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This collection is made up of the incoming and outgoing correspondence of Amelia Lippincott Williams of New York City and her husband, Esek Hartshorne Williams of Red Bank, New Jersey. The bulk of the collection is comprised of 15 letters that Esek wrote to Amelia during their courtship and while traveling for business reasons during the first few years of their marriage. Amelia and Esek received the remaining 7 letters from friends and family members in New York and New Jersey.

This collection is made up of the incoming and outgoing letters of Amelia Lippincott Williams and her husband, Esek Hartshorne Williams. Esek wrote 16 love letters to Amelia during their courtship and early married life. Amelia also received 2 letters from friends and 1 from a niece named Mary. Esek received 1 letter from Amelia, 2 from his brother George, and 1 from a friend.

Amelia Lippincott was living in New York City when she received 7 letters from Esek H. Williams of Red Bank, New Jersey, between April 22, 1833, and November 10, 1834 (including 1 undated). His letters are affectionate and flirtatious, and often refer indirectly to the couple's romantic relationship. Esek Williams shared news from Red Bank, occasionally mentioned his work in a local store, and, on November 4, 1834, joked about Amelia's political awareness and her support of the Whigs.

After their marriage, Esek wrote 9 letters to his wife while he traveled west for business reasons; he sent 6 of these letters from Michigan in the winter of 1840-1841. He described his experiences near Fredonia, New York (December 13, 1840); Cleveland, Ohio (December 19, 1840); and Kankakee, Illinois (February 14, 1841). He mentioned his lodgings and modes of travel, and often remarked about his love for his wife and children, who remained in New York City. He spent much of his journey in southeast Michigan, where he had financial interests, and provided Amelia with news of his arrival and activities in Detroit (January 1, 1841, and January 10, 1841) and Ann Arbor (March 7, 1841). He discussed financial matters, including his difficulties with state-issued currency, "Michigan money," which he referred to as the only currency in regular circulation in Ann Arbor (March 7, 1841). On a later trip to Michigan, he noted the economic conditions in Detroit (January 1, 1843). On July 2, 1848, he composed his final letter, written from Marshall, Michigan; he expressed his intent to sell his farm in Ann Arbor. Two of his letters have pencil sketches of horses.

Amelia Lippincott Williams received dated personal letters from R. Montgomery, who shared her thoughts on fashionable hats (May 26, 1835), and a woman named Catherine Lent, who hoped Amelia could soon visit (October 1, 1835). Undated letters include 3 from friends and acquaintances, including one in which Amelia's niece Mary mentioned an outbreak of measles and a large social gathering in Shrewsbury, New Jersey. Esek H. Williams received two brief personal letters from his brother George.

The Amy Kelty photograph album contains approximately 333 photographs documenting the professional and personal life of Michigan woman Amy G. Kelty, including from her time spent as an instructor at the Mount Pleasant Indian Industrial School.

The Amy Kelty photograph album contains approximately 333 photographs documenting the professional and personal life of Michigan woman Amy G. Kelty, including from her time spent as an instructor at the Mount Pleasant Indian Industrial School.

The album (28 x 36 cm) has black covers and is itself in poor condition while the photographs are largely undamaged. Images of interest include pictures of Kelty's children Genevieve (1888-1953), Mary (1890-1964), and John Neil (1898-1980) engaged in various activities shown mostly from teenage to adult years; views of Mount Pleasant Industrial School buildings as well as school events with pupils and staff; views of buildings at Central State Normal School, the teaching college attended by Kelty and her daughters; views of Michigan Mining College which her son attended; and scenes from Kelty's later life including trips to the Grand Canyon, Black Hills, Alaska, Colorado, and Washington State as well as her graduation from the University of California at Berkley in 1925. Also present are earlier studio portrait photographs of various relatives from the 1880s and 1890s.

A Select Vacation Tour to Marble, Colorado contains 55 photographs, 11 clippings, 6 pieces of ephemera, and 1 letter documenting an inspection trip for potential investors to marble and slate quarries in Colorado organized by the Knickerbocker Syndicate.

A Select Vacation Tour to Marble, Colorado contains 55 photographs, 11 clippings, 6 pieces of ephemera, and 1 letter documenting an inspection trip for potential investors to marble and slate quarries in Colorado organized by the Knickerbocker Syndicate.

The album (18 x 25.5 cm) is lacking a front cover, but the contents are undamaged. The first item is an illustrated brochure attached to the album's front cover that describes the upcoming journey and provides a detailed itinerary and sample menu. While aimed primarily at current investors in the Colorado-Yule Marble Company and the Colorado Slate Company, “families and friends or acquaintances” were also welcome. The cost was not specified.

The rest of the album documents the trip and promotes the quality of company products. Photographs show Yule marble in use at the Cheesman Memorial in Denver and the Youngstown, Ohio, courthouse. Pamphlets and newspaper articles also declare the marble to be of better quality than Carrara marble and the slate is in quantities that will eclipse Wales in the industry, who was the world leader at the time.

The passengers made a thorough inspection of the Yule Marble site over two days and are shown riding from the mill to the quarry site in the new electric trolley powered by electricity generated from the Crystal River, on the quarry floor watching workers extract blocks that will be shaped into columns at the mill, and visited the site of the slate quarry which was in the early stages of development. Other highlights of the trip included stopovers at Glenwood Hot Springs Lodge and Colorado Springs, excursions to tourist sites like Pikes Peak and Cripple Creek, and city tours in Kansas City, Denver, and elsewhere. Local newspapers covered many of these visits, and clippings are included in the album.

Also present is a letter of appreciation to the mine supervisors signed by 31 of the travelers and an illustrated report on the state of the mine by a mechanical engineer on the trip named Arthur M. Chidester (who also took most of the album’s photographs).

The Augustus F. Smith bills and receipts are comprised of financial records pertaining to Smith's household and everyday expenses. The invoices, bills, and receipts concern purchases of foods, alcohol, articles of clothing, services and labor, and other goods.

The Augustus F. Smith bills and receipts are comprised of 78 financial records pertaining to Smith's household expenses, concerning foodstuffs, goods, and services. Each series has manuscript and partially printed invoices and receipts from firms and individuals; postage stamps are affixed to a majority of the items. Most of the documents are dated at New York City, and a few refer to Smith's office at 31 Nassau Street.

The Household (Non-Culinary) Expenses series (22 items) contains itemized invoices and receipts for purchases of various goods and, less frequently, services and labor. Smith and his family purchased items such as clothing, fabrics, ribbon, patterns, gloves, jewelry, and cutlery. The receipts also reflect gas fixture repairs, carriage repairs, plumbing work, and painters' labor. A document from the Harlem Gas Light Company shows Smith's gas usage between August and October 1866. The sole item not addressed to Augustus F. Smith is a paid invoice between E. B. Adams and L. T. Downes for corn, oats, a broom, and other items, dated at Westport, [Connecticut] (April 2, 1859).

The Culinary Expenses series (22 items) contains 21 receipts to Augustus F. Smith and 1 to his wife. The Smith family purchased meats such as lamb, beef, chicken, liver, and duck; alcoholic beverages such as sherry, port wine, champagne, and whiskey; and other foodstuffs such as oysters, butter, apples, confections, chocolate, and ice.

Smith's Horse Care Expenses (15 items) includes feed, straw, bridles, a harness, and a saddle. Smith also paid to have his horses reshod. William McDonald's invoice of March 20, 1866, relates to the costs of driving a wagon to Harlem, "drawing" a boat from a river, and other travel.

The Other Expenses series (19 items) pertains to a variety of goods and services that Smith obtained in the 1860s. For example, Augustus F. Smith hired Dodworth's Band (January 20, 1866), paid Augustus Woodruff Brown for dental work (January 1, 1866, and January 1, 1867), supported his son's education at the Select Classical and Mathematical School (3 items, 1866), and paid for piano lessons (February 21, 1866). He also rented pews at the Church of the Intercession (June 20, 1866) and at the First Congregational Church (July 1, 1866). The receipt for a bill dated June 23, 1866, is addressed to both Augustus F. Smith and his law partner, Isaac Martin. Two items are addressed to other persons: a receipt for Benjamin Bernhard's premiums due to the National Fire Insurance Company (May 11, 1864), and a document from the County of New York Surrogate's Office about the estate of Edward Henriques (August 24, 1865).

Ann Arbor, Michigan, family. Family correspondence, photographs, and miscellanea.

The collection consists of letters of Ellen Botsford Bach written while touring Europe and while attending the University of Michigan. Her other papers include reminiscences of her early life in Ann Arbor before 1900 and a recipe book. The papers of Waldo Bach consist of letters he wrote while serving in the Spanish American War.

This minute book contains administrative and logistical information related to the Blooming Grove Horse Thief Detective Society of Blooming Grove, New York, between 1866 and 1883. The minutes are a record of changing board members and positions, routes, riders, report submissions, the use of telegraphs, poster printing, and directions for leaving descriptions of stolen horses at stations, ferries, and livery stables.

This minute book contains administrative and logistical information related to the Blooming Grove Horse Thief Detective Society of Blooming Grove, New York, between 1866 and 1883. The minutes are a record of changing board members and positions, routes, riders, report submissions, the use of telegraphs, poster printing, and directions for leaving descriptions of stolen horses at stations, ferries, and livery stables.

Calvin Mehaffey's letters to his (unnamed) mother document two periods of Mehaffey's Civil War service in the 1st U.S. infantry regiment. They especially provide coverage of parts of the Peninsular Campaign (March-June, 1862), as well as the period of time in which he was posted near Vicksburg, in the Teche Country, and in New Orleans (August-November, 1863).

Calvin Mehaffey's letters to his mother represent only a small percentage of a once voluminous correspondence. From the eighteen letters that survive, it seems clear that Mehaffey wrote home regularly. The collection documents two periods of Mehaffey's Civil War service, providing excellent coverage of parts of the Peninsular Campaign (March-June, 1862), as well as the period of time in which he was posted near Vicksburg, in the Teche Country, and in New Orleans (August-November, 1863). The remainder of Mehaffey's service is essentially undocumented.

Mehaffey's correspondence reflects the frenetic activities and experiences of a junior staff officer, shouldering administrative responsibility rather than muskets, and the letters provide a number of detailed, fleshed-out stories illustrating the duties and activities of staffers. Among the descriptive masterpieces in the collection is an outstanding account of Mehaffey patrolling the James, confiscating boats and securing supplies, and a novel-like account of the Teche country operations of October 1863. Although Mehaffey describes little in the way of military engagements in this letter, his stories of the local scenery, citizenry, and the movements of troops are engaging and important for conveying, if nothing else, a sense of the logistical demands confronting the federal army in the deep South. In other letters, his encounters with the brothers of George McClellan and ex-President John Tyler, and with the father of Ulysses S. Grant, provide unusual insights into those men.

Mehaffey's comments on Yorktown during the Peninsular Campaign are packed with details about the condition of the city after the Confederate departure and the response of federal officers. From a narrowly military perspective, the letter written in the wake of the Battle of Malvern Hill may be even more interesting. In it, Mehaffey provides a furious sketch of the confusion in federal forces after the battle, the pain of the wounded and the presence of shell shock among many of the survivors. His involvement in assisting in the organization of field hospitals and ferrying the wounded, and the palpable swing in mood from his previous admiration of McClellan to his dread at enduring the humiliation of retreat are equally noteworthy.

In a different vein, Mehaffey's position with the Provost Marshal put him in a unique position to see and comment upon the administration of military justice. Two letters are particularly valuable in documenting an incident in which a slave, Lightfoot, allegedly exacted revenge on the family of his slave master by tying them to a tree and raping the women. Tried and convicted, Lightfoot was himself tied to a tree overnight to await public execution. He escaped, however, setting in motion a full scale search.

Detroit German-American business; scrapbooks containing a variety of printed material, photographs, handwritten accounts of sentiments and occasions, and hand-drawn ink illustrations.

The Carl E. Schmidt collection consists of sixteen volumes of scrapbooks documenting the wide scope of Schmidt's interests. These scrapbooks were compiled and numbered by Schmidt himself, although some of the explanatory text was added by a friend, Dr. Tobias Sigel, who was himself a German immigrant and prominent citizen of Detroit. The scrapbooks are filled with a variety of printed material, photographs, handwritten accounts of sentiments and occasions, and hand-drawn ink illustrations. Much of the scrapbooks' text is in German, including many clippings from German language newspapers. The illustrations in Volume II are particularly attractive. They are hand-drawn red and black ink illustrations of fanciful, legendary themes relating to Walhalla.

The following inventory is a general guide to the contents of each volume. For those scrapbooks that were paginated by Schmidt, specific sections of special interest have been noted in the inventory. Volume 2 also has its own, original index. There is one corresponding folder for each of thirteen of the volumes. These folders contain loose items removed from volumes one through eleven, thirteen, and fourteen.

As the inventory shows, Schmidt was most thorough in documenting his recreational and farming interests, and his political activity in Detroit, at the state level, and in the German-American community. There is, however, very little information about his tannery business.

Ypsilanti, Michigan automobile salesman, antique collector for Greenfield Village, and real estate agent for the Ford Motor Company. Correspondence, newspaper clippings, and pamphlet material concerning his work for Ford Motor Company, and his interest in William H. McGuffey and Stephen Foster; and photographs.

The collection has been arranged into the following series: Correspondence; Newspaper clippings; Printed Material; Greenfield Village acquisitions; Real estate acquisitions; and Photographs.

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

As a youth, Cletus Setley of Reading, Pennsylvania, kept this 31-page sketchbook around the period of the American Civil War. He created pencil doodles, pencil sketches, and pencil and watercolor illustrations of people, ships, caricatures (including anthropomorphic creatures), and a possible story narrative. One page is headed "1864 Members of Company," including Cletus Setley and other names organized by military rank. The volume has brown leather wrappers, and the cover reads, "No. 1 Meredith Henderson & Co."

• Woman doing laundry/ holding washtub
• A person on horseback
• A building [bearing a similarity to John Setley's storefront]
• Woman holding a key next to a door marked "East," beside a small anthropomorphized quadruped
• Male performer or dandy
• Red and blue block text, "UNION"
• Ships in the shape of a horse, with men holding spears and shields
• Hunter aiming a gun at a stag
• Hunters shooting at elephants
• American sailing ships
• People and anthropomorphic creatures
• Man fleeing from dark-skinned persons armed with spears and other weapons
• Shipwrecks
• A lifeboat
• A storefront with a sign reading "JOHN SETLEY" listing flour, seed, and other dry goods
• Sidewheel steamboat
• One page of caricatures, anthropomorphic beings, women, witches, and devils
• Self-portrait, "The names of my valentines Squirt irish women & the Laundry women & to a Zouvave [Zouave] stingy man & the gallent [?]ing the [queshten?] grocer & long shanks"
• Self-portrait and building
• Sketch of a woman with a pipe in her teeth, labelled "IRISH WOMAN". On the same page is a pencil sketch of what may be a quilt block design.
• Performers, possibly for a circus or side-show

A few of the pencil and watercolor illustrations appear to relate to a story of hunters, possibly in Africa, their encounters with indigenous peoples, and a subsequent shipwreck.