, but it was never completed.

Although every effort has been made to respect the provenance of items from the Kerr collection, in some cases a Kerr number may have been assigned but is not noted in the finding aid. Researchers wishing for more information on items originally from the Kerr collection should consult the various drafts of the Kerr catalog, which are available in the Swinburne Research and Collecting series. The Kerr numbers in this finding aid refer to the most recent available draft of the Kerr catalog. The researcher should note that the Kerr catalog, while containing a wealth of information, is heavily anecdotal in nature, with a number of guessed-at facts and dates still in need of verification.

Cecil Lang, professor emeritus at the University of Virginia, is an eminent Swinburne scholar. Professor Lang is the author of the six-volume The Swinburne Letters (New Haven: Yale Univ. Press, 1959-1962). In this work, he assigns numbers to every item of Swinburne correspondence which he was able to locate, across repositories; thus, many items have both Kerr numbers and Lang numbers. Both numbers, where extant, are generally noted in the contents lists below.

This collection is made up of letters that Chelsea Williams and William C. ("Bill") Williams wrote to Chelsea's family while serving with the United States Army's 1st Engineers, Company D, during and just after World War I. They commented on their health and aspects of their service in France and Germany.

This collection is made up of 9 letters that Chelsea Williams and William C. ("Bill") Williams wrote to Chelsea's family while serving with the United States Army's 1st Engineers, Company D, during and just after World War I. Chelsea Williams wrote to an unidentified sister (September 14, 1917, and October 7, 1917), to his father (May 17, 1919), and to his sister Hazel (June 26, 1919). He mentioned his inability to provide details about the war, described his leisurely life in occupied Germany in 1919, and responded to news from home, including news of his father's ill health. In his letter of June 26, 1919, he told Hazel that he was not surprised to hear of returning soldiers consuming large amounts of alcohol, as "the first six months over here was enough to make the best of men fall." In his letters to Hazel Williams (4 items, April 11, 1918-June 14, [1919]) and Alice Williams (1 item, January 12, 1919), William C. ("Bill") Williams provided news of Chelsea, who was wounded in July 1918.

Landscape designers based in Ann Arbor, Michigan. Planting and landscape plans, elevation drawings, and various other sketches for projects designed as students at the University of Michigan and subsequently for clients in Ann Arbor, Michigan and other residences in southeastern Michigan; files relating to Jessie Bourquin's work with the Michigan Department of Economic Expansion and Alice Bourquin's work with the Michigan Department of Transportation; also papers relating to joint projects and activities, including their association with Jens Jensen and their Hillwood subdivision in Ann Arbor; and photographs.

The Bourquin collection consists of landscape architectural drawings, professional papers, and visual materials documenting the careers of Alice and Jessie Bourquin. The collection has been divided into the following series: Landscape Architectural Drawings; Jessie Bourquin Papers; Alice Bourquin Papers; Joint Projects and Activities; Hillwood Subdivision; and Photographs and other Visual Materials.

Arab-American community leader in the Dearborn-Detroit area of Michigan. Articles, manuscripts and poems on Islamic topics; topical files, 1948-1991, relating to Arab community affairs, including files concerning the Arab Community Center for Economic and Social Services, 1986-1991 and the Federation of Islamic Associations of the U.S. and Canada; also correspondence and articles of Malcolm X; and photographs.

The Allaire-Gibbons papers contain letters, receipts, and other material related to the early steamboat industry and, more specifically, to the 19th-century business affairs of James P. Allaire, Thomas Gibbons, and William Gibbons.

The Allaire-Gibbons papers contain letters, receipts, and other material related to the early steamboat industry and, more specifically, to the 19th-century business affairs of James P. Allaire, Thomas Gibbons, and William Gibbons.

The Correspondence series (16 items) consists primarily of business correspondence addressed to Thomas Gibbons, William Gibbons, and James P. Allaire. The earlier material in the series (1822-1837) is related to the Gibbons family's business affairs and often pertains to the legal disputes between Thomas Gibbons and Aaron Ogden. These include several letters from William Gibbons to his father, in which he discusses the impending court case as well as his own personal affairs. The majority of the series consists of later material (1837-1849) related to James P. Allaire's business interests, including the manufacture of steamboat engines. Interspersed with these items are receipts for parts related to Allaire's industrial operations.

The Documents series (12 items) contains receipts related to steamboats owned by James P. Allaire as well as 20th-century material about the early steamboat industry and the town of Allaire, New Jersey. The series includes 5 receipts for steamboat supplies (1828; 1856), including material for the Swan, the Thistle, and the Emerald, all Gibbons-owned ships whose engines were supplied by Allaire. The series also includes a document signed by the crew of the Swan affirming the receipt of their wages for April 1828. Later material in the collection includes two postcards of watercolor pictures of Allaire, New Jersey, and two articles, from the Proceedings of the New Jersey Historical Society (January 1949) and American Heritage (October 1963), respectively. These relate to the early steamboat business, and to the role of Thomas Gibbons in its development.

Professor of mechanical engineering at the University of Michigan, First Lieutenant 301st Field Artillery during World War I; Visual and other materials of Allen Sherzer and members of the Sherzer family, including film footage of University of Michigan campus ca. 1928.

The Allen Sherzer collection consists of visual and other materials of Allen Sherzer and members of the Sherzer family. Include is a photograph, 1880s, of the Delta Upsilon fraternity that included William H. Sherzer and a photograph, 1940s, of a University of Michigan reunion group. From his World War I service, there are French and German language posters, a scrapbook of clippings and postcards, and negatives, 1917-1918, taken during his World War I service with the 301st Field Artillery, at Fort Niagara, N.Y., Camp Devens, Mass., and in France. Of special interest is a motion picture, ca. 1928-1930, depicting University of Michigan student activities and Ann Arbor scenes.

In 2009, a preservation tape, DVD use copy and master and streaming digital files were made of the motion picture.

Trade association of motion picture theatre owners in Michigan, records include minutes of annual meetings and board meetings, committee reports, financial records, scrapbooks and photographs.

The records of the Allied Theatres of Michigan, Inc. document the activities, goals, and membership of a cooperative association for motion picture theatre owners in Michigan from 1917 to 1963.

Ann Arbor German-American family, owners of the Allmendinger Organ Company which later became the Ann Arbor Organ Company. Correspondence, scrapbooks, family genealogy, photographs concerning family affairs, materials on Helene Allmendinger's radio show, examples of spirit messages received by Helene Allmendinger from deceased family members; information pertaining to the Ann Arbor Organ Company, and family members still living in Germany.

The collection is divided into the following series: Family records and correspondence; Helene Allmendinger papers; Ina Allmendinger papers; Ann Arbor Organ Company; Harriet Birch papers, Other family members; Miscellaneous, and Photographs.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

The Al Parker collection includes three envelopes of photographs, sheet music, and newspaper clippings as well as a scrapbook relating to the professional and personal life of Philadelphia-based photographer and photographic supplies salesman Alfred Parker.

Envelope A (photographs): includes unmounted oval portraits of Parker’s children Eda and Ray from the early 1900s; studio portraits of Eda and his wife Alice from the 1910s, two of them from the Philadelphia studio of Gilbert and Bacon; an mounted school class photo (ca. 1890s?)

Envelope B (sheet music): includes three examples of World War I songs from the Eagle Publishing Company of Philadelphia with "music by Geo. L. Robertson and lyrics by Al. Parker."

Envelope C (letters, clippings, etc.): includes a letter appointing Dr. Ray Parker head of plastic surgery at a hospital in Johnstown, PA; a magazine article on “Flood Free Johnstown”; letters and clippings about Dr. Ray Parker; article on World War II factory workers; newspaper article on Theodore Roosevelt urging U.S. entry into World War I; and a note from Christmas 1926 from Parker’s grandson Donald addressed to “Ganco."

Scrapbook: The volume (37 x 28) is cloth-bound and has 66 pages total. Materials are not arranged in any chronological or thematic order and so unrelated items often appear together on the same page.

The album begins with photographs of Parker’s family members while the next few pages focus on scenes from his professional life, including a magazine cover from April 1900 and documentation of his break with Willis & Clements in 1910. Portraits of Parker at every stage of his life appear throughout the scrapbook, though not in any chronological order. The earliest is a tintype from the 1850s that shows him as a young boy with his brothers. Many portraits and casual snapshots of Parker's daughter Eda and son Ray from their early childhood into adulthood are included, while a collection of clippings reflects Parker’s pride in Ray's success as a doctor. His delight in playing the doting grandfather is clear from the drawings Parker made for Eda’s son Donald and in the notes that Donald wrote to Parker using the nickname “Ganco.”

A handful of portraits that were taken by Parker show that he was a capable studio photographer in addition to being a successful promoter of platinum photography products while working for Willis & Clements. Requests for his opinions from Eastman Kodak Company, Photo Era magazine, and the Photographers’ Association of New England testify to his recognized expertise. Numerous portraits of Parker in the company of other well-regarded photographers of the day confirm his acceptance in that professional circle.

Many ephemeral items also help illuminate the arc of Parker's career including programs from his minstrel show days; an advertisement for his Australian window blind company; the initial offer of employment from Willis and Clements; business cards from various stages of his career; and an ad for a new camera shutter he invented. Interspersed amongst these items are letters and photographs from various colleagues and employers along with miscellaneous poems, cartoons, programs, drawings, song lyrics, newspaper clippings, and so on.