Adrian, Michigan photograph collection, circa 1900
0.1 linear feet
This collection consists of photographs relating to life and activities in Adrian, Michigan, chiefly composite photos of buildings, residences, and street views.
0.1 linear feet
This collection consists of photographs relating to life and activities in Adrian, Michigan, chiefly composite photos of buildings, residences, and street views.
5 linear feet — 1 oversize folder
This collection reflects the operational and planning activities for Affirmations Lesbian/Gay Community Center. It is divided into nine series: Background, Governance, Administration, Grants and Fundraising, Programming, Membership and Volunteers, Advocacy, Publicity, and Photographs. The majority of the collection has been arranged alphabetically by topic and chronologically within files.
39 linear feet — 1 oversize volume
The records of the Affirmative Action Office span 1969 - 1993 and document the activities of the office and its predecessors, and provide information about affirmative action programs at the university and the status of minority, women, the disabled and other groups on campus. The records have come to the library in a number of accessions.
The Affirmative Action Office record group is organized into five subgroups: Affirmative Action Office, 1969 - 1993; Commission for Minority Affairs, 1971 - 1980; Commission for Women, 1970 - 1985; Council for Minority Concerns, 1979 - 1983; and Advisory Committee on Affirmative Action Programs, 1977 - 1986. The Affirmative Action Office subgroup includes records created or acquired by the Office. The other subgroups represent various university units that were merged into or whose function were taken over by the Affirmative Action Office.
Over 1250 Photographs
The Afghanistan Archaeological Remains Photograph collection is composed of approximately 1250 photographs, depicting Afghanistan sculptures, statues, figural reliefs, pottery, and other archaeological remains, the majority of which are from the Kabul Museum in Afghanistan. The photographs were largely taken by Dr. Suresh Vasant while other photographers included Dr. Richard Edrwards, Dr. Walter Spink, Dr. John M. Rosenfield, and Horst P. Schastok. Dr. Richard Edwards took his photographs of Bamiyan in 1968, while the others were likely taken by Dr. Suresh Vasant in 1971. There are approximately 64 photographs and 23 postcards from other institutions. Archaeological remains from the Hadda and Begram regions of Afghanistan comprise the majority of the collection, although there are many photographs of the Bamiyan (approx. 119 photographs) and Fauladi (25 photographs) regions, and of objects from the regions Mundigak (approx. 34 photographs), Fondukistan (approx. 23 photographs) and Surkh Kotal (approx. 38 photographs). The photographs highlight objects made of stucco, terracotta, glass, ivory, stone, and schist, and include sculptures of animals, people, and religious or mythological figures, as well as architectural fragments, medallions, and pottery vessels. General views of archaeological sites such as Bamiyan and Fauladi are also depicted in the photographs.The Afghanistan Archaeological Remains Photograph collection is part of the Islamic Art Archives collection.
3 linear feet
The collection is divided into three series: Grants (1.1 linear feet), Topical (1.2 linear feet), and Correspondence (.7 linear feet). All relate primarily to Organski's prolific research in the areas of political science, foreign affairs, political demography spanning three decades and dozens of international topics.
0.4 linear feet (including 60 photographs and 48 negatives, in 2 boxes) — 367 MB (online)
The collection is comprised of images of the Civilian Conservation Corps African American enrollees from 1933 to 1939. Materials were received by the Bentley in 2016 and in 2018.
The 2016 acquisition includes portrait-style photographs of predominantly unidentified men, assigned to work in Michigan company/camps including Company 670, Camp Bitely, project F-22 and Company 2695, Camp Free Soil, most likely, project F-7.
The title of each photograph was taken from the photograph's inscription, when applicable. All photographs titled "unidentified" had no identifying information, but may have been labeled with a date. After the photographs were digitized and became available online, some of the people depicted on the photographs have been identified by the public.
In 2018, Ray Lyons Jr. donated additional materials that were collected by his father, Ray Lyons Sr., a former member of the CCC. Mr. Lyons Jr. donated additional 30 photographs, 48 negative images, and a small number of clippings to the collection. The images depict African American members of the CCC at a number of locations, including Camp Bitely, Camp Free Soil, and Camp Walhalla. The pictures also document CCC projects such as the building of a Fire Lookout Tower, the clearing of fields and woods, and the construction of a stump fence.
8.25 linear feet
The Ajanta Caves collection is composed of approximately 2,500 black-and-white photographs of the Ajanta caves. The photographs depict 29 of the 31 rock-cut caves within the Ajanta complex and were taken by Dr. Walter Spink during the course of his research in the latter half of the 20th century. The prints depict panoramic views of the complex, as well as detailed photographs of the façade, porch, court, and interiors of each cave. The prints of the interiors capture plasters, shrines, and detailed carvings within the caves.
2 linear feet (in 4 boxes) — 507 MB (online)
The Al Abrams collection contains scrapbooks, correspondence, press releases, photographs, and memoirs detailing Abrams' work as a publicist and press agent for Detroit's Motown and for Stax Records in Memphis. The collection is valuable for its documentation of Motown in the period of the early to mid-1960s when this Detroit company was beginning its great string of record successes. Abrams was a great collector of press and other materials about the artists who worked for Motown and Stax-Volt.
The Abrams collection measures two linear feet and four oversize volumes whose contents have been foldered. The collection has been arranged into the following series: Motown Record Company, Stax Record Company, Al Abrams Associates, Miscellaneous, Visual Materials, and Scrapbooks.
3 linear feet (in 4 boxes)
The Stanley collection consists mainly of manuscripts of his articles, lectures, and speeches on musical topics. There is, in addition, Stanley's research material, including musical notes and analyses, notes intended to accompany illustrations of musical instruments found in the Stearns Collection of Musical Instruments at the University of Michigan, and scrapbooks containing concert programs featuring Stanley and his work. Stanley's autobiography, "Echoes of a busy life or reminiscences of a professor emeritus" is a valuable source of personal information.
11.5 linear feet — 9.9 GB (online) — 4 digital audio files
The collection contains correspondence, sermons, and writings of Albert B. Cleage, Jr. (his name would later be changed to Jaramogi Abebe Agyeman); records of the shrine of the Black Madonna; papers of individuals within the church who assisted Cleage; and records of the National Office of the Shrine.
The collection has been divided into seven series: Albert B. Cleage, Jr.: Correspondence, Sermons, and Writings, the files of the Shrine of the Black Madonna in Detroit, Michigan, Church Leaders, the files of the Shrine of the Black Madonna National Office, Sound Recordings, Photographs, and Miscellaneous.